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“A man is born into the world with his own pair of eyes, and he is not responsible for his vision—he is merely responsible for his quality of personal honesty.” In the course of his tragically abbreviated career, Stephen Crane (1871–1900) saw things that his contemporaries preferred to overlook—the low life of New York’s Irish slums; the tedium, brutality, and chaos that were the true conditions of the Civil War; the ambiguous contract that binds a terrified man to his killer and the damned to their human judges. He communicated what he saw with the same laconic factuality that characterized his journalism and, in the process, laid the foundations for the unblinking realism of Hemingway and Dos Passos. The Portable Stephen Crane allows us to appreciate the full scope and power of this writer’s vision. It contains three complete novels—Maggie: A Girl of the Streets, George’s Mother, and Crane’s masterpiece, The Red Badge of Courage; nineteen short stories and sketches, including “The Blue Hotel” and “The Open Boat,” a barely fictionalized account of his own escape from shipwreck while covering the Cuban revolt against Spain; the previously unpublished essay “Above All Things”; letters and poems, plus a critical essay and notes by the noted Crane scholar Joseph Katz.
This carefully crafted ebook: " The Blue Hotel + The Bride Comes to Yellow Sky + The Open Boat (3 famous stories by Stephen Crane)" is formatted for your eReader with a functional and detailed table of contents. This omnibus contains the 3 famous stories by Stephen Crane: The Blue Hotel The Bride Comes to Yellow Sky The Open Boat Stephen Crane (1871-1900) was an American novelist, short-story writer, and poet who is often called the first modern American writer. Crane was a correspondent in the Greek-Turkish War and the Spanish American War, penning numerous articles, war reports and sketches.
Characters in the literary tradition of American naturalism are usually perceived as passive, lacking in will, weak, and predetermined. They are constantly seen as the victims of heredity and environment, and their lives are shaped according to these strong forces that operate upon them. This interesting book examines the representation of female characters in American naturalism and argues that women in American naturalism are often represented as femmes fatales. Since heredity and environment are the determining factors in their lives, they are victims who have no control. However, with characters such as Trina Sieppe in Frank Norris's McTeague, Caroline Meeber in Theodore Dreiser's Sister Carrie, Edna Pontellier in Kate Chopin's The Awakening, and Helga Crane in Nella Larsen's Quicksand, these women victims gradually turn themselves into victimizers in order to conquer both heredity and environment. They consciously and deliberately use the only power they have that can help them overcome the naturalistic world in which they are entrapped--the power of the feminine. The book explains who exactly the femme fatale that has been born out of American naturalism is, and explores images of women in American realism who precede the femme fatale of American naturalism. This study examines characters like Trina Sieppe, Caroline Meeber, Edna Pontellier, and Helga Crane. It analyzes these women's backgrounds, their demeanors, their temperaments, their experiences, and their settings, and explains how and when each woman decides to use her sexuality. There is also a brief discussion of other femmes fatales in American naturalism, such as Stephen Crane's Maggie: A Girl of the Streets. Although the perception of women in nineteenth-century American literature has always had its place in discussions of literary texts, this book is unique in its argument that women in American naturalism are neither weak nor passive, but rather are strong and daring women who try diligently to find a means of fighting back. This book is an important addition to collections in literature and Women's studies.
Though best known for The Red Badge of Courage, his classic novel of men at war, in his tragically brief life and career Stephen Crane produced a wealth of stories—among them "The Monster," "The Upturned Face," "The Open Boat," and the title story—that stand among the most acclaimed and enduring in the history of American fiction. This superb volume collects stories of unique power and variety in which impressionistic, hallucinatory, and realistic situations alike are brilliantly conveyed through the cold, sometimes brutal irony of Crane's narrative voice.
Essay from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 10, University of Bucharest (Faculty of Foreign Languages and Literatures), course: English Literature, language: English, abstract: This essay takes a closer look at characteristics of Naturalism in Stephen Crane’s "Maggie.A girl of the streets.".
