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Sela Glaser is hurrying to one of her many temp jobs when she nearly runs over a talking cat named Sable. He reveals that Sela is a soon-to-be witch and he’s going to be her familiar. For a twenty-seven-year-old failed artist with heaps of student debt and no career prospects, this is pretty ground-breaking news. As Sable prepares Sela for her Nascent Eve, a witch’s ritual initiation, she finds herself dreaming of witches she’s never met before. Then, Sela meets what very well might be the man of her dreams, or at least the one to save her from an endless purgatory of dating apps…if only she didn’t have to hide her witchy destiny from him. But when Sela’s Nascent Eve goes awry, she and Sable learn that unseen magic from her past is starting to wreak havoc on her already chaotic present, putting that witchy destiny of hers in jeopardy. Sela has to figure out how to control her powers before things get worse, but a visit home reveals that fixing the past might be much more complicated than Sela or Sable realize. And when the witches from Sela’s dreams begin to appear in real life, questions arise about exactly what kind of witch this frazzled millennial really is. All of this would be a hell of a lot easier to deal with if Sela didn’t have a magical stalker interrupting all of her most romantic dates, and if her familiar’s ice cream addiction wasn’t driving her further into debt. But what’s a witch to do?
Magic, witchery, and humor… This set includes ALL 8 stories in The Witches Anonymous Paranormal Romance Series! BONUS prequel included! Join Amy and Lucifer on their journey from enemies to wedding bells. Can a bad witch go good in 13 steps? Not if Lucifer has his way with her!
Slipping off the magic-free bandwagon has landed me on probation from Witches Anonymous. My love life is on probation, as well, and my sexy, irresistible ex, Lucifer, is tempting me to come back to him. Struggling to stick to my magic-free oath, I’ve committed to Step 4 of Witches Anonymous—examining my moral character. Just my luck, Lilith, the Queen of Hell, wants Lucifer back and now I’ve got three assassins after me—one who plays with poison, another who loves a good fire, and the third who plans to take me to the pit. The only way around this is to team up with Lucifer and kick Lilith off her throne. Ah well, I’ve always wanted to be queen.
In the 1980s, a series of child sex abuse cases rocked the United States. The most famous case was the 1984 McMartin preschool case, but there were a number of others as well. By the latter part of the decade, the assumption was widespread that child sex abuse had become a serious problem in America. Yet within a few years, the concern about it died down considerably. The failure to convict anyone in the McMartin case and a widely publicized appellate decision in New Jersey that freed an accused molester had turned the dominant narrative on its head. In the early 1990s, a new narrative with remarkable staying power emerged: the child sex abuse cases were symptomatic of a 'moral panic' that had produced a witch hunt. A central claim in this new witch hunt narrative was that the children who testified were not reliable and easily swayed by prosecutorial suggestion. In time, the notion that child sex abuse was a product of sensationalized over-reporting and far less endemic than originally thought became the new common sense. But did the new witch hunt narrative accurately represent reality? As Ross Cheit demonstrates in his exhaustive account of child sex abuse cases in the past two and a half decades, purveyors of the witch hunt narrative never did the hard work of examining court records in the many cases that reached the courts throughout the nation. Instead, they treated a couple of cases as representative and concluded that the issue was blown far out of proportion. Drawing on years of research into cases in a number of states, Cheit shows that the issue had not been blown out of proportion at all. In fact, child sex abuse convictions were regular occurrences, and the crime occurred far more frequently than conventional wisdom would have us believe. Cheit's aim is not to simply prove the narrative wrong, however. He also shows how a narrative based on empirically thin evidence became a theory with real social force, and how that theory stood at odds with a far more grim reality. The belief that the charge of child sex abuse was typically a hoax also left us unprepared to deal with the far greater scandal of child sex abuse in the Catholic Church, which, incidentally, has served to substantiate Cheit's thesis about the pervasiveness of the problem. In sum, The Witch-Hunt Narrative is a magisterial and empirically powerful account of the social dynamics that led to the denial of widespread human tragedy.
