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“When you first view Rose-Lynn Fisher’s photographs, you might think you’re looking down at the world from an airplane, at dunes, skyscrapers or shorelines. In fact, you’re looking at her tears. . . . [There’s] poetry in the idea that our emotional terrain bears visual resemblance to the physical world; that our tears can look like the vistas we see out an airplane window. Fisher’s images are the only remaining trace of these places, which exist during a moment of intense feeling—and then vanish.” —NPR “[A] delicate, intimate book. . . . In The Topography of Tears photographer Rose-Lynn Fisher shows us a place where language strains to express grief, longing, pride, frustration, joy, the confrontation with something beautiful, the confrontation with an onion.” —Boston Globe Does a tear shed while chopping onions look different from a tear of happiness? In this powerful collection of images, an award-winning photographer trains her optical microscope and camera on her own tears and those of men, women, and children, released in moments of grief, pain, gratitude, and joy, and captured upon glass slides. These duotone photographs reveal the beauty of recurring patterns in nature and present evocative, crystalline imagery for contemplation. Underscored by poetic captions, they translate the mysterious act of crying into an atlas mapping the structure and magnificence of our interior lives. Rose-Lynn Fisher is an artist and author of the International Photography Award-winning studies Bee and The Topography of Tears. Her photographs are exhibited in galleries, festivals, and museums across the world and have been featured by the Dr. Oz Show, NPR, Smithsonian, Harper’s, New Yorker, Time, Wired, Reader’s Digest, Discover, Brain Pickings, and elsewhere. She received her BFA from Otis Art Institute and lives in Los Angeles.
An Introduction to Digital Photomicrography is written for the hobbyist and the neophyte who wants to take pictures through the microscope. The book includes a description of the parts of the microscope; how to use adjust lighting; types of digital cameras; controls for adjusting digital cameras; choosing a video camera and controls for videography.An introductory guide for the hobbyist who wants to take pictures through the microscope, fully illustrated with 88 colour photographs.
The purpose of this book is to provide the most comprehensive, easy-to-use, and informative guide on light microscopy. Light and Video Microscopy will prepare the reader for the accurate interpretation of an image and understanding of the living cell. With the presentation of geometrical optics, it will assist the reader in understanding image formation and light movement within the microscope. It also provides an explanation of the basic modes of light microscopy and the components of modern electronic imaging systems and guides the reader in determining the physicochemical information of living and developing cells, which influence interpretation. - Brings together mathematics, physics, and biology to provide a broad and deep understanding of the light microscope - Clearly develops all ideas from historical and logical foundations - Laboratory exercises included to assist the reader with practical applications - Microscope discussions include: bright field microscope, dark field microscope, oblique illumination, phase-contrast microscope, photomicrography, fluorescence microscope, polarization microscope, interference microscope, differential interference microscope, and modulation contrast microscope
The author of Digital Nature Photography shows readers how to enhance their nature photography with the available digital technology, covering the basics from composition to printing the final image. Original.
"To see a world in a grain of sand, And a heaven in a wild flower. To hold infinity in the palm of your hand, And eternity in an hour." William Blake, "Auguries of Innocence"1805 Here is the world viewed within a grain of sand, thanks to the stunning three-dimensional microphotography of Dr. Gary Greenberg. To some, all sand looks alike--countless grains in a vast expanse of beach. Look closer--much closer--and your view of sand will never be the same. Employing the fantastic microphotographic techniques that he developed, Greenberg invites readers to discover the strange and wonderful world that each grain of sand contains. Here are the sands of Hawaii and Tahiti, the Sahara and the Poles, a volcano, each exquisitely different, and each telling a fascinating geological story. Red sand and yellow, white sand and black, singing sand and quicksand: Greenbergs pictures reveal the subtle differences in their colors, textures, sizes, and shapes. And as this infinitesimal world unfolds so does an intriguing explanation of how each grain of sand begins and forms and finds itself in a particular place, one of a billion and one of a kind.