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This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
Includes entries for maps and atlases.
The National Gallery of Ireland was founded in 1854 and has since acquired an extraordinary collection of masterpieces by artists such as Caravaggio, Lanfranco, Poussin, Rubens, Uccello, Velázquez, and Vermeer, as well as British artists such as Gainsborough and Reynolds and the leading lights of Irish art, from James Barry to Jack Yeats. The Gallery has expanded steadily, benefiting from the royalties to the works of George Bernard Shaw and from numerous generous donations by figures such as Lane, Milltown, Beit, Mahon, and Chester Beatty. The story of the Gallery, with all its tribulations and struggles, good and bad luck, good and bad judgement, all its personalities, is told for the first time. It displays the breadth and depth of the collection, but it also reveals much about the rebirth of a nation and changing attitudes to art over time.