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An anthology of poems-- from women poets-- that address stereotypes and expectations women have faced from the time of Eve to today's political climate. There are poems by and about women refusing to be "nice girls;" women embracing their inner bitch when the situation demands it; women being strong, sexy, strident, super-smart and stupendous. And most of all, women who want to encourage little girls to keep dreaming. -- adapted from back cover and amazon.com.
The Light Above is a memoir told through the unfolding stories of two proud daughters of New England—Margaret Fuller, American transcendentalist, women’s rights champion, and public intellectual, alive in the first half of the nineteenth century; and Maria Dintino, the author, daughter of a first-generation Italian American and longtime New Hampshirite. A literary enthusiast, Dintino encounters Fuller and discovers that her stories shed light on her own. Fuller becomes Dintino's guide and teacher, and Dintino gradually deepens in understanding and trust of her own life story. A memoir that reveals the impact of shared stories, extending beyond the limits of time and place.
An Instant #1 New York Times Bestseller A Goop Book Club Pick "If you want your breath to catch and your heart to stop, turn to Kate Baer."--Joanna Goddard, Cup of Jo A stunning and honest debut poetry collection about the beauty and hardships of being a woman in the world today, and the many roles we play - mother, partner, and friend. “When life throws you a bag of sorrow, hold out your hands/Little by little, mountains are climbed.” So ends Kate Baer’s remarkable poem “Things My Girlfriends Teach Me.” In “Nothing Tastes as Good as Skinny Feels” she challenges her reader to consider their grandmother’s cake, the taste of the sea, the cool swill of freedom. In her poem “Deliverance” about her son’s birth she writes “What is the word for when the light leaves the body?/What is the word for when it/at last, returns?” Through poems that are as unforgettably beautiful as they are accessible, Kate Bear proves herself to truly be an exemplary voice in modern poetry. Her words make women feel seen in their own bodies, in their own marriages, and in their own lives. Her poems are those you share with your mother, your daughter, your sister, and your friends.
Opening with a powerful cycle of elegies for her long-distant, half-brother, this major new collection by one of our bestselling poets then goes on to include both serious and funny poems about women and poems about the precarious balance of nature, ending with the beautiful, life-affirming "The Art of Blessing the Day." 160 pp.
Celebrated poet Julie Kane returns to her Boston Irish Catholic roots in this collection about mothers and daughters shaped by the forces of Irish history and Irish-­American culture. Mothers of Ireland confronts how the legacy of personal trauma gets passed down to subsequent generations, with a focus on women from her family history and their paths of both pain and endurance. Kane’s verse reverberates with the lives of her ancestors and the lasting impacts of famine, poverty, repressive religion, ethnic prejudice, and alcoholism. The poems are formal—villanelles, ghazals, sonnets, sestinas, and the like—but their language is fresh and rich with the sound of contemporary spoken English. Coming from a culture that values music, storytelling, and the oral poetic tradition, Kane uses rhyme and rhythm to move the body as well as the mind. Even at their darkest, these haunting poems flash with resilient Irish wit.
An unknown actress on movie star’s arm was how she began. An anonymous activist in a rubber gorilla mask is where she wound up. UN/MASKED: Memoirs of a Guerrilla Girl On Tour follows the surprising twenty-five-year journey of a young artist, Donna Kaz, who is swept off her feet by Willliam Hurt, a rising star, and carried to a beach house in Malibu. The actor William Hurt introduces her to Hollywood’s elite by day and knocks her head in by night. When OJ Simpson kills his former wife in Brentwood, a bell goes off and awakens her angry, activist spirit. Always an outsider, she takes one step further into invisibility and becomes a Guerrilla Girl, a feminist activist who never appears in public without wearing a rubber gorilla mask and who uses the name of a dead woman artist instead of her own. As a Guerrilla Girl, Aphra Behn creates comedic art and theatre that blasts the blatant sexism of the theatre world while proving feminists are funny at the same time. These two narratives—that of a young victim of domestic violence at the hands of a successful actor and that of an artist so fed up with sexism in the theatre world that she puts on a gorilla mask and takes the name of a dead woman artist to provoke change—have been lived by one woman. Donna Kaz offers her compelling first-hand account—illuminated by twenty behind-the-scenes photographs—of her transition from a silent observer to an unapologetic activist. This is the memoir of a woman-turned-survivor-turned-radical-feminist who takes off her mask and, by merging her identities, reveals all.
Stacey Balkun's debut full-length collection, Sweetbitter, is an examination of youth, gender, sexuality, and yearning at an atomic level. The collection reads like a fever dream as Balkun uncovers the radioactive darkness that hides beneath the earth's surface and how it seeps into the lives of those who come near. The speaker takes us with them into the wilderness, wanting the world to be perceived differently, begging to be seen as more. From sapphic longing and poisoned baptisms to contaminated bodies and the gendered erosion of autonomy, Sweetbitter is the product of a restless coming-of-age story. In it, puberty is swimming in a toxic pond and recklessness is disguised as control. With Balkun's hazy, dream-like storytelling, the speaker is a wild creature challenging the social confines of being human, being girl. Sweetbitter is a gripping, sometimes suspenseful, poetry collection that leaves you hungry for more.
'Vital reading' STYLIST '...hooting with laughter - what a swashbuckler that Hannah Jewell is' MARINA HYDE 'Because 100 Nasty Women is so easy to read and witty, I didn't expect it to be the life changing, important book that I'm discovering it to be' PHILIPPA PERRY 'A fantastic addition to your feminist library and historical knowledge.' ANN SHEN, author of Bad Girls Throughout History * * * * * * 100 fascinating and brilliantly written stories about history's bravest, baddest but little known 'nasty' women from across the world. These are the women who were deemed too nasty for their times, too nasty to be recognised, too nasty to be paid for their work and sometimes too nasty to be allowed to live. When you learn about women in history, they're often made out to be shining, glittering souls. But when you hear about these Bold-Yet-Morally-Irreproachable Women of History who were 100% Pure and GoodTM, you're probably not being told the best bits of her life. You probably missed the part where she: Slept around Wore men's clothes Crashed planes Led a revolution Terrorised the seven seas Wrote ~sensual poetry~ Punched a Nazi (metaphorically, but not always) These are the women you've probably never heard of, but should. Take these stories and tell them to your friends, because everyone should know about the nasty women from history who gave zero f*cks whatsoever. These are the 100 Nasty Women of History you need to know about.
Letters and journals form the basis for this illuminating account of the lives of the women of the Wordsworth, Coleridge and Southey households. It tells the story of their passionate attachments, petty jealousies, the deaths of children, the realities of chronic ill health and barbaric medical practice, and the suppression of their own talents.