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An in-depth look at the 61 different species of phlox (Høstfloks).
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
Gore Vidal, known for such best-sellers as The City and the Pillar, Burr, Lincoln, and Myra Breckinridge, is a household name. The controversial Vidal ran for Congress in 1960, and set sparks flying with his public debates challenging William F. Buckley and Norman Mailer. Although one of America's most admired and prolific writers, Vidal has been steadfastly ignored or impugned by many critics. This is partly owing to the vast scope of his writings, which include more than twenty novels, half a dozen plays, dozens of screenplays, countless essays and book reviews, political commentary, and short stories; how do the critics approach such a writer? There has also been backlash against Vidal, whose radical polemics and undisguised contempt for those whom he has called "the hacks and hicks of academe" have hardly endeared him to the critical establishment. Gore Vidal: Writer Against the Grain is the first collection of critical essays to approach this important American writer in an attempt to rectify the unwarranted underestimation of his work. Jay Parini has drawn from the best of previously published criticism and commissioned fresh articles by leading contemporary critics to construct a comprehensive portrait of Vidal's multifaceted and memorable career. Writers as diverse as Harold Bloom, Stephen Spender, Catharine R. Stimpson, Richard Poirier, and Italo Calvino examine Vidal's work in their own highly individual ways, and each finds a different Vidal to celebrate, chide, recollect, or view close up. Also included is a recent interview with Parini in which Vidal discusses his career and his troubled relationship with the reviewers.The Vidal that finally emerges from these essays is a writer of undeniable weight and importance. As readers will agree, Gore Vidal: Writer Against the Grain establishes his rightful role as one of the premier novelists and leading critical observers of this century.
A book on California's islands that deals with their natural history and geology as well as the history of human habitation.
In our busy, noisy world, we may find ourselves longing for silence. But what is silence exactly? Is it the total absence of sound? Or is it the absence of the sound created by humans – the kind of deep stillness you might experience in a remote mountain landscape covered in snow, far away from the bustle of human life? When we listen closely, silence reveals a neglected reality. Neither empty nor singular, silence is instead plentiful and multiple. In this book, eco-acoustic historian Jérôme Sueur allows us to discover a vast landscape of silences which trigger the full gamut of our emotions: anxiety, awe and peace. He takes us from vistas resplendent with full and rich natural silences to the everyday silence of predators as they stalk their prey. To explore silences in animal behaviour and ecology is to discover a counterpoint to the acoustic diversity of the natural world, throwing into sharp relief the grating reverberations of the human activity which threatens it. It is to attune ourselves to a world that our human insensitivities have closed off to us, to take a moment simply to breathe and listen to the place of silence in nature.
Plants of the World is the first book to systematically explore every vascular plant family on earth—more than four hundred and fifty of them—organized in a modern phylogenetic order. Detailed entries for each family include descriptions, distribution, evolutionary relationships, and fascinating information on economic uses of plants and etymology of their names. All entries are also copiously illustrated in full color with more than 2,500 stunning photographs. A collaboration among three celebrated botanists at the Royal Botanic Gardens, Kew, Plants of the World is authoritative, comprehensive, and beautiful. Covering everything from ferns to angiosperms, it will be an essential resource for practicing botanists, horticulturists, and nascent green thumbs alike.
The ninth volume of Evolutionary Biology represents a turning point in the history of this series. The death of Theodosius Dobzhansky was a blow to the whole field of evolutionary biology in general, and to his friends and colleagues, including the other two Editors. He played a central role in the selection of areas that were "ripe" for review papers, and his circle of friends, colleagues, and students was so wide that he could always find exactly the most appropriate author and then convince him that he should prepare the paper. Evolutionary Biology was founded in 1966 and the first volume published in 1967. Ten years-and several vicissitudes-later, it seems advisable to restate the original concept of this serial publication. The Preface of Volume 1 says, simply, We have conceived this serial as a forum in which critical reviews and com mentaries, as well as original papers and even controversial views, can be brought together to cover a broad range of interest with provocative discussion. Evolutionary Biology will provide research workers and students with an excep tional opportunity to read expert presentations of developments in areas of their field in which they are not specialists, and as specialists they will see how others assess these developments. An important feature is that contributions are not necessarily limited in length, subject, and other restrictions that usually prevail in basic research journals.
The original suggestion to organize a symposium about the classi fication and evolution of the Flowering Plants was made at, the International Botanical Congress at Leningrad in 1975, and the idea was so well accepted by several colleagues that plans for such a symposium quickly took shape. An organizing committee consisting of Professor H. MERXMULLER, Miinchen, Professor V. H. HEYWOOD, Reading, and Professor K. KUBITZKI, Hamburg, was set up. The conference took place on 7-12 September 197tl in the Institut fiir Allgemeine Botanik of the University of Hamburg under the auspices of the International Association for Plant Taxonomy and was at tended by 80 participants from 14 countries. There have been several meetings in recent years which have dealt with the origin and evolution of the Flowering Plants so that it might be questioned whether yet another symposium dealing with more or less the same subject were really "justified. As the reader will see from the contents of the book, this symposium differed from similar ones held recently in two respects: 1. Emphasis was given to methodological aspects of the classification of higher taxa, and 2. much classificatory and evolutionary evidence relating to the higher taxa of Flowering Plants was presented.