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This Library of America volume offers what no reader has ever been able to find—an authoritative edition of all the tales and sketches of Nathaniel Hawthorne in a single comprehensive volume. Everything is included from his three books of stories, Twice-told Tales (1837, revised 1851), Mosses from an Old Manse (1846, 1854), and The Snow-Image, and Other Twice-told Tales (1851), and from his two books of stories for children based on classical myths, A Wonder Book for Girls and Boys (1852) and Tanglewood Tales (1853)—along with sixteen stories not found in any of these volumes. The stories are arranged, as they never have been in any other edition, in the order of their periodical publication. Readers of Hawthorne will thereby get a unique sense of how he became one of the most powerful and experimental writers of American fiction. Here are many familiar but always surprising works like “Young Goodman Brown,” “Wakefield,” “The Birth-mark,” “The Artist of the Beautiful,” “Rappaccini’s Daughter,” and “Ethan Brand.” And here, too, are many others that deserve to be better known, like: • “Roger Malvin’s Burial,” a suspenseful story of guilt and parricide; • “The May-Pole of Merry Mount,” where the chances for human love are perilously suspended between the silken license of the revelers and the iron rectitude of the Puritans; • the masterly tale “My Kinsman, Major Molineux,” full of the pains and terrors of national and familial separations, the severing of the ties of blood and culture that united the colonies to England; • and the exquisite little story “The Wives of the Dead,” about the ambiguities of love and loss, in which, as so often in Hawthorne, the reader at the end is left in a kind of awe at the multiple possibilities of meaning. To read these stories is to understand anew why Hawthorne is a great artist and an astonishingly contemporary one. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
This Library of America volume offers what no reader has ever been able to find—an authoritative edition of all the tales and sketches of Nathaniel Hawthorne in a single comprehensive volume. Everything is included from his three books of stories, Twice-told Tales (1837, revised 1851), Mosses from an Old Manse (1846, 1854), and The Snow-Image, and Other Twice-told Tales (1851), and from his two books of stories for children based on classical myths, A Wonder Book for Girls and Boys (1852) and Tanglewood Tales (1853)—along with sixteen stories not found in any of these volumes. The stories are arranged, as they never have been in any other edition, in the order of their periodical publication. Readers of Hawthorne will thereby get a unique sense of how he became one of the most powerful and experimental writers of American fiction. Here are many familiar but always surprising works like “Young Goodman Brown,” “Wakefield,” “The Birth-mark,” “The Artist of the Beautiful,” “Rappaccini’s Daughter,” and “Ethan Brand.” And here, too, are many others that deserve to be better known, like: • “Roger Malvin’s Burial,” a suspenseful story of guilt and parricide; • “The May-Pole of Merry Mount,” where the chances for human love are perilously suspended between the silken license of the revelers and the iron rectitude of the Puritans; • the masterly tale “My Kinsman, Major Molineux,” full of the pains and terrors of national and familial separations, the severing of the ties of blood and culture that united the colonies to England; • and the exquisite little story “The Wives of the Dead,” about the ambiguities of love and loss, in which, as so often in Hawthorne, the reader at the end is left in a kind of awe at the multiple possibilities of meaning. To read these stories is to understand anew why Hawthorne is a great artist and an astonishingly contemporary one. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
“From boyhood,” wrote Francis Parkman, “I had a taste for the woods and the Indians.” This Library of America volume, containing The Oregon Trail and The Conspiracy of Pontiac, brilliantly demonstrates this lifelong fascination. His first book, The Oregon Trail, is a vivid account of his frontier adventures and his encounters with Plains Indians in their final era of nomadic life. The Conspiracy of Pontiac and the Indian War after the Conquest of Canada, Parkman’s first historical work, portrays the fierce conflict that erupted along the Great Lakes in the aftermath of the Seven Years’ War and chronicles the defeats in which the eastern Native American tribes “received their final doom.” The Oregon Trail (1849) opens on a Missouri River steamboat crowded with traders, gamblers, speculators, Oregon emigrants, “mountain men,” and Kansas Indians. In his search for Natives untouched by white culture, Parkman meets the Whirlwind, a Sioux chieftain, and follows him through the Black Hills. His descriptions of natives’ buffalo hunts, feasts and games, feuds, and gift-giving derive their intensity from his awareness that he was recording a vanishing way of life. Praised by Herman Melville for its “true wild-game flavor,” The Oregon Trail is a classic tale of adventure that celebrates the rich variety of life Parkman found on the frontier and the immensity and grandeur of America’s western landscapes. In The Conspiracy of Pontiac (1851), Parkman chronicles the consequences of the French defeat in Canada for the eastern Native American tribes. At the head of the Native American resistance to the Anglo-American advance in the 1760s was the daring Ottawa leader Pontiac, whose attacks on the frontier forts and settlements put in doubt the continuation of western expansion. A powerful narrative of battles and skirmishes, treaties and betrayals, written with eloquence and fervor and filled with episodes of heroism and endurance, The Conspiracy of Pontiac captures the spirit of a tragic and tumultuous age. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
