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A century ago, legendary photographer Edward Curtis set about to capture the traditional world of Native Americans before that world vanished. Now, Ben Greenberg has done the same for the natural areas of Virginia. Devoted to preserving and celebrating Virginia’s diverse but sometimes threatened natural richness, Greenberg has spent years creating a collection of more than one hundred stunning images that range from the Commonwealth’s most well-known to its rarely explored landscapes. By framing all of these photographs—whether of the Shenandoah Valley in full fall blaze or of Tidewater piers in the afterglow of sunset—as panoramas, Greenberg heightens the drama and immediacy of the moment, forging an enduring composite portrait that captures Virginia’s natural heritage and at the same time reminds us of its fragility. Natural Virginiadivides the state into three regions: the Tidewater, Piedmont, and the Western mountains and valleys. The images in each, whether of a great blue heron emerging from river mists or of an almost leafless autumnal tree on Skyline Drive, convey a sense of grandeur while simultaneously inviting the viewer in to the intimacy of the settings, as though one might be able to smell the musk of the salt flats or to feel the brush of the fall wind. The photographs highlight the wide-ranging diversity of the Commonwealth’s national and state parks, wildlife refuges and management areas, their rivers, lakes, mountains, and wild creatures. Deane Dozier’s introductory essays to each region offer further insight into the geography and geology of Virginia.
Virginia Woolf and the Natural World is a compilation of thirty-one essays presented at the twentieth annual international conference on Virginia Woolf. This volume explores Woolf's complex engagement with the natural world, an engagement that was as political as it was aesthetic. The diversity of topics within this collection-ecofeminism, the nature of time, the nature of the self, nature and sporting, botany, climate, and landscape, just to name a few-fosters a deeper understanding of the nature of nature in Woolf's works. Contributors include Bonnie Kime Scott, Carrie Rohman, Diana Swanson, Elisa Kay Sparks, Beth Rigel Daugherty, Jane Goldman, and Diane Gillespie, among many others from the international community of Woolf scholars.
As you travel along the Blue Ridge Parkway or Skyline Drive visiting state and national parks or hike the Appalachian Trail, you will encounter an incredible variety of landscapes and one of the most diverse collections of flora and fauna found in temperate forests anywhere in the world. Full of rich detail, this beautifully illustrated, full-color guide to the region was written and designed for ease of use. Whether you're a first time visitor looking to enjoy and gain an understanding of the Parkway's spectacular views or a geology and nature enthusiast, this guide will be an invaluable companion.--
To this day, women face barriers in entering scientific professions, and in earlier eras the challenges were greater still. But in Botanical Entanglements, Anna Sagal reveals how women’s active participation in scientific discourses of the eighteenth century was enabled by the manipulation of social and cultural conventions that have typically been understood as limiting factors. By taking advantage of the intersections between domesticity, femininity, and nature, the writers and artists studied here laid claim to a specific authority on naturalist subjects, ranging from botany to entomology to natural history more broadly. Botanical Entanglements pairs studies of well-known authors—Eliza Haywood, Charlotte Lennox, Maria Edgeworth, and Charlotte Smith—with authors and artists who receive less attention in this context—Priscilla Wakefield, Maria Jacson, Elizabeth Blackwell, Henrietta Maria Moriarty, and Mary Delany—to offer a nuanced portrait of the diverse strategies women employed to engage in scientific labor. Using socially acceptable forms of textual production, including popular periodicals, didactic texts, novels, illustrated works, craftwork, and poetry, these women advocated for more substantive and meaningful engagement with the natural world. In parallel, the book also illuminates the emotional and physical intimacies between women, plants, and insects to reveal an early precursor to twenty-first-century theorizing of plant intelligence and human-plant relationships. Recognizing such literary and artistic "entanglement" facilitates a more profound understanding of the multifaceted relationship between women and the natural world in eighteenth-century England.
In the Shenandoah Valley and Peninsula Campaigns of 1862, Union and Confederate soldiers faced unfamiliar and harsh environmental conditions--strange terrain, tainted water, swarms of flies and mosquitoes, interminable rain and snow storms, and oppressive
The classic nature memoir of Cape Cod in the early twentieth century, “written with simplicity, sympathy, and beauty” (New York Herald Tribune). When Henry Beston returned home from World War I, he sought refuge and healing at a house on the outer beach of Cape Cod. He was so taken by the natural beauty of his surroundings that his two-week stay extended into a yearlong solitary adventure. He spent his time trying to capture in words the wonders of the magical landscape he found himself in thrall to. In The Outermost House, Beston chronicles his experiences observing the migrations of seabirds, the rhythms of the tide, the windblown dunes, and the scatter of stars in the changing summer sky. Beston argued: “The world today is sick to its thin blood for the lack of elemental things, for fire before the hands, for water, for air, for the dear earth itself underfoot.” Nearly a century after publication, Beston’s words are more true than ever.
Examining the writings and life of Virginia Woolf, In the Hollow of the Wave looks at how Woolf treated "nature" as a deliberate discourse that shaped her way of thinking about the self and the environment and her strategies for challenging the imbalances of power in her own culture—all of which remain valuable in the framing of our discourse about nature today. Bonnie Kime Scott explores Woolf’s uses of nature, including her satire of scientific professionals and amateurs, her parodies of the imperial conquest of land, her representations of flora and fauna, her application of post-impressionist and modernist modes, her merging of characters with the environment, and her ventures across the species barrier. In shedding light on this discourse of Woolf and the natural world, Scott brings to our attention a critical, neglected, and contested aspect of modernism itself. She relies on feminist, ecofeminist, and postcolonial theory in the process, drawing also on the relatively recent field of animal studies. By focusing on multiple registers of Woolf’s uses of nature, the author paves the way for more extended research in modernist practices, natural history, garden and landscape studies, and lesbian/queer studies.
The only collection of photographs devoted to one of America’s natural treasures, Shenandoah: Views of Our National Park documents one man’s decades-long fascination with this uniquely beautiful region in Virginia’s Blue Ridge Mountains. Hullihen Williams Moore has been visiting Shenandoah National Park since the mid-1960s, but it was after studying with Ansel Adams in 1979 that he began seriously photographing it. Through fifty-one black-and-white duotone photographic prints, Moore reveals the quiet beauty of Shenandoah National Park. From grand vistas and waterfalls to the delicate unfurling of new ferns, these photographs capture the singular appeal that attracts 1.7 million visitors to the park each year. In two essays, Moore addresses the natural and human history of the park as well as his own personal experience of it, including the stories behind the individual images. The author has also included a helpful appendix of technical details regarding the photographs. A limited edition accompanied by original photographic prints is available from the artist at www.hullihenmoorephotography.com
From the hair of a famous dead poet to botanical ornaments and meat pies, the subjects of this book are dynamic, organic artifacts. A cross-disciplinary collection of essays, Organic Supplements examines the interlaced relationships between natural things and human beings in early modern and eighteenth-century Europe. The material qualities of things as living organisms--and things that originate from living organisms-- enabled a range of critical actions and experiences to take place for the people who wore, used, consumed, or perceived them.