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The Nashville Cats bounced from studio to studio along the city's Music Row, delivering instrumental backing tracks for countless recordings throughout the mid-20th century. Music industry titans like Chet Atkins, Anita Kerr, and Charlie McCoy were among this group of extraordinarily versatile session musicians who defined the era of the "Nashville Sound," and helped establish the city of Nashville as the renowned hub of the record industry it is today. Nashville Cats: Record Production in Music City is the first account of these talented musicians and the behind-the-scenes role they played to shape the sounds of country music. Many of the genre's most celebrated artists-Patsy Cline, Jim Reeves, Floyd Cramer, and others immortalized in the Country Music Hall of Fame and musicians from outside the genre's ranks, like Bob Dylan and Leonard Cohen, heard the call of the Nashville Sound and followed it to the city's studios, recording song after song that resonated with the brilliance of the Cats. Author Travis D. Stimeling investigates how the Nashville system came to be, how musicians worked within it, and how the desires of an ever-growing and diversifying audience affected the practices of record production. Drawing on a rich array of recently uncovered primary sources and original oral histories,Âinterviews with key players, and close exploration of hit songs, Nashville Cats brings us back into the studios of this famous era, right alongside the remarkable musicians who made it happen.
To complement Country Music Television's television special, this book features candid photographs and stories of country music stars and their pets. A percentage of the proceeds will be go to the Animal Care Task Force of Nashville and The Nashville Humane Society.
"Nashville Cats: Record Production in Music City, 1945-1975 is the first history of record production during country music's so-called "Nashville Sound" era. This period of country music history produced some of the genre's most celebrated recording artists, including Country Music Hall of Fame inductees Patsy Cline, Jim Reeves, and Floyd Cramer, and marked the establishment of a recording industry that has come to define Nashville in the national and international consciousness. Yet, despite country music's overwhelming popularity during this period and the continued legacy of the studios that were built in Nashville during the 1950s and 1960s, little attention has been given to the ways in which recording engineers, session musicians, and record producers shaped the sounds of country music during the time. Drawing upon a rich array of previously unexplored primary sources, Nashville Cats: Record Production in Nashville, 1945-1975 is the first book to take a global view of record production in Nashville during the three decades that the city's musicians established the city as the leading center for the production and distribution of country music"--
Circles in the Wind is a creative nonfiction memoir of the “back to the land” movement of the 1970s and the counterculture of the late 1960s. The novel documents the wanderings of Red Dawge, Blackjack, and Memphis Dennis across the country from commune to commune, hobo camps, and remote mountain hideaways. From the story of the Rainbow hippies to the loner Houndog Tom, the novel weaves an intricate tapestry of the life and times of those who sought a different existence from the mainstream. The story moves through time and space, from tipi to hogan to earth lodge, from hitchhike to freight train to horseback, circling back its own beginning and becoming the déjà vu.
Born to a Slovenian Mom and an Irish Dad, I grew up in a small Ohio town in the 40's and 50's with many memories of my family struggling during and after World War II. Studies came easy for me, graduating with honors in College Preparatory Classes in 1959. I spent the last years in high school having overcome a "Meatball" weight problem and hanging out with buddies that were "cool." Although I was accepted and had a college scholarship waiting for me, there was this stronger urge to accompany my buddies and join the Marines — promising my parents college would come later. While serving 4 years in the Marine Corps (Univac Computers), I followed one of my "cool" buddies to a local Albany, GA radio station in search of a part-time job and fell in love with the thought of being a DJ with hundreds of girls admiring me and my now Mr. Bronze America muscular body! I did make it with an on-air gig but only got there because of my Sales/Marketing skills. With a few delays, my parents were elated when I graduated from Kent State University with a Bachelor's Degree in Telecommunications and a Master's Degree in Broadcast Management. The road to success has taken me on a lot of twists and turns, some right turns — while making my share of boo-boos along the way. There has been more than 50 years invested in writing this book ... some parts based on life — others based on my vivid imagination! During and following a career in radio and helping to build-up and sell radio stations, there was success as a motivational speaker across the country while promoting other famous speakers, including Zig Ziglar, Og Mandino and Norman Vincent Peale. Several money- making projects were always active while living life to the fullest — including looking for the next lady to share it with and the next opportunity to do something exciting! Enjoy!!
