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- Anil Relia's impressive collection of Nathdwara paintings and sketches displays the fine quality of artistry engaged in the service of Shrinathji - The painters acted as story tellers by recounting the exploits of Krishna while also documenting important historical events and personages at the Nathdwara temple, Rajasthan - The scholarly insights of distinguished art historians Kalyan Krishna and Kay Talwar have enriched this authoritative and engaging catalog Nathdwara, located in the Aravalli Hills of Rajasthan, is home to Shrinathji, a 15th-century manifestation of the child-god Krishna holding up Mount Govardhan. Since the establishment of the haveli (temple mansion) in 1671, artists have flocked to the sacred town to adorn the walls where Shrinathji dwells with painted cloth hangings as well as to provide painted icons for the pilgrimage trade. At one time there were hundreds of artists in the service of Shrinathji. This catalog explores Anil Relia's comprehensive collection of Nathdwara paintings and sketches, celebrating the wide-ranging talents of various artists. The painters are creators of icons and storytellers of Krishna's exploits. Krishna lives in their everyday lives permeating their thoughts and guiding their brushes. At the same time, they record important events in temple history and portraits of the people who participated in these affairs. The paintings that document festivals adhere to a traditional hieratic style, but the artist displays a freer hand in telling the exploits of Krishna. A prominent artist showcased in this collection is Ghasiram Hardev Sharma, a master draughtsman with a penchant for naturalism. He influenced a whole generation of 20th-century artists and is still held in high esteem.
This volume looks at popular manorath paintings of Pushti Marg devotees from the Anil Relia collection. 0Art collector Anil Relia had always admired the miniature paintings of the Nathdwara school, which grew out of the religious devotion of the Pushti Marg (Path of Grace). On one of his trips to this pilgrimage town, he encountered 'manorath' paintings, whose unusual visual elements attracted his attention immediately. Originally part of the Pushti Marg popular culture, 'manorath' paintings were often commissioned by devout followers as an indelible record of a pilgrimage trip to Nathdwara.
A richly illustrated look at the lives and careers of North Indian artists
This book is about the Pichwai paintings, which have been in practice for the last three hundred years in Vallabhacharya Sect temples of Lord Krishna. These paintings portray Lord Krishna. Lord Krishna as a child is shown in different moods, attires, and postures. Painting Pichwai is an ancient form of art passed on from generation to generation, and it has a devotional theme toward Lord Krishna.
The Pushtimarg, a Hindu sect established in India in the fifteenth century, possesses a unique culture--reaching back centuries and still vital today--in which art and devotion are deeply intertwined. This important volume, illustrated with more than one hundred vivid images, offers a new, in-depth look at the Pushtimarg and its rich aesthetic traditions, which are largely unknown outside of South Asia. Original essays by eminent scholars of Indian art focus on the style of worship, patterns of patronage, and artistic heritage that generated pichvais, large paintings on cloth designed to hang in temples, as well as other paintings for the Pushtimarg. In this expansive study, the authors deftly examine how pichvais were and still are used in the seasonal and daily veneration of Shrinathji, an aspect of Krishna as a child who is the chief deity of the temple town of Nathdwara in Rajasthan. Gates of the Lord introduces readers not only to the visual world of the Pushtimarg, but also to the spirit of Nathdwara.
Delhi heritage top 10 Series is a comprehensive guide to Delhi heritage icons and architectural gems. The first volume in the series delves into the fascinating history and the great significance of forgotten, subterranean, man-made water structures, commonly known as baolis or stepwells. The book walks us through the top ten baolis, with two special mentions at the end. Besides giving a vivid description of the functioning and revival of the baolis, the book also focuses on the social importance of each structure. The work is an outcome of a three-year-long research from various archives and contains historic as well as modern photographs along with architectural drawings. The Foreward has been written by Prof. Sohail Hashmi.
The Art of Bikaner features about 60 paintings. Executed in Bikaner style, the works have clearly been impacted by Mughal traditions. The artist's observations during his sojourns to Khumbh or at Ganga Sagar Mela or at the famous holy Dargah shrine at Ajmer were developed into paintings. The repertoire also encompasses 24 distinct avatars or godly incarnations based on studies of Bhagwat Puran. The book brings alive the richness in the art tradition of Bikaner and offers a journey through an India full of mystery and spirituality through intricately delineated paintings.
Illustrated catalog of an exhibition of Pichhwais (devotional textiles that hang behind the image of Hindu God Krishna, worshipped by followers of Pushti Marg, Hindu sect, as Shrinathji) from the collections of TåAPI, held at National Museum of India, New Delhi, from Dec. 8, 2007 to Jan. 20, 2008, and Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai, fromFeb. 8, 2008 to Mar. 2, 2008; with contributions from TAPI Research Team.
On the history and description of paintings in Nathji Temple at Nāthdwāra in Rajasthan.
This volume is the fourth in a series illustrating the superb collections housed at the Maharaja Sawai Man Singh II Museum, City Palace, Jaipur. This book accompanies a new display of paintings and photographs from the reserve collections of the Maharaja Sawai Man Singh II Museum that opened in a special gallery in 2015. It tells the story of the visual arts in Jaipur, exploring the relationship between art that was collected or bought for Jaipur, and art that its rulers commissioned.