Seminar paper from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Wuppertal, course: Hauptseminar - New York in American Literature, language: English, abstract: Stephen Crane published his first novel Maggie: A Girl of the Streets in March 1893 on his own expenses under the pseudonym "Johnston Smith". As a young author "who was yet to find a public he was cautious about immediately identifying himself with a work that he himself regarded as shocking" (Ziff x) because it tried "to show that environment is a tremendous thing [...] and frequently shapes lives regardless" (Sorrentino 82). That Maggie is one of the major works to criticize the environment of late 19th century New York City becomes obvious when the reader notices that the protagonist Maggie does neither occur in the first, nor in the last chapter of the novella. Looking more closely at the word "environment" itself one can observe that the term is ambiguous. On the surface the term seems to describe the external living conditions, namely where and under which circumstances the characters live. But it is not the life in the Bowery and the tenements Stephen Crane is referring to since Maggie does not die of starvation or diseases, but of the mental influences, such as the Church and the theater that constantly affect the people. Exactly this environment, Jacob Riis argues, "is indeed a 'tremendous thing in the world' and it frequently shapes the lives of children who grow up in it" (LaFrance 42). Nevertheless, the external living conditions determine the way people are and act. "Crane depicts the influence the city exerts upon the perception of reality of its inhabitants, and this perception differs very much already from one member of the Johnson family to the other" (Schaetzle 19). This is the reason for me to argue that the bad circumstances in the Bowery of New York City contribute to the decay of the moral values and shape lives, as well. T
Essay from the year 2009 in the subject American Studies - Literature, grade: 1,3, University of Leipzig (Institut für Anglistik), course: Written Academic Discourse, language: English, abstract: Scholars classify Stephen Crane's novel Maggie: A Girl of the Streets as a "blend of realism and naturalism" (Keenan 937). Set in the Bowery district of 19th century Manhattan, it vividly conveys the poor living conditions of the lower classes. Due to rising immigration rates and urbanization during the so-called 'Gilded Age', the social character of New York had undergone dramatic transformations. Thus, the realistic description of the heroine's poor living conditions in Crane's Maggie serves as a vivid illustration of the urban 19th century "residential segregation according to [. . .] social class" (Shi and Tindall 780). Despite its evident realistic elements, Crane's novel cannot merely be categorized as a work of realism. In fact, the dominant techniques of characterization militate in favour of its categorization as a naturalistic novel rather than a realistic one.
A global pandemic has America under quarantine. In a run-down apartment building, with nowhere to go and nothing to do, five people-a philosopher, an academic, a filmmaker, a sculptor, and a philanthropist-come together, at first only for the pleasure of company. But then they find themselves in a ferocious debate about the obsessions that drive their lives and a ruthless quest to discover the secrets that brought them together. Their passions and betrayals play out against the dangerous backdrop of a state-enforced lockdown and a disease that can strike anyone at any time. The eventually explosive conflicts among these poor artists, underfed intellectuals, and desperate fanatics pose urgent questions of art and inequality, health and freedom, faith and power, love and death. The Quarantine of St. Sebastian House is at once a Platonic dialogue, a poem in prose, and a suspenseful story of mystery and romance: a fresh narrative for a new era.
Julia is an aspiring painter without money or direction, haunted by a strange family history. Mark is a successful architect who suddenly finds himself unemployed with a baby on the way. Alice is a well-known artist and museum curator disgraced when her last exhibit proved fatal. Running from their failures, this trio is drawn toward a strange new cult that seeks to obliterate the individual-and which may be the creation of a mysterious and dangerous avant-garde artist. John Pistelli unforgettably portrays three people desperate to lead meaningful lives as they confront the bizarre new institutions of a fraying America. A suspenseful and poetic novel in the visionary tradition of Don DeLillo, David Mitchell, Kazuo Ishiguro, and Jos� Saramago, PORTRAITS AND ASHES is a scorching picture of our troubled age.