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"It was the seventh-century Chronicle of Fredegar which first gave the Franks a Trojan ancestry, and the lineage stuck. This fascinating new study shows how, even as late as the sixteenth century, historians and poets found the lure of the eponymic hero Francus, the Glorious Druids and the Great Celtic Past irresistible. It describes how, obsessed with the origins of their country and the prevailing nationalism of the age, early sixteenth-century writers were largely uncritical of their highly spurious sources - even acknowledged forgeries such as those of Annius of Viterbo. However, a desire to replace fiction with fact gradually took hold as the Renaissance progressed, and National Myths examines the reasons for this change of mood and discusses the emotional satisfaction afforded by a belief in the Trojan and Gallic legends." "With its topical themes of nationalism and the politicisation of history, this book sheds new light on Renaissance historiography and on the history of ideas in general."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
At a time when the French monarchy traced its origins back to ancient Troy, Homeric epic was fated to play a significant political role. Homer came to Renaissance France packaged with an ancient interpretive tradition that made him an authority on all matters but also distinctly separate from Virgil and the Aeneid, rival Italy's foundational myth. Thus, once French humanists learned to read Homer in Greek, they quickly began putting him in the service of their king in order to teach him prudence and amplify his authority. Homer and the Politics of Authority in Renaissance France provides a stimulating perspective on how Homeric authority went from being used by humanists in the role of royal counselors to being exploited by both monarchical and anti-monarchical forces in the service of ideologies, most especially in the Wars of Religion (1562-1598). In turn, French writers of the period transitioned from being monarchical advisors to stirring crowds as actors on the larger political stage. In this study, Marc Bizer not only analyzes a number of works by key authors and humanists-including Michel de Montaigne, Joachim du Bellay, Guillaume Bude, and Jean Dorat, among others- but also examines their poetry, art, pamphlets, and plays. Although there have been several studies of the Homeric legacy in western literature and even in early modern French literature, none has analyzed the political role that Homer played in sixteenth-century France for this circle of important writers. The captivating results of this approach to the post-classical usage of Homer will appeal not only to historians and literary scholars, but also to political scientists, classicists, and art historians.
The rulers of Renaissance France regarded war as hugely important. This book shows why, looking at all aspects of warfare from strategy to its reception, depiction and promotion.
"The French vision of Rome was initially determined by travel journals, guide books and a rapidly developing trade in antiquities. Against this background, Margaret McGowan examines work by writers such as Du Bellay, Grevin, Montaigne and Garnier, and by architects and artists such as Philibert de L'Orme and Jean Cousin, showing how they drew upon classical ruins and reconstructions not only to re-enact past meanings and achievements but also, more dynamically, to interpret the present. She explains how Renaissance Rome, enhanced by the presence of so many signs of ancient grandeur, provided a fertile source of artistic creativity. Study of the fragments of the past tempted writers to an imaginative reconstruction of whole forms, while the new structures they created in France revealed the artistic potency of the incomplete and the fragmentary.
In 1665 an anonymous treatise was added to a book skeptical of witchcraft. That book, "The Discoverie of Witchcraft", compiled by Reginald Scot and published in 1584, defended those accused of witchcraft. It also included so many examples of rituals and charms that it became popular with magical practitioners themselves. Although the"Discoverie" has since been reprinted several times, the anonymous material has not been available for over a hundred years. This material features a combination of ceremonial magic, Paracelsian thought, pagan folk rituals, and spirits from John Dee's "A True & Faithful Relation", all mixed into a synthetic whole. "The Magitians Discovered" Volume I is an analysis of who the authors of the anonymous material were, what their worldview was, and what their motivations may have been in assembling and inserting the anonymous material.
From the construction of Notre Dame and the Eiffel Tower to the Fall of the Bastille and the Declaration of the Rights of Man and the Citizen to NapolZon Bonaparte's defeat at Waterloo to Albert Camus' L'Etranger and the existentialism of Jean-Paul Sartre, France has been a part of some of the greatest and most memorable events in human history. Author Gino Raymond relates the history of these events in the second edition of the Historical Dictionary of France. Through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on kings, politicians, authors, architects, composers, artists, and philosophers, a thorough history of France is presented.
The late sixteenth century saw a redrawing of the borders of north-west Europe. Wales and Brittany entered into unions with neighboring countries England and France. This book uses Brittany and Wales' responses to unification to describe a comparative history of national identity during the early modern period.
This book, written by eighteen specialists, deals with the reception of Greek and Latin culture in France in the sixteenth and seventeenth centuries. It is intended for those interested in classical influences on French belles-lettres and visual arts. Readers will benefit from the comprehensive surveys provided by specialists on topics as diverse as the role of French travellers to classical lands in transforming perceptible reality into narrative textuality, Jacques Amyot's contribution to the reinvention of the novel in the West and the influence of ancient law in France. Major literary genres and themes, philosophy, major writers, early French humanists and Hellenists and the visual arts all receive detailed, up-to-date treatment. Contributors include: Olga Augustinos, Alain Billault, Jean Braybrook, Paola Cifarelli, Michèle Ducos, Sue Farquhar, Philip Ford, A. Trevor Hodge, George Huppert, Gillian Jondorf, John Parkin, Laurence Plazenet, Patricia Rosenmeyer, Ofelia Salgado, Gerald Sandy, Alison Saunders, Douglas Thomson, and Valerie Worth-Stylianou.
Drawing on political oratory, diplomatic correspondence, crusade propaganda, and historical treatises, Meserve shows how research into the origins of Islamic empires sprang from—and contributed to—contemporary debates over the threat of Islamic expansion in the Mediterranean. This groundbreaking book offers new insights into Renaissance humanist scholarship and long-standing European debates over the relationship between Christianity and Islam.