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Hudson was born in the borough of Quilmes, now Florencio Varela of the greater Buenos Aires, in Buenos Aires Province, Argentina. He was the son of Daniel Hudson and his wife Catherine nee Kemble, U.S. settlers of English and Irish origin. He spent his youth studying the local flora and fauna and observing both natural and human dramas on what was then a lawless frontier, publishing his ornithological work in Proceedings of the Royal Zoological Society, initially in an English mingled with Spanish idioms. He had a special love of Patagonia. Hudson settled in England during 1874, taking up residence at St Luke's Road in Bayswater.[1] He produced a series of ornithological studies, including Argentine Ornithology (1888-1899) and British Birds (1895), and later achieved fame with his books on the English countryside, including Hampshire Day (1903), Afoot in England (1909) and A Shepherd's Life (1910), which helped foster the back-to-nature movement of the 1920s and 1930s."
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The compelling tale of Rima, a strange, birdlike girl of the jungle, and Abel, the European explorer who falls in love with her. Richly colored narrative, steeped in mystery and romance.
This novel of a man’s yearning for an ethereal woman of the forest is “an unforgettable depiction of love and suffering, remorse and transcendence” (Michael Dirda, The Washington Post). This Edwardian-era “masterpiece” (The New York Times), lavishly illustrated with sixty drawings by Keith Henderson, sparked the nature conservation movement and inspired the film of the same name starring Audrey Hepburn. Green Mansions stunningly recreates the untouched forests of South America with amazing detail. After a failed revolution, Abel is forced to seek refuge in the virgin forests of southwestern Venezuela. There, in his “green mansion,” Abel meets the wood-nymph Rima, the last of a reclusive indigenous people. The bird-girl’s ethereal presence captivates him completely, but the love that blossoms is soon darkened by cruelty and sorrow. Exploring a love somewhere between reality and imagination, Green Mansions is a poignant meditation on the loss of wilderness, the dream of a return to nature, and the relationship between savagery and civilization. A master of natural history writing, W.H. Hudson forms a link between nineteenth-century Romanticism and the twentieth-century ecological movement in a tale pervaded by mysticism—a novel as powerful today as it was over a century ago.
First published in 1904, Hudson's jungle love story became instantly popular, inciting a cultural obsession with "jungle girls." While some critics have noted the novel as an early proponent of ecological interest, Hudson's work provides a great deal of insight into early 20th century colonialism and social gender roles.