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On 11 September 1973, the Chilean Chief of the Armed Forces Augusto Pinochet overthrew the Popular Unity government of Salvador Allende and installed a military dictatorship. Yet this is a book not of parties or ideologies but public history. It focuses on the memorials and memorialisers at seven sites of torture, extermination, and disappearance in Santiago, engaging with worldwide debates about why and how deeds of violence inflicted by the state on its own citizens should be remembered, and by whom. The sites investigated — including the infamous National Stadium — are among the most iconic of more than 1,000 such sites throughout the country. The study grants a glimpse of the depth of feeling that survivors and the families of the detained-disappeared and the politically executed bring to each of the sites. The book traces their struggle to memorialise each one, and so unfolds their idealism and hope, courage and frustration, their hatred, excitement, resentment, sadness, fear, division and disillusionment. ‘This is a beautifully written book, a sensitive treatment of the issues and lives of those who have faced a great deal of loss, most often as unsung heroes, in what are now recognized as Chilean sites of memory. The book is a testament to people who have not been asked to speak, until Peter Read and Marivic Wyndham ask them to tell their stories. They do not shy away from hard tensions about memorialization, the difficulties of challenging a powerful state and the long and arduous struggles to ensure less powerful voices are heard.’ — Professor Katherine Hite, Frederick Ferris Thompson Chair of Political Science, Vassar College, USA.
On 11 September 1973, the Chilean Chief of the Armed Forces Augusto Pinochet overthrew the Popular Unity government of Salvador Allende and installed a military dictatorship. Yet this is a book not of parties or ideologies but public history. It focuses on the memorials and memorialisers at seven sites of torture, extermination, and disappearance in Santiago, engaging with worldwide debates about why and how deeds of violence inflicted by the state on its own citizens should be remembered, and by whom. The sites investigated -- including the infamous National Stadium -- are among the most iconic of more than 1,000 such sites throughout the country. The study grants a glimpse of the depth of feeling that survivors and the families of the detained-disappeared and the politically executed bring to each of the sites. The book traces their struggle to memorialise each one, and so unfolds their idealism and hope, courage and frustration, their hatred, excitement, resentment, sadness, fear, division and disillusionment.
Offering a political epistemology of collective mourning Focusing on forms of improper burial in Turkey and Latin America, Ege Selin Islekel argues that a political technology of mourning is fundamental to contemporary politics. This technology of necrosovereignty shapes not only individuals’ and populations’ lives but also their epistemic and political afterlives. Local practices of mourning, however, contain resistant capacities, opening alternative ways of knowing, remembering, and assembling. “Nightmare knowledges,” Islekel posits, are resistant modes of knowing tied up with grief that challenge the contemporary politics of death and those politics’ archival boundaries. Seen in mothers’ movements across the globe, from the Mothers of the Plaza de Mayo of Argentina to the Saturday Mothers of Turkey, nightmare knowledges produce counterarchives that mobilize traditionally ignored epistemic categories. Nightmare Remains forges a new dialogue between post-Foucauldian political theory and decolonial thought and brings a fresh critical perspective to the theoretical discourse of enforced disappearances.
Political exile Isabel returns to her native Chile when the country is in transition to democracy, following the cruel dictatorship that killed her father and her boyfriend. She is searching for the old Chile she once knew and for her own identity after years in Britain as a refugee, an outsider. Finding Chile deeply divided and democracy impossible with the legacy of the dictator, she embarks on the political activity she sees as vital. Her activism and film-making ambitions carry her across this diverse country of extremes. She visits the native peoples’ homeland with its lush forests and learns of their struggles. With her new Chilean lover, she sees the world’s driest desert in flower and the oldest mummies in the world. Isabel learns much else about her country and herself, whilst risking arrest for her political militancy. Her English partner takes up voluntary work in Chile hoping to find her, fearing for her safety but uncertain if she has left him. His search becomes an enlightening exploration of the culture and politics of Chile in tumultuous times. Isabel is still finding herself and trying to decide her future between two realities.
The powerful conclusion to The Arisen Wolrds, a four-book series! Yevliesza is no longer alone. In her adopted land, people call her their savior. For a vast army of demonic engines is massing and, in the crossings between the worlds, only Yevliesza can stop them. Amid this vital mission, her heart still belongs to Valenty, who has sworn to find her again across a chasm of war and duty. But she has a dilemma. If she uses her rare power to block the invaders at the Gates, she risks bringing the arisen worlds to ruin. Her only hope is to unlock the deeper secrets of the Mythos crossings. She has no time to lose. The sorceress Nashavety is coming home. Accompanying an army of conquest, she will wield an immense and ancient magic—a legacy of the origin world, Earth. For ages, that power has rested in fitful sleep. Soon it will awaken. coming of age; fantasy saga; hidden power; lost magic; hidden realms; medieval realm; dark magic; magic gate; warlike realms; female protagonist; sorcery; slow burn romance; world threatening forces; myth world; powerful lord; fantasy romance action adventure
Architects care. It is foundational and germane to the discipline and practice of architecture. This book charts the way the Arts and Crafts Movement established the moral ethos of ‘an architecture of care’ that not only remains embedded in current discourse and practice but also that is being given a more vocal presence in our climate-crisis and social justice world. By way of ‘genealogical strands’ the book charts the origin of ‘architecture of care’ ideas in the Arts and Crafts Movement and their impact on the ‘other progeny’ architectural projects in South Africa over the past hundred years. These range from the translation of inglenooks into an armature architecture of ‘Dignified Places’ in Cape Town’s townships to the ethos of ‘upliftment’ and care that translates from Octavia Hill through to ‘correcting’ building regulations and eventually finding a less moralising and more transformative impact in the ‘Hostels to Homes’ project. The birth of design through context and climate in the Arts and Crafts Movement is demonstrated by the shift in South African houses from boxy cottages to solar- and nature-oriented ribbon plans as demonstrated through the work of Helmut Stauch and Norman Eaton. The dislocation of Arts and Crