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Dedicated to the renowned Safavid historian Roger Savory, this book brings together a collection of studies on the Safavid state of Iran (1501-1722) from the perspectives of political, social, literary, and artistic history. Savory, a doyen of Safavid studies in the 1960s and 1970s, was responsible for expanding and popularizing the study of Iran in the 16th and 17th century. To celebrate this legacy, well-established scholars of medieval and early modern Iran have contributed specific studies reflecting an array of research interests and specializations, which include critical re-examinations of issues of gender, literature, art and architecture, cultural and linguistic currents, illustrated historical chronicles, and courtly and administrative practices under the Safavid dynasty. This unique compilation is indicative of a growing interest in Iran and Iranian studies in both the academic and public spheres, and as such contains a number of new perspectives which will serve to supplement and re-interpret the existing corpus of Safavid scholarly literature to date. It will be an important text for scholars of world history and Middle East studies, as well as to historians in general.
The first collection on expurgation in the Classics, exploring the strategies used to deal with obscene and other textual material in conflict with post-classical values.
The story goes, one of the stories of a hundred, that Cogia Nasr Eddin Efendi one day ascending into the pulpit to preach, said, 'O believers, do ye not know what I am going to say to you?' The congregation answered, 'Dear Cogia Efendi, we do not know.' Then said the Cogia, 'What shall I say to you until you do know?' One day the Cogia ascending again into the pulpit, said, 'O Mussulmen, do ye not know what I am going to say to you?' 'We do know, ' they replied. Then said the Cogia, 'Some of ye do know already, what should I have to say to you?' Then descending from the chair he went out. The assembly separated quite astonished, and, when they were out, continued to say, 'Which are those of us who know? Which are those who do not know?' The Cogia one day again mounting the chair in the same manner, said, 'O brothers, when I said to ye, "Do you know what I shall say?" there were some who said, "We know," others said, "We do not." It were now well that those among ye who knew what the Cogia said should teach those that did not.'
Evliya Celebi was the Orhan Pamuk of the 17th century, the Pepys of the Ottoman world - a diligent, adventurous and honest recorder with a puckish wit and humour. He is in the pantheon of the great travel-writers of the world, though virtually unknown to western readers. This translation brings his sparkling work to life.
Robert Dankoff has culled passages from Evliya Çelebi's Book of Travels that deal directly with the life and times of Çelebi's patron, Melek Ahmed Pasha, an outstanding seventeenth-century military and administrative leader. Çelebi's account is sensitive to all the currents of his age and reflects them in his narrative. His wry comments and observations extend from the intimate details of daily life, and the attitudes of the lower classes, to the deeds of the mighty, the ideals of the age, and the fate of the empire. He concentrates on the later phase of Pasha's career, beginning with his appointment as Grand Vizier in 1650. Because Çelebi was Pasha's confidant as well as his protege, there is a level of intimacy, almost a psychological portrait, quite unusual in Ottoman and Islamic literature. The narrative highlights the private side of this public figure -- his weaknesses as well as his heroics; his religious life and domestic affairs -- in particular, his relations with his two successive wives, both sultanas or princesses.
In his huge travel account, Evliya Çelebi provides materials for getting at Ottoman perceptions of the world, not only in areas like geography, topography, administration, urban institutions, and social and economic systems, but also in such domains as religion, folklore, sexual relations, dream interpretation, and conceptions of the self. In six chapters the author examines: Evliya’s treatment of Istanbul and Cairo as the two capital cities of the Ottoman world; his geographical horizons and notions of tolerance; his attitudes toward government, justice and specific Ottoman institutions; his social status as gentleman, character type as dervish, office as caller-to-prayer and avocation as traveller; his use of various narrative styles; and his relation with his audience in the two registers of persuasion and amusement. An Afterword situates Evliya in relation to other intellectual trends in the Ottoman world of the seventeenth century.