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The eastern and western worlds came together when Princess Nzingha of Kongo-Kingdom and Lord Andrew Barton of Tantallon Scotland both survived unpleasant circumstances, which led them to an unknown island. Princess Nzingha defied her Father by fleeing home to search for her lover, as she believed him to be exiled after her Father found out about a Scandal that involved his daughter, the Princess, and his high-ranked soldier. The night she left home, Pirates invaded their shores, placing the Princess in captivity. Her bravery and fighting skills aided her escape, allowing her to find refuge on an unknown Island. Meanwhile, a ship's Captain named Lord Barton is thrown from his ship while battling a catastrophic storm in the middle of the Atlantic Ocean. The two strangers become companions as they are forced to fight against Natives who fought to protect the Island from foreigners. While on the Island, the two grow a strong companionship, as Nzingha finds peace in Lord Barton after being captured and almost sold into slavery. When the two find their way off the Island. A decision has to be made. Will the Princess follow the Captain to his Homelands? Or will she return home to face the hurt her Father has caused? Her decision to travel with Drake to his homeland ends in chaos when Lord Barton's rapacious uncle captures her and forces the Princess to take him to a cave made of jewels in her mother's homeland in Africa. In an attempt to rescue Princess Nzingha from his uncle, Lord Barton is forced to meet Nzingha's Father, an angry King. Their introduction does not end well, as Nzingha is forced to choose between being her Father's heir or following her lover back to Scotland.
As we approach the twenty-first century, biracialism and biculturalism are becoming increasingly common. Skin color and place of birth are no longer reliable signifiers of one's identity or origin. Simple questions like What are you? and Where are you from? aren't answered--they are discussed. How do you measure someone's race or culture? Half this, quarter that, born here, raised there. What name do you give that? These eighteen essays, joined by a shared sense of duality, address both the difficulties of not fitting into and the benefits of being part of two worlds. Danzy Senna parodies the media's fascination with biracials in a futuristic piece about the mulatto millennium. Garrett Hongo writes about watching his mixed-race children play in a sea of blond hair and white faces, realizing that suburban Oregon might swallow up their unique racial identity. Francisco Goldman shares his frustration with having constantly to explain himself in terms of his Latino and Jewish roots. Malcolm Gladwell understands that being biracial frees him from racial discrimination but also holds him hostage to questions of racial difference. For Indira Ganesan, India and its memory are evoked by the aromas of foods. Through the lens of personal experience, these essays offer a broader spectrum of meaning for race and culture. And in the process, they map a new ethnic terrain that transcends racial and cultural division.
Children’s literature today is dominated by the gothic mode, and it is in children’s gothic fictions that we find the implications of cultural change most radically questioned and explored. This collection of essays looks at what is happening in the children’s Gothic now when traditional monsters have become the heroes, when new monsters have come into play, when globalisation brings Harry Potter into China and yaoguai into the children’s Gothic, and when childhood itself and children’s literature as a genre can no longer be thought of as an uncontested space apart from the debates and power struggles of an adult domain. We look in detail at series such as The Mortal Instruments, Twilight, Chaos Walking, The Power of Five, Skulduggery Pleasant, and Cirque du Freak; at novels about witches and novels about changelings; at the Gothic in China, Japan and Oceania; and at authors including Celia Rees, Frances Hardinge, Alan Garner and Laini Taylor amongst many others. At a time when the energies and anxieties of children’s novels can barely be contained anymore within the genre of children’s literature, spilling over into YA and adult literature, we need to pay attention. Weird things are happening and they matter.
Of all the states of the former Soviet Union, it is in Latvia and in Kazakstan that the titular nation represents the lowest share of the total population: as of 1997, approximately 57 per cent in Latvia and 50 per cent in Kazakstan. In such a situation it is difficult to see how the titular (Latvian, Kazak) culture can serve as a consolidating ele
After a family tragedy orphans her, Rachel, the daughter of a Danish mother and a black G.I., moves into her grandmother's mostly black community in the 1980s, where she must swallow her grief and confront her identity as a biracial woman in a world that wants to see her as either black or white. A first novel. Reprint.