No American writer of the nineteenth century was more universally enjoyed and admired than Henry Wadsworth Longfellow. His works were extraordinary bestsellers for their era, achieving fame both here and abroad. Now, for the first time in over twenty-five years, The Library of America offers a full-scale literary portrait of America’s greatest popular poet. Here are the poems that created an American mythology: Evangeline in the forest primeval, Hiawatha by the shores of Gitche Gumee, the midnight ride of Paul Revere, the wreck of the Hesperus, the village blacksmith under the spreading chestnut tree, the strange courtship of Miles Standish, the maiden Priscilla and the hesitant John Alden; verses like “A Psalm of Life” and “The Children’s Hour,” whose phrases and characters have become part of the culture. Here as well, along with the public antislavery poems, are the sparer, darker lyrics—"The Fire of Drift-Wood," “Mezzo Cammin,” “Snow-Flakes,” and many others—that show a more austere aspect of Longfellow’s poetic gift. Erudite and fluent in many languages, Longfellow was endlessly fascinated with the byways of history and the curiosities of legend. As a verse storyteller he had no peer, whether in the great book-length narratives such as Evangeline and The Song of Hiawatha (both included in full) or the stories collected in Tales of a Wayside Inn (reprinted here in a generous selection). His many poems on literary themes, such as his moving homages to Dante and Chaucer, his verse translations from Lope de Vega, Heinrich Heine, and Michelangelo, and his ambitious verse dramas, notably The New England Tragedies (also complete), are remarkable in their range and ambition. As a special feature, this volume restores to print Longfellow’s novel Kavanagh, a study of small-town life and literary ambition that was praised by Emerson as an important contribution to the development of American fiction. A selection of essays rounds out of the volume and provides testimony of Longfellow’s concern with creating an American national literature. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Abraham lincoln measured the promise—and cost—of American freedom in lucid and extraordinarily moving prose, famous for its native wit, simple dignity of expressions, and peculiarly American flavor. This volume, with its companion, Abraham Lincoln: Speeches and Writing 1859–1865, comprises the most comprehensive selection ever published. over 240 speeches, letters, and drafts take Lincoln from rural law practice to national prominence, and chart his emergence as an eloquent antislavery advocate and defender of the constitution. included are the complete Lincoln-Douglas debates, perhaps the most famous confrontation in American political history.
The beloved March family trilogy—presented in one “single, beautifully crafted volume” featuring original illustrations (John Matteson, Pulitzer Prize–winning author) From the incidents of her own remarkable childhood, Louisa May Alcott fashioned a trilogy of novels that catapulted her to fame and fortune and that remain among the most beloved works in all of American literature. Here, in an authoritative single-volume edition restoring Alcott’s original text as well as her sister May (the original of Amy)’s illustrations, is the complete series. Set in a small New England town during the Civil War and Reconstruction, Little Women introduces Alcott’s remarkable heroines, the March sisters—above all, her alter ego Jo March, with her literary ambition and independent spirit. The follow-up, Little Men, follows Jo into adulthood and marriage as she finds herself the caretaker of a houseful of rambunctious children at Plumfield School. Jo’s Boys returns to Plumfield a decade later; now grown, Jo’s children recount adventures of their own. At once heartwarming and true to life, Alcott’s novels will continue to win over readers both young and old, as they have for generations. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
This Library of America volume, along with its companion, presents, for the first time in compact form, all seven titles of Francis Parkman’s monumental account of France and England’s imperial struggle for dominance on the North American continent. Deservedly compared as a literary achievement to Gibbon’s The Decline and Fall of the Roman Empire, Parkman’s accomplishment is hardly less awesome than the explorations and adventures he so vividly describes. Pioneers of France in the New World (1865) begins with the early and tragic settlement of the French Huguenots in Florida, then shifts to the northern reaches of the continent and follows the expeditions of Samuel de Champlain up the St. Lawrence River and into the Great Lakes as he mapped the wilderness, organized the fur trade, promoted Christianity among the natives, and waged a savage forest campaign against the Iroquois. The Jesuits in North America in the Seventeenth Century (1867) traces the zealous efforts of the Jesuits and other Roman Catholic orders to convert the Native American tribes of North America. La Salle and the Discovery of the Great West (1869) records that explorer’s voyages on the Ohio and Mississippi Rivers and his treks, often alone, across the vast western prairies and through the labyrinthine swamps of Louisiana. The Old Régime in Canada (1874) recounts the political struggles among the religious sects, colonial officials, feudal chiefs, royal ministers, and military commanders of Canada. Their bitter fights over the monopoly of the fur trade, the sale of brandy to the natives, the importation of wives from the orphanages and poorhouses of France, and the bizarre fanaticism of religious extremists and their “incessant supernaturalism” animate this pioneering social history of early Canada. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
