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This book takes issue with the tendency in twentieth-century Hawthorne-criticism to blur the distinction between symbolism and allegory. Rejecting the long-standing notion that Hawthorne is a symbolist in allegorical disguise, Ullén argues that allegory is the key to understanding how religion, sexuality, aesthetics and politics are interwoven in Hawthorne's writings. The study presents a model for allegorical interpretation of general applicability, which is brought to bear on each of Hawthorne's mature romances, and on the oft-neglected Wonder Books written for children. An unparalleled analysis of the formal intricacies of Hawthorne's writings, this book is an eloquent plea for the necessity of grounding ideological analysis in aesthetical considerations.
When two men are gravely injured during the Battle of Pequawket in 1725, one makes a choice that will haunt him for the remainder of his days. Although Reuben and Roger take shelter against a tombstone-shaped rock together, Reuben survives only by leaving his friend to die. Years later, Reuben takes his grown son hunting and is forced to confront his guilt about not keeping his promise to a dying man. “Roger Malvin’s Burial” was adapted into a short radio program in 1949, and was also republished in the collection Mosses from an Old Manse in 1846. It remains one of Nathaniel Hawthorne’s most moving but least-known short stories. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
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