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The circle inside the cover illustration represents the spirit domain which exists within every being. The 3 points of the inner triangle are lighted, and represent the three spirits that reside within each human domain. They are connected in this triangle by lines which represents sharing and working together cohesively. The lines from the points in the triangle, (and from each spirit) to the middle of the triangle represent the position of dominance that only one spirit can hold at any moment. The pathway for the one chosen spirit to dominance is this line to the center. The blue waves and swirls of this pure good-natured domain’s inner background depicts flowing, calming water as “goodness” of the pure good natured domain. It also represents the histories, knowledge and information the three spirits that are assigned to the domain have collected and stored for their being’s later supporting use, information from every event from the beginning of time. The circle from the back cover depicts the pure domain of three evil natured spirits. The inner workings are the same as for the pure good-natured domain. The swirls of red and yellow flowing lava represent the more sinister, disturbing and troublesome, evilness of this pure evil domain. Although contending and repelling domains of one another, they both have purpose in the human population.
From "Mother Earth" to "Mother Nature," women have for centuries been associated with nature. Feminists, troubled by the way in which such representations show women controlled by powerful natural forces and confined to domestic space, have sought to distance themselves from nature. In Undomesticated Ground, Stacy Alaimo issues a bold call to reclaim nature as feminist space. Her analysis of a remarkable range of feminist writings—as well as of popular journalism, visual arts, television, and film—powerfully demonstrates that nature has been and continues to be an essential concept for feminist theory and practice.Alaimo urges feminist theorists to rethink the concept of nature by probing the vastly different meanings that it carries. She discusses its significance for Americans engaged in social and political struggles from, for example, the "Indian Wars" of the early nineteenth century, to the birth control movement in the 1920s, to contemporary battles against racism and heterosexism. Reading works by Catherine Sedgwick, Mary Austin, Emma Goldman, Nella Larson, Donna Haraway, Toni Morrison, and others, Alaimo finds that some of these writers strategically invoke nature for feminist purposes while others cast nature as a postmodern agent of resistance in the service of both environmentalism and the women's movement.By examining the importance of nature within literary and political texts, this book greatly expands the parameters of the nature writing genre and establishes nature as a crucial site for the cultural work of feminism.
Considers S. 702, S. 1863, S. 1864.
“Darrell’s poetry is truly of the heart. This writing touched me with its purity, passion, and vibrant love. Here is a man shining with devotion!” Alan Cohen, author “This heart-felt poetry speaks of love, surrender, forgiveness, gentleness, and compassion in a way certain to inspire and uplift all who read it.” Franklin Levinson, facilitator “This poetry puts your mind in the Right Place and this poetry is so sweet and special that it really makes me feel good to read it. So let yourself be uplifted!” - Sandra Ray, author of 16 Books and The Loving Relationships Training
This is a book of poetry, reflections of my thoughts and moods. I hope you will gain the same sense of enjoyment in reading my poetry, as I had in writing it.