The four novels collected in this Library of America volume are among the classic works from the immensely productive career of America’s most influential man of letters at the turn of the twentieth century. William Dean Howells was a champion of French and Russian realistic writers and a brilliant advocate of the most controversial American writers of his own time. In A Foregone Conclusion (1875), a young American painter roams through Europe for years before at last deciding to marry the woman who, he erroneously thinks, has been in love with an Italian priest turned agnostic. A Modern Instance (1882) offers an unflinching portrait of an unhappy marriage and ends with a hero barred by his perhaps overscrupulous conscience from marrying the divorced heroine. Once again personal dilemmas are seen as symptoms of the rapid displacement of older social and religious stabilities by opportunism and commercial progress. One of the most engaging of all his novels, Indian Summer(1885), is touched with the Jamesian glamour of romantic confusion among two American couples in Italy. Here Howells’s realism takes a quietly humorous turn. Situations which might be exploited by another novelist for their theatrical or melodramatic possibilities are instead eroded by the often trivial or casual experiences of everyday living. Characteristically, Howells is opposed to exaggeration in the interest of discovering how people, despite the crises that beset them, manage to find their way. The Rise of Silas Lapham (1885), Howells’s best-known work, gives a brilliantly skeptical portrait of American business life and its perils, celebrating not the rise but the loss of fortune that makes possible the hero’s recovery of his earlier integrity and happiness. “There are,” remarked a contemporary reviewer, “thousands of Silas Laphams throughout the United States,” and present-day readers might agree that there still are. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
An anthology that traces how Shakespeare has shaped American history and culture—featuring pieces by Founding Fathers, Orson Welles, and other noteworthy figures “The history of Shakespeare in America,” writes James Shapiro in his introduction to this groundbreaking anthology, “is also the history of America itself.” Shakespeare was a central, inescapable part of America’s literary inheritance, and a prism through which crucial American issues—revolution, slavery, war, social justice—were refracted and understood. In tracing the many surprising forms this influence took, Shapiro draws on many genres—poetry, fiction, essays, plays, memoirs, songs, speeches, letters, movie reviews, comedy routines—and on a remarkable range of American writers from Emerson, Melville, Lincoln, and Mark Twain to James Agee, John Berryman, Pauline Kael, and Cynthia Ozick. Americans of the revolutionary era ponder the question “to sign or not to sign;” Othello becomes the focal point of debates on race; the Astor Place riots, set off by a production of Macbeth, attest to the violent energies aroused by theatrical controversies; Jane Addams finds in King Lear a metaphor for American struggles between capital and labor. Orson Welles revolutionizes approaches to Shakespeare with his legendary productions of Macbeth and Julius Caesar; American actors from Charlotte Cushman and Ira Aldridge to John Barrymore, Paul Robeson, and Marlon Brando reimagine Shakespeare for each new era. The rich and tangled story of how Americans made Shakespeare their own is a literary and historical revelation. As a special feature, the book includes a foreword by Bill Clinton, among the latest in a long line of American presidents, including John Adams, John Quincy Adams, and Abraham Lincoln, who, as the collection demonstrates, have turned to Shakespeare’s plays for inspiration.
On June 18, 1812, the United States formally declared war for the first time. President James Madison’s call to arms against Great Britain provoked outpourings of patriotic fervor and vigorous—some said treasonous—domestic opposition. Over the next three years the War of 1812 would prove as divisive as it was rich in nationalist myth-making: We have met the enemy, and he is ours . . . Don’t give up the ship! . . . Oh, say can you see . . . . Now, on the bicentennial of a conflict that shaped the future of a continent, here is the first comprehensive collection of eyewitness accounts in over a century. Reflecting several generations of scholarly discoveries, it covers all the theaters of war, from frontier battles in Canada, Michigan, and New York to naval confrontations on the high seas and Great Lakes, from the burning of Washington to the defense of New Orleans. Here are 140 letters, memoirs, poems, songs, editorials, journal entries, and proclamations by more than 100 participants, both famous—Thomas Jefferson, Andrew Jackson, Tecumseh, Dolley Madison, and the Duke of Wellington, among others—and less well known, such as Laura Secord, the Canadian Paul Revere, and William B. Northcutt, whose remarkable diary provides a common soldier’s view. Features helpful notes, a chronology of the war, and full color endpaper maps.