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This wry and highly readable investigation of the role of space travel in popular imagination looks at the way NASA has openly borrowed from the TV show Star Trek to reinforce its public standing. It also celebrates the work of a group of the show's fans who rewrite its storylines in porno-romance fanzines. Constance Penley advocates that scientific experimentation be accompanied by social and sexual experimentation, and devoted to exploring inner as well as outer space.
In this investigation and celebration of America's fascination with space, Constance Penley, a professor of film studies and women's studies at the University of California, illustrates issues of sex and sexuality in the world of science and technology and examines the widely held prejudices against women in this area. 20 photos.
The characters of the Star trek television programs and movies go boldly among the stars-- but how much of what they tell us is accurate? Fazekas compares the Federation's technology with our own, and provides scientifically accurate accounts of the realms and star charts that the Enterprise uses to explore the solar system, nebulae, and more.
Today's media, cinema and TV screens are host to new manifestations of myth, their modes of storytelling radically transformed from those of ancient Greece. They present us with narratives of contemporary customs and belief systems: our modern-day myths. This book argues that the tools of transmedia merchandising and promotional material shape viewers' experiences of the hit television series Star Trek, to reinforce the mythology of the gargantuan franchise. Media marketing utilises the show's method of recycling the narratives of classical heritage, yet it also looks forward to the future. In this way, it reminds consumers of the Star Trek story's ongoing centrality within popular culture, whether in the form of the original 1960s series, the later additions such as Voyager and Discovery or J. J. Abrams' `reboot' films. Chapters examine how oral and literary traditions have influenced the series structure and its commercial image, how the cosmological role of humanity and the Earth are explored in title sequences across various Star Trek media platforms, and the multi-faceted way in which Internet, video game and event spin-offs create rituals to consolidate the space opera's fan base. Fusing key theory from film, TV, media and folklore studies, as well as anthropology and other specialisms, To Boldly Go is an authoritative guide to the function of myth across the whole Star Trek enterprise.
Mass human migrations into outer space may begin this century! Are Earth’s inhabitants prepared for this next giant leap? Millions of tax dollars are being employed in NASA and Defense Department research facilities to answer this urgent question. Can humankind migrate to space intelligently, in a civilized manner without real Star Wars? Are these justifiable economic, political, and philosophical reasons for undertaking such a vast project? What legal and institutional implications will surface in distinguishing Earthkind from Spacekind? The immediate and long-range effects of space migration—on earth and its inhabitants, on the solar system and its pioneers—are brought into sharp focus here, within the perspective of the heated debates now taking place in the highest government, scientific, business, and academic circles. From the development of the space shuttle Enterprise and the uses and objectives of the Space Transportation System to the U.S. and Soviet space arsenals of hunter-killer satellites and Fractional Orbit Bombardment Systems (FOBS)—all known aspects of space migration and colonization are examined and presented with a depth and clarity appreciated by laymen, popular scientist, and aerospace engineer alike.
Star Wars begins with its famous title sequence, setting the story in the ancient past of a remote galaxy. Yet the phenomenal success of the film, the franchise, and its "expanded universe" is based upon its reflection of historical and cultural milieus here on modern-day Earth. This collection of new essays examine various ways in which George Lucas's saga touches upon contemporary social and political issues. Topics include the impact of the film's score on musical genres, feminism and NASA, the epic mimicry of Western-African and Bedouin cultural motifs, gender identity construction, Cold War narratives in radio and national mythology, and fan interpretations of authorship and authenticity.
This book introduces students to cultural studies of science and technology. It equips students with an understanding of science and technology as aspects of culture, and an appreciation of the importance of thinking about science and technology from a cultural studies perspective. Individual chapters focus on topics including popular representations of science and scientists, the place of science and technology in everyday life, and the contests over amateur, fringe and pseudo-science. Each chapter includes case studies ranging from the MMR vaccine to UFOs, and from nuclear war to microwave ovens. For students in cultural studies, media studies, sociology and science and technology studies.
Today, we are living in the New Space Age, where mass commercial space travel is almost within our grasp. This otherworldly possibility has opened up new cultural images of space, both real and fictional, and has caused fashion design and spacesuit engineering to intersect in new, exciting ways. Spacewear traverses this uncharted territory by exploring the changing imagination of space in fashion-and fashion in space-from the first Space Age to the 21st century. Exploring how space travel has stylistically and technologically framed fashion design on earth and how we need to revisit established design practices for the weightless environment, Spacewear connects the catwalk and the space station. This book draws together speculative fantasies in sci-fi films such as Star Trek and 2001: A Space Odyssey, with the engineered spacesuits Biosuit, and the NASA Z-2 and with catwalk interpretations by the likes of Alexander McQueen, Hussein Chalayan, André Courrèges, and Iris van Herpen. While the development of commercial space agencies has led to new concerns for style in garments for outer space that re-think fundamental design principles such as drape, high fashion has experimented with new possibilities for weightlessness that extend far beyond the 1960s vision of Space Age metallic fabrics and helmet-style headwear. Brownie takes the reader on a fascinating journey from fantasy to function and to form, deepening our understanding of this new category of fashion that is prompting new approaches to garment design and construction both on earth and in outer space.