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This book is an interdisciplinary study of the commerce–art–politics nexus of Hong Kong cinema from 2000 to 2020, investigating the current nascent generation of film workers who joined the industry as it gradually entered an era marked by the domination of Hong Kong/mainland co-productions. Fangyu Chen explores the filmmaking ideologies of the emerging filmmakers from both within and beyond their film texts and uncovers the artistic and ideological discrepancies between this generation and their predecessors—the established generation who contributed to the glory days of Hong Kong cinema during its economic boom. By tracing the studies of national cinema and transnational cinema, Chen debunks the national/transnational antagonism with the case of post-2000 Hong Kong cinema and argues that it has split into two: a transnational cinema represented by the established generation of filmmakers and a national cinema that is driven by the nascent generation who are struggling for better preservation of Hong Kong local culture and their own cultural identities. Employing a Hong Kong/mainland film dynamics perspective, this study addresses a gap in the academic study of Hong Kong cinema, drawing attention to the material conditions and artistic visions of the craft labour in the industry. Scholars of communication, film studies, and labor economics will find this book of particular interest.
A pathbreaking collection of essays on early Chinese-language cinema
The best country-by-country assessment of human rights. The human rights records of more than ninety countries and territories are put into perspective in Human Rights Watch's signature yearly report. Reflecting extensive investigative work undertaken by Human Rights Watch staff, in close partnership with domestic human rights activists, the annual World Report is an invaluable resource for journalists, diplomats, and citizens, and is a must-read for anyone interested in the fight to protect human rights in every corner of the globe.
To explore what extended competition between the United States and China might entail out to 2050, the authors of this report identified and characterized China’s grand strategy, analyzed its component national strategies (diplomacy, economics, science and technology, and military affairs), and assessed how successful China might be at implementing these over the next three decades.
Het uitgangspunt van dit boek is dat Chinese individuen van hun eigen inzet uit moeten kunnen gaan, ongeacht de beperkingen die hen door de staat worden opgelegd. Om hun belangen beter te kunnen verdedigen sluiten sommige individuen zich aan bij sociale bewegingen, die tot sociale protesten kunnen leiden.
After the end of World War II when many Southeast Asian nations gained national independence, and up until the Asian Financial Crisis, film industries here had distinctive and colourful histories shaped by unique national and domestic conditions. Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998) addresses the similar themes, histories, trends, technologies and sociopolitical events that have moulded the art and industry of film in this region, identifying the unique characteristics that continue to shape cinema, spectatorship and Southeast Asian filmmaking in the present and the future. Bringing together scholars across the region, chapters explore the conditions that have given rise to today's burgeoning Southeast Asian cinemas as well as the gaps that manifest as temporal belatedness and historical disjunctures in the more established regional industries.
Rising densities of human settlements, migration and transport to reduce distances to market, and specialization and trade facilitated by fewer international divisions are central to economic development. The transformations along these three dimensions density, distance, and division are most noticeable in North America, Western Europe, and Japan, but countries in Asia and Eastern Europe are changing in ways similar in scope and speed. 'World Development Report 2009: Reshaping Economic Geography' concludes that these spatial transformations are essential, and should be encouraged. The conclusion is not without controversy. Slum-dwellers now number a billion, but the rush to cities continues. Globalization is believed to benefit many, but not the billion people living in lagging areas of developing nations. High poverty and mortality persist among the world's 'bottom billion', while others grow wealthier and live longer lives. Concern for these three billion often comes with the prescription that growth must be made spatially balanced. The WDR has a different message: economic growth is seldom balanced, and efforts to spread it out prematurely will jeopardize progress. The Report: documents how production becomes more concentrated spatially as economies grow. proposes economic integration as the principle for promoting successful spatial transformations. revisits the debates on urbanization, territorial development, and regional integration and shows how today's developers can reshape economic geography.
‘A free press is not a luxury. A free press is at the absolute core of equitable development’ according to World Bank President James Wolfensohn. A free press is also the key to transparency and good governance and is an indispensable feature of a democracy. So how does Asia rate? In Losing Control, leading journalists analyse the state of play in all the countries of North Asia and Southeast Asia. From the herd journalism of Japan to the Stalinist system of North Korea, Losing Control provides an inside look at journalism and freedom of the press in each country. One conclusion—a combination of new technology and greater democracy is breaking the shackles that once constrained the press in Asia. ‘Brings together Asia’s best and brightest observers of the press.’ Hamish McDonald, Foreign Editor, The Sydney Morning Herald ‘A rare insiders’ view exposing the real dynamics behind social and political change in Asia.’ Evan Williams, Foreign Correspondent, ABC TV ‘A timely and necessary contribution to the debate over the quality of freedom in Asia.’ Geoffrey Barker, The Australian Financial Review
While Americans are generally aware of China's ambitions as a global economic and military superpower, few understand just how deeply and assertively that country has already sought to influence American society. As the authors of this volume write, it is time for a wake-up call. In documenting the extent of Beijing's expanding influence operations inside the United States, they aim to raise awareness of China's efforts to penetrate and sway a range of American institutions: state and local governments, academic institutions, think tanks, media, and businesses. And they highlight other aspects of the propagandistic “discourse war” waged by the Chinese government and Communist Party leaders that are less expected and more alarming, such as their view of Chinese Americans as members of a worldwide Chinese diaspora that owes undefined allegiance to the so-called Motherland.Featuring ideas and policy proposals from leading China specialists, China's Influence and American Interests argues that a successful future relationship requires a rebalancing toward greater transparency, reciprocity, and fairness. Throughout, the authors also strongly state the importance of avoiding casting aspersions on Chinese and on Chinese Americans, who constitute a vital portion of American society. But if the United States is to fare well in this increasingly adversarial relationship with China, Americans must have a far better sense of that country's ambitions and methods than they do now.