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These essays are "essays," indeed, in the etymological sense of the word, in that they "try out" my ideas on different topics and different texts. As they are developed, they build up to a climactic crescendo of futility, which may be explained, in part, not by the darkening vision of a wizened and aging man, but by the gathering storms, which have tended to becloud the nation-state of Nigeria. ... The milieu from which my essays emerge has not been conducive to any optimistic or celebratory readings of texts and contexts.
One of the best and most widely anthologized Nigerian poets, ("Heavensgate, Limits" and "Silences") he was killed while fighting in the war for Biafran independence from Nigeria.
Biography of the Nigerian poet whose work combined Igbo mysticism and classical influences.
Christopher Okigbo (1932-1967) was one of Africa's foremost poets until his life was cut short by the Biafran civil war. This work analyses his poetry and considers its importance as prophecy in the light of the current concern about the direction of the Nigerian government.
Poetry, Print, and the Making of Postcolonial Literature reveals an intriguing history of relationships among poets and editors from Ireland and Nigeria, as well as Britain and the Caribbean, during the mid-twentieth-century era of decolonization. The book explores what such leading anglophone poets as Seamus Heaney, Christopher Okigbo, and Derek Walcott had in common: 'peripheral' origins and a desire to address transnational publics without expatriating themselves. The book reconstructs how they gained the imprimatur of both local and London-based cultural institutions. It shows, furthermore, how political crises challenged them to reconsider their poetry's publics. Making substantial use of unpublished archival material, Nathan Suhr-Sytsma examines poems in print, often the pages on which they first appeared, in order to chart the transformation of the anglophone literary world. He argues that these poets' achievements cannot be extricated from the transnational networks through which their poems circulated - and which they in turn remade.
A critical study which explores the range and content of African verse. The text embraces oral poetry and francophone verse.
Nation, Power and Dissidence in Third Generation Nigerian Poetry in English is a theoretical and analytical survey of the poetry that emerged in Nigeria in the 1980s. Hurt into poetry, the poets collectively raise aesthetics of resistance that dramatises the nationalist imagination bridging the gap between poetry and politics in Nigeria. The emerging generation of poetic voices raises an outcry against the repressive military regimes of the 1980s and 1990s. Ingrained in the tradition of protest literature in Africa, the third-generation poetry is presented here as part of the cultural struggles that unseat military despotism and envisage a democratic society.