The lives of many families involve contact with more than one language and culture on a daily basis. Growing Up with Two Languages is aimed at the many parents and professionals who feel uncertain about the best way to go about helping children gain maximum benefit from the multilingual situation. This best-selling guide is illustrated by glimpses of life from interviews with fifty families from all around the world. The trials and rewards of life with two languages and cultures are discussed in detail, and followed by practical advice on how to support the child’s linguistic development. Features of this third edition include: a dedicated website with new and updated Internet resources a new chapter giving the perspective of adults who have themselves grown up with more than one language a new chapter presenting research into bilingual language acquisition with information about further reading new and updated first-hand advice and examples throughout. Una Cunningham is an Associate Professor in Modern Languages at Stockholm University, Sweden. She and her husband, Staffan Andersson, have raised their four children to speak English and Swedish in Sweden.
A comprehensive and revealing compilation of essays analyzing the varied dimensions of national identities and nationalisms across world regions and through time. The pervasiveness of nationalism, its many manifestations over the centuries, and the widely scattered way it has been studied make it a particularly difficult subject to approach and explore. ABC-CLIO offers the finest comprehensive reference available on an essential topic in modern world history. Across four volumes, Nations and Nationalism: A Global Historical Overview covers all aspects of nationalism, in all parts of the world, from the time of the French Revolution to the present day. Nations and Nationalism helps students, researchers, and other interested readers explore national identities and nationalistic movements in historical context. Organized chronologically, its four volumes combine thematic essays on different characteristics of nationalism with case studies of key historical developments involving specific nations at specific times. The encyclopedia focuses on Europe, Latin America, Africa, and Asia, with featured coverage of nationalist cultural creations, including literature, music, symbols, and mythologies.
"A Jane Austen-ish plot gets a delicious Indian accent in this effervescent novel by former PEOPLE editor Gage . . . in this exotic, mysterious setting, cultures collide, love grows more complicated and Maya finally discovers just whom – and where – she is really meant to be." --People, **** Maya is an accomplished psychiatry resident with a supportive boyfriend, loving family, and bustling New York social life. When her grandmother dies in India, a family squabble over property ignites a curse that drifts across continents and threatens Maya's life. Or so her father says-- Maya (being a modern woman, an American, and a doctor) doesn't believe in curses, Brahman, or otherwise. But then a series of calamities befalls her family, her career and relationship both falter, and Maya starts to worry. She hopes a trip back to India with her best friend, Heidi, will enable her to remove the curse, save her family, and put her own life back in order. Thus begins a journey into Maya's parallel worlds-- New York and an India filled with loving and annoying relatives, vivid colors, and superstitious customs she doesn't, and does, believe in. But her time in India isn't just a visit "home" or a chance to explore the strengthening and suffocating bonds of family, it's also the beginning of a cathartic quest toward forging one identity out of two cultues as Maya learns unexpected lessons about life and love.
This book is about the Booker Prize – the London-based literary award made annually to “the best novel written in English” by a writer from one of those countries belonging to, or formerly part of, the British Commonwealth. The approach to the Prize is thematically historical and spans the award period to 1999. The novels that have won or shared the Prize in this period are examined within a theoretical framework mapping the literary terrain of the fiction. Individual chapters explore themes that occur within the larger narrative formed by this body of novels - collectively invoked cultures, social trends and movements spanning the stages of imperial heyday and decline as perceived over the past three decades. Individually and collectively, the novels mirror, often in terms of more than a single static image, British imperial culture after empire, contesting and reinterpreting perceptions of the historical moment of the British Empire and its legacy in contemporary culture. The body of Booker novels narrates the demise of empire and the emergence of different cultural formations in its aftermath. The novels are grouped for discussion according to the way in which they deal with aspects of the transition from empire to a post-imperial culture - from early imperial expansion, through colonization, retrenchment, decolonization and postcolonial pessimism, to the emergence of tribal nationalisms and post-imperial nation-states. The focus throughout is primarily literary and contingently cultural.