This book explores the formation and continuance of Nashville, Tennessee as a music place, the importance of the fans (tourists) in creating Nashville’s multifaceted musical identity, and the music and city’s influence on the formation and performance of the individual and collective identities of the country-music fan. More importantly, the author discusses the larger issue of country music as a signifier of tradition suggesting that for many visitors, the music serves as a soundtrack, while Nashville serves as a performative space that permits the creation, performance, and remembrance of not only the country-music tradition, but also various individual and collective traditions and an idealized American identity. Through the theatrics of tourism, Nashville and its connection to country music are performed daily, reinforced through the sound and landscape of country music. Performing Nashville will be of interest to students and scholars across a range of disciplines, including tourism studies, leisure studies, ethnomusicology, sociology, folklore and anthropology.
The Nashville Cats bounced from studio to studio along the city's Music Row, delivering instrumental backing tracks for countless recordings throughout the mid-20th century. Music industry titans like Chet Atkins, Anita Kerr, and Charlie McCoy were among this group of extraordinarily versatile session musicians who defined the era of the "Nashville Sound," and helped establish the city of Nashville as the renowned hub of the record industry it is today. Nashville Cats: Record Production in Music City is the first account of these talented musicians and the behind-the-scenes role they played to shape the sounds of country music. Many of the genre's most celebrated artists-Patsy Cline, Jim Reeves, Floyd Cramer, and others immortalized in the Country Music Hall of Fame and musicians from outside the genre's ranks, like Bob Dylan and Leonard Cohen, heard the call of the Nashville Sound and followed it to the city's studios, recording song after song that resonated with the brilliance of the Cats. Author Travis D. Stimeling investigates how the Nashville system came to be, how musicians worked within it, and how the desires of an ever-growing and diversifying audience affected the practices of record production. Drawing on a rich array of recently uncovered primary sources and original oral histories,Âinterviews with key players, and close exploration of hit songs, Nashville Cats brings us back into the studios of this famous era, right alongside the remarkable musicians who made it happen.
That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan's magnum opus, Blonde on Blonde, not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock's first double album. Based on exhaustive research and in-depth interviews, Daryl Sanders chronicles the road that took Dylan from New York to Nashville in search of "that thin, wild mercury sound."
A Liver Runs Through It tells the legendary, four-decade-long, story of the annual 4Day canoe and kayak trip taking place each year on the rivers of Michigans Upper Peninsula. The reader can hear the pfsst of beers opening and smell the cigar smoke swirling about the bourbon-soaked history of the 4Day, as it comes to life in stories told among paddlers on the river, round the evening campfire, and bellied up to northern bars, the timeless yin It is with awe that we stand, two paddling hours upstream from the Fox River Campground, at the top of the well-named Fox River Overlook, this years launch site, with its spectacular view 150 above the winding river valley below. We talk of how, almost 2,000 years ago, this view must have affected the Native American Ojibwa, les Ojibwes, when they first walked to the edge of this cliff. Silence falls over the boys, a rare respite from jokes n stories, as they absorb the scene the pines across the valley and tag alders crowding the Fox below, the rivers gorgeous dark reddish-brown color the result of tannins, the decaying leaves and other vegetation along the riverside. & yang... Some get there by canoe, some get there by car, theyre all lookin for Andys, Andys Seney Bar.
Presents guidance and tools for visitors to Nashville and Memphis, including trip planning information, itineraries, lodging and dining suggestions for different budgets, and details on history, culture, and things to see and do.