Her mischief of rats Her murder of crows She will leave bodies wherever she goes… When a strange moon rises above the sister towns of Mire and Ember Hollow, Endicott Thyne is not the only witch to notice. She and her best friend Gabriela head to the woods where they encounter two other witches, Xandra and Maritza. Together, the four discover that this moon signals the Season of the Witch, a time of great magical potential that occurs every three decades. This particular Season has resurrected a dangerous figure who has not been seen in the sister towns in sixty years, and whose presence threatens the very existence of Mire and Ember Hollow. In order to uncover the identity of this stranger, they must find the hidden witch library of Mire, an archive maintained by Endicott’s grandmother Dorothea Thyne until her death. But Dorothea never so much as mentioned the archive to Endicott, who is still mourning this enigmatic librarian who raised her. With a chaotic storm raging above and their magical powers suddenly bound, Endicott, Gabriela, Xandra, and Maritza will have to act fast if they are going to protect the sister towns. But they’re learning that hidden pasts can be perilous, out-of-control magic can be deadly, and the Season waits for no witch.
"A compendium of witches through the ages--from earliest prehistory to some of the most significant modern practitioners, from famed historical figures to popular literary and cinematic figures--this book offers a complete range of the history of witches and explores who and what is a witch. Also included are travel tips for witches and a guide to the tools of the trade"--
THE MAGIC IN THE MUNDANE Saving the world isn’t easy...but real life can be even harder! There’s no rest for the W.I.T.C.H. girls as they navigate van troubles, crushes, and the first day of school-all on top of keeping Kandrakar free from danger. But no matter how difficult things get, they’ve always got each other’s backs!
All the known theories and incidents of witchcraft in Western Europe from the fifth to the fifteenth century are brilliantly set forth in this engaging and comprehensive history. Building on a foundation of newly discovered primary sources and recent secondary interpretations, Jeffrey Burton Russell first establishes the facts and then explains the phenomenon of witchcraft in terms of its social and religious environment, particularly in relation to medieval heresies. Russell treats European witchcraft as a product of Christianity, grounded in heresy more than in the magic and sorcery that have existed in other societies. Skillfully blending narration with analysis, he shows how social and religious changes nourished the spread of witchcraft until large portions of medieval Europe were in its grip, "from the most illiterate peasant to the most skilled philosopher or scientist." A significant chapter in the history of ideas and their repression is illuminated by this book. Our enduring fascination with the occult gives the author's affirmation that witchcraft arises at times and in areas afflicted with social tensions a special quality of immediacy.
This study examines the children’s books of three extraordinary British writers—J.K. Rowling, Diana Wynne Jones, and Terry Pratchett—and investigates their sophisticated use of narrative strategies not only to engage children in reading, but to educate them into becoming mature readers and indeed individuals. The book demonstrates how in quite different ways these writers establish reader expectations by drawing on conventions in existing genres only to subvert those expectations. Their strategies lead young readers to evaluate for themselves both the power of story to shape our understanding of the world and to develop a sense of identity and agency. Rowling, Jones, and Pratchett provide their readers with fantasies that are pleasurable and imaginative, but far from encouraging escape from reality, they convey important lessons about the complexities and challenges of the real world—and how these may be faced and solved. All three writers deploy the tropes and imaginative possibilities of fantasy to disturb, challenge, and enlarge the world of their readers.
Dragon and man, Paul recognizes the magic in Syd, a woman just coming into her fiery powers. Can they withstand the flames, or will they both burn…with desire? Paul is a dragon shifter - the only one of his kind. He's been searching the world over for signs of other dragons, but so far, he’s the only one. When he feels a familiar fire magic tugging him toward the Southwestern United States, he has to investigate. Syd is very much afraid she’s losing her mind. Subject to increasingly disturbing visions, she’s afraid the simple premonitions she’s had all her life are evolving into something darker. Something scary. When her car breaks down in the middle of the desert, Paul appears out of nowhere to help her get back on the road again. She offers him a ride, knowing—somehow—that the simple gesture will change her life forever. Whether for good or evil... well... that remains to be seen. The Lick of Fire series consists of: Phoenix Rising Phoenix and the Wolf Phoenix and the Dragon