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Tells the story of the building of the American Museum of Natural History and Hayden Planetarium, a story of history, politics, science, and exploration, including the roles of American presidents, New York power brokers, museum presidents, planetarium directors, polar and African explorers, and German rocket scientists. The American Museum of Natural History is one of New York City’s most beloved institutions, and one of the largest, most celebrated museums in the world. Since 1869, generations of New Yorkers and tourists of all ages have been educated and entertained here. Located across from Central Park, the sprawling structure, spanning four city blocks, is a fascinating conglomeration of many buildings of diverse architectural styles built over a period of 150 years. The first book to tell the history of the museum from the point of view of these buildings, including the planned Gilder Center, The American Museum of Natural History and How It Got That Way contextualizes them within New York and American history and the history of science. Part II, “The Heavens in the Attic,” is the first detailed history of the Hayden Planetarium, from the museum’s earliest astronomy exhibits, to Clyde Fisher and the original planetarium, to Neil deGrasse Tyson and the Rose Center for Earth and Space, and it features a photographic tour through the original Hayden Planetarium. Author Colin Davey spent much of his childhood literally and figuratively lost in the museum’s labyrinthine hallways. The museum grew in fits and starts according to the vicissitudes of backroom deals, personal agendas, two world wars, the Great Depression, and the Cold War. Chronicling its evolution―from the selection of a desolate, rocky, hilly, swampy site, known as Manhattan Square to the present day―the book includes some of the most important and colorful characters in the city’s history, including the notoriously corrupt and powerful “Boss” Tweed, “Father of New York City” Andrew Haswell Green, and twentieth-century powerbroker and master builder Robert Moses; museum presidents Morris K. Jesup, Henry Fairfield Osborn, and Ellen Futter; and American presidents, polar and African explorers, dinosaur hunters, and German rocket scientists. Richly illustrated with period photos, The American Museum of Natural History and How It Got That Way is based on deep archival research and interviews.
From vast termite mounds that outstrip our own skyscrapers, to elaborate birds nests, delicate shells, and deadly spiders' traps, the constructions of the animal world can amaze and at times humble our own engineering and technology. Mike Hansell reveals the biology behind animal architecture - showing how small brains have evolved to produce complex and beautiful structures.
Diane Ackerman's lusciously written grand tour of the realm of the senses includes conversations with an iceberg in Antarctica and a professional nose in New York, along with dissertations on kisses and tattoos, sadistic cuisine and the music played by the planet Earth. “Delightful . . . gives the reader the richest possible feeling of the worlds the senses take in.” —The New York Times
The buildings of the Smithsonian Institution not only contain impressive collections; they are themselves icons of great cultural significance, many of them part of the historic National Mall. The Smithsonian's unique buildings illustrate the changing styles and sensibilities of America as an evolving nation. Representing the work of major architects, each building evokes a specific time in history: the mid-19th-century turreted Castle, the sky-reflecting mid-century modern Air and Space Museum, and the golden, undulating, 21st-century American Indian Museum.
Ben's story takes place in 1977 and is told in words. Rose's story in 1927 is told entirely in pictures. Ever since his mother died, Ben feels lost. At home with her father, Rose feels alone. When Ben finds a mysterious clue hidden in his mother's room, both children risk everything to find what's missing.
Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Contributors -- Preface -- Chapter 1: The Extended Specimen -- Extending the Traditional Specimen -- Extending the Specimen Concept -- Conclusion: Just What Is the "Extended Specimen?"--Acknowledgments -- Literature Cited -- Chapter 2: Getting under the Skin -- Avian Anatomical and Skeletal Collections -- Comparative Anatomy -- Systematics of Extant Species -- Morphology and Behavior -- Paleontology -- Morphometrics -- Physiology and Functional Anatomy -- Evolution and Development -- Conclusions and Future Directions -- Acknowledgments -- Literature Cited -- Chapter 3: Advanced Methods for Studying Pigments and Coloration Using Avian Specimens -- Spectrophotometry -- Limitations and Considerations for Using Specimens -- Analytical Approaches -- Applications to Ecology and Evolution -- Future Directions -- Digital Photography and Hyperspectral Imaging -- Chromatographic Analyses of Bird Pigments -- Analytical Approaches -- Benefits and Challenges of Using Specimens -- Future Directions -- Nondestructive Analysis with Raman Spectroscopy -- What Is Raman Spectroscopy? -- Comparing Raman Spectroscopy and Spectrophotometry -- An Overview of Raman Spectroscopy and Plumage Pigments -- Applications of Raman Spectroscopy in Museum Collections -- Advances in Studying Structural Coloration -- Mechanisms of Structural Coloration -- Techniques to Describe Structural Coloration -- Applications to Ecology and Evolutionary Biology -- Structural Coloration in Fossil Feathers -- Future Directions -- Advanced Methods for Studying Avian Egg Color -- Egg Coloration: An Overview -- Chemical Analysis -- Structural Analysis -- Spectrophotometry -- Digital Photography -- Case Study -- Future Directions -- Conclusions -- Literature Cited
Dinosaurs in the Attic is a chronicle of the expeditions, discoveries, and scientists behind the greatest natural history collection ever assembled. Written by former Natural History columnist Douglas J. Preston, who worked at the American Museum of Natural History for seven years, this is a celebration of the best-known and best-loved museum in the United States.
Built between 1855 and 1860, Oxford University Museum of Natural History is the extraordinary result of close collaboration between artists and scientists. Inspired by John Ruskin, the architect Benjamin Woodward and the Oxford scientists worked with leading Pre-Raphaelite artists on the design and decoration of the building. The decorative art was modelled on the Pre-Raphaelite principle of meticulous observation of nature, itself indebted to science, while individual artists designed architectural details and carved portrait statues of influential scientists. The entire structure was an experiment in using architecture and art to communicate natural history, modern science and natural theology. 'Temple of Science' sets out the history of the campaign to build the museum before taking the reader on a tour of art in the museum itself. It looks at the façade and the central court, with their beautiful natural history carvings and marble columns illustrating different geological strata, and at the pantheon of scientists. Together they form the world's finest collection of Pre-Raphaelite sculpture. The story of one of the most remarkable collaborations between scientists and artists in European art is told here with lavish illustrations.
This book celebrates the colorful past of the San Diego Society of Natural History and the many changes during its 125-year history.