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Dante Alighieri (1265-1321) is one of the greatest European writers, whose untrammelled imaginative capacity was matched by a huge base in embracing the science of his era. His texts also paint compelling visual images. In Visions of Heaven, renowned scholar Martin Kemp investigates Dante's supreme vision of divine light and its implications for the visual artists who were the inheritors of Dante's vision. The whole book may be regarded as a new Paragone (comparison), the debate that began in the Renaissance about which of the arts is superior. Dante's ravishing accounts of divine light set painters the severest challenge, which took them centuries to meet. A major theme running through Dante's Divine Comedy, particularly in its third book, the Paradiso, centres on Dante's acts of seeing (conducted according to optical rules with respect to the kind of visual experience that can be accomplished on earth) and the overwhelming of Dante's earthly senses by heavenly light, which does not obey his rules of earthly optics. The repeated blinding of Dante by excessive light sets the tone for artists' portrayal of unseeable brightness.
"Published for the UCD Foundation for Italian Studies."--Title page.
Dante's Inferno inspired Robert Rauschenberg (1925-2008) to create a series of 34 drawings that comprise one of the most remarkable creative enterprises of 20th-century American art. Completed between 1958 and 1960, XXXIV Drawings for Dante's Inferno introduced an innovative transfer process to the artist's tradition of combining found objects and photographic imagery from newspapers and other popular sources. The resulting powerful, abstract narrative runs parallel to Dante's allegorical journey through the underworld. This publication is the culmination of years of research to identify the images used in Rauschenberg's pieces, and Ed Krčma elucidates the work's deliberate commentary on the fraught political climate of the Cold War and its overall significance for the career of one of the postwar era's most influential figures. Exemplifying Rauschenberg's aptitude for collapsing distinctions between various disciplines, his interpretation of Dante's Inferno is explored in depth for the first time in this groundbreaking book.
What is the purpose of life on Earth? Philosopher Jacob Needleman frames man's role on the planet in a completely new and fresh way, moving beyond the usual environmental concerns to reveal how the care and maintenance of a world is something vital and basic to our existence as authentic human beings. In some of his most deeply affecting writing, Needleman draws on his childhood experiences with a terminally ill friend whose impending death forces the young boys to face questions of the meaning of existence at an early age—questions that Needleman carried with him in his explorations of science and philosophy throughout his career as a scholar of religions. The conclusions that he reaches will give all of us a new sense of the purpose of our lives and the planet we live on.
Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the ‘Cambridge Vertical Readings in Dante’s Comedy’ website.
Introducing the Dante Papers Trilogy: Introductory Papers on Dante Further Papers on Dante The Poetry of Search and the Poetry of Statement Dr. Sayers' Further Papers on Dante will be warmly welcomed by all who read her Introductory Papers on Dante and by those hundreds more who want to know more about this astonishing poet newly disclosed to them by her vivid Penguin translation of the Inferno and the Purgatorio. The first series dealt mainly with the theological and ethical aspects of the Divine Comedy. The present one is more heterogeneous and pays more attention to the literary and poetic aspects of Dante's work. Here and there an attempt is made to rescue Dante from the exalted isolation in which he stands, and to compare with him other poets writing on similar themes. 'To label any poet hors concours is in a manner to excommunicate him.' This is not a work of popularization, but Dr. Sayers has in a high degree the ability to make things plain and readable for the general reader while at the same time revealing much that scholars may have overlooked.
Fifteen specially-commissioned essays by distinguished scholars provide an introduction to Dante that is at once accessible and challenging.