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Using the works of Nathaniel Hawthorne as a case study, John E. Alvis shows that a novelist can be a political philosopher. He demonstrates that much of Hawthorne's works are rooted in the American political tradition. Once we view his writings in connection with the principles expressed in the Declaration of Independence, we grasp that what Thomas Jefferson and John Adams had stated explicitly, Hawthorne's fiction conveys dramatically. With examples drawn from Hawthorne's shorter works, as well as acknowledged classics, such as The Scarlet Letter, John E. Alvis shows that Hawthorne's characters bear something sacred in their generic humanity, yet are subject to moral judgment. He conveys reciprocity between obligations regulating individual relations and the responsibilities of individuals to their community.From America's founding proclamations in the Declaration of Independence we take a sense of national aspirations for a political order that conforms to laws of nature and nature's God. From this higher law emerge the principles enumerated in that revolutionary document. Are these principles confined to the political, or do they reach into the experience of citizens to inform conduct? Do they include family, local community, and individual face-to-face relations with neighbors and strangers? Can one make a distinct way of life by fidelity to such standards as higher law, equality, liberty, natural rights, and consent?This study is distinguished from other writings on Hawthorne in its largely positive focus on America. Alvis characterizes Hawthorne as a rational patriot who endorses America's new terms for human association. This fascinating study provides new insights into the mind of one of the greatest American writers.
Continuing her interest in applying philosophy to literature and political theory, Colgan argues that American writer Hawthorne (1804-64) reacted strongly to the political and social ideas of his time, examining and sometimes participating in some of the more radical modes of social renovation. She does points out however his vigorous conservative response to reformist proposals for a socio-political existence that entailed the radical transformation of people and society, and apocalyptic yearnings for some form of world-immanent salvation. The text is double spaced. Only names are indexed. Annotation copyrighted by Book News, Inc., Portland, OR.
Thoreau's political writing is intensely personal and direct. Both his life and work focus uncompromisingly on the question 'how should I live?', and for Thoreau, no element of day-to-day existence is left untouched by moral and political issues. This 1996 edition of Thoreau's political essays includes 'Civil Disobedience', selections from Walden, 'Life Without Principle', and the anti-slavery addresses, such as 'Slavery in Massachusetts'. In her introduction, Nancy L. Rosenblum places the essays in the context of Thoreau's life of self-examination, and the debates about the abolition of slavery, and she analyses the themes of citizenship and resistance that have made Thoreau an enduring influence in political philosophy and practice.
"An outstanding combination of literary interpretation and cultural and historical context that will be an important addition to the critical literature on Hawthorne." ---Nina Baym, University of Illinois "It is difficult to imagine a more timely book than Devils and Rebels. Examining the role of the public intellectual and writer during a time of political conflict and war, Reynolds takes up his charges with great precision and historical finesse. What particularly distinguishes this book is its attention to the ways in which one of this country's most important authors struggled to resist the waves of political extremism and patriotic hysteria that swept around him." ---Jeffrey Steele, University of Wisconsin—Madison Widely condemned even in his own time, Nathaniel Hawthorne's views on abolitionism and slavery are today frequently characterized by scholars as morally reprehensible. Devils and Rebels explores the historical and biographical record to reveal striking evidence of the author's true political values---values grounded in pacifism and resistant to the kind of binary thinking that could lead to violence and war. The book offers fresh readings of not only Hawthorne's four major romances but also some of his less familiar works like "Legends of the Province House," The Whole History of Grandfather's Chair, Journal of an African Cruiser, The Life of Franklin Pierce, and "Septimius Felton." Reynolds argues that Hawthorne---whether in his politics or his art---drew upon racialized imagery from America's past revolution and war on witchcraft to create a politics of quiet imagination, alert to the ways in which New England righteousness could become totalitarian by imposing its narrow view of the world on others. Meticulously researched and cogently argued, this groundbreaking work demonstrates the need to examine perspectives and values from beyond the New England region when studying the literary history of the American Renaissance and illuminates the difficulties faced by public intellectuals during times of political strife---an issue as relevant today as it was some one hundred and fifty years ago. Larry J. Reynolds is Thomas Franklin Mayo Professor of Liberal Arts and Professor of English at Texas A&M University. His previous books include A Historical Guide to Nathaniel Hawthorne, National Imaginaries, American Identities: The Cultural Work of American Iconography, and European Revolutions and the American Literary Renaissance as well as an edition of the European writings of Margaret Fuller.
Large Format for easy reading. Sets forth Bacon's belief that Shakespeare's plays were written by a group of eminent men of the time, including Sir Francis Bacon, Edmund Spenser, and Sir Walter Raleigh. The author's concepts, labelled Baconian theory, suggest that the plays contain a vast concealed wealth of wisdom, hidden in enigmas and puzzles to be deciphered. Nathaniel Hawthorne, though not a convert, wrote a preface and helped finance the book.
Excerpts from Thoreau's journals concerning civil disobedience, conscience, law, government, slavery, war, and economics. These passages are what Thoreau considered to be "the price of freedom" - his attempts to mine the richest vein of observations about human conscience and political philosophy, and to present what he found free from all censorship.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This important new reading of a central figure in American literary history, significant in its own right, powerfully demonstrates the potential of Davis's critical approach.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Provides a biography of Nathaniel Hawthorne along with critical views of his work.