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Unique, dramatic images of seed pods, buds, stems, and other botanical items appear in this remarkable collection. Excellent source of royalty-free pictures and design ideas for artists, craftspeople. 120 full-page black-and-white plates.
The events that took place on September 11th caused Dr. John Brighton, a naturopathic health consultant, to ask himself questions about what role natural forms of healing might have in a scenario involving weapons of mass destruction (WMD). As he examined the issues and the nature of the threat, he felt assured that a naturalistic approach could make a significant contribution in conjunction with that offered by conventional medicine. Moreover, he felt that to use both would provide a more powerful deterrent than if either were used alone. The naturalistic approach would augment the use of drugs by adding 5 extra lines of defense aimed at supporting and strengthening the immune system to deal with such a dire event. These lines include: A psychological dimension A social dimension A preventative dimension An environmental dimension A specific dimension The whole idea of this holistic strategy is to employ prevention and immune-enhancing factors in order to reduce the level of crisis to begin with. As a result, the dependency on antibiotics (there are no effective antivirals) and other valuable medical resources can be considerably reduced, and, most importantly, preserved for when they would be needed most. Another benefit of integrating these two systems would add what Dr. Brighton calls "synergistic complexity" as a way to reduce the current crisis of germ resistance to many most potent antibiotics and to provide a holistic approach to all forms of WMD. The book clarifies the scope of the threat we face by examining: The variety of biological, chemical, and nuclear threats The factors involved in the creation of WMD The uncanny capacity of microbes to develop resistance to our medications The threat of bioengineering and the creation of superbugs How synergistic complexity could provide a possible solution A chapter is dedicated to focusing on the specific nature and challenges posed by each biological, chemical and nuclear agent. This includes: A description of the agent How it causes harm How it might be used as a weapon, and the possibility of it being used How it is detected diagnostically and in the field The conventional method of care and treatment The suggested natural forms of defense including herbs, vitamins & minerals, and other natural substances and healing therapies. The book ends with a forward-looking chapter on emerging technologies that have promise of increasing our level of defense against WMD. A bibliography and a full section on resources are available.
Natural Pattern Forms A Practical Sourcebook for Landscape Design Richard L. Dubé Here for the first time is a practical guide to naturalistic landscape design. With the aid of easy-to-use templates, author Richard L. Dubé introduces you to 48 natural pattern forms, and shows you how to apply these natural solutions to everyday outdoor design problems. Imagine drawing from a palette as varied as an arcing river, receding hills—even clouds and frost. This book provides the inspiration you need to break away from staid design solutions and discover design solutions that are creative and natural. All 48 original templates include a sketch, a photo, and a discussion of the structure, aesthetic attributes, and underlying emotional tone of the pattern form. In addition, Mr. Dubé shows how each form can be reconfigured to meet the needs of specific spaces. Further, each template is cross-referenced to specific design applications, demonstrating practical ways to incorporate natural pattern forms in real designs. This book is a unique and invaluable visual resource for professionals and a creative guide for students who are learning to see the natural landscape in a new way. In addition to expanding any existing repertoire of design solutions, this important new resource: Looks at specific design problems. Offers a range of possible solutions for each problem. Explains how and where to look for natural patterns. Presents information in a clear and concise manner. Provides beautiful visual examples. Author Richard L. Dubé is uniquely qualified to create the first practical guide to naturalistic landscape design. A practicing landscape designer for 17 years, Mr. Dubé is a professional interpretive naturalist with extensive knowledge of Japanese landscape design and construction. In this book he draws upon his knowledge of the conscious use of natural pattern forms in the world-renowned gardens of Japan.
Children may find the method of learning to draw with a brush instead of a pencil easy to do. After mastering use of the brush for drawing, brushwork teaches expression by means of light and shade; bold, simple work, general effect rather than detail; suggestive rather than exact.
First published in 1904, under the German title Kunstformen der Natur, this unique collection of plates holds a lasting influence in both the art and science worlds. Ernst Haeckel’s detailed illustrations serve as a visual encyclopaedia for his pioneering research and anatomical discoveries. Working in both pencil and watercolour paint, he preserved the complex forms, patterns, and structures of the organisms he discovered. Featuring intricate depictions of various land and sea life, this volume serves a scientific purpose while boasting exceptional aesthetic beauty. As a proud addition to the Art Meets Science collection, Read & Co. Books has faithfully reproduced Haeckel’s innovative work. Taking care to conserve the original detail, shapes, and colours as they were printed on initial publication, this beautiful volume recaptures the magic of Art Forms in Nature for a new generation to enjoy.
Nature is in many different ways a pool for the productive human being, but also a counterpoint to his/her own work. This book offers a richly illustrated overview of the history of nature in architecture, civil engineering and art.
Multitude of strangely beautiful natural forms: Radiolaria, Foraminifera, Ciliata, diatoms, calcareous sponges, Tubulariidae, Siphonophora, Semaeostomeae, star corals, starfishes, much more. All images in black and white.
In this daring book, the author proposes that artistic and literary forms can be understood as modulations of wave forms in the physical world. By the phrase "natural syntax," he means that physical nature enters human communication literally by way of a transmitting wave frequency. This premise addresses a central question about symbolism in this century: How are our ideas symbolically related to physical reality? The author outlines a theory of communication in which nature is not reached by reference to an object; rather, nature is part of the message known only tacitly as the wavy carrier of a sign or signal. One doesn't refer to nature, even though one might be aiming to; one refers with nature as carrier vehicle. The author demonstrates that a natural language of transmission has an inherent physical syntax of patterned wave forms, which can also be described as certain "laws of form"—a phrase used by D'Arcy Thompson, L. L. Whyte, Noam Chomsky, and Stephen Jay Gould. He describes a syntax inherent in natural languages that derives from the rhythmic form of a propelling wave. Instead of the "laws" of a wave's form, however, the author speaks of its elements of rhythmic composition, because "rythmos" means "wave" in Greek and because "composition" describes the creative process across the arts. In pursuing a philosophy of rhythmic composition, the author draws on cognitive science and semiotics. But he chiefly employs symmetry theory to describe the forms of art, and especially the patterns of poetry, as structures built upon the natural syntax of wave forms. Natural syntax, it turns out, follows a fascinating group of symmetry transformations that derive from wave forms.
This volume is a selection of papers presented at a workshop entitled Predicative Forms in Natural Language and in Lexical Knowledge Bases organized in Toulouse in August 1996. A predicate is a named relation that exists among one or more arguments. In natural language, predicates are realized as verbs, prepositions, nouns and adjectives, to cite the most frequent ones. Research on the identification, organization, and semantic representa tion of predicates in artificial intelligence and in language processing is a very active research field. The emergence of new paradigms in theoretical language processing, the definition of new problems and the important evol ution of applications have, in fact, stimulated much interest and debate on the role and nature of predicates in naturallangage. From a broad theoret ical perspective, the notion of predicate is central to research on the syntax semantics interface, the generative lexicon, the definition of ontology-based semantic representations, and the formation of verb semantic classes. From a computational perspective, the notion of predicate plays a cent ral role in a number of applications including the design of lexical knowledge bases, the development of automatic indexing systems for the extraction of structured semantic representations, and the creation of interlingual forms in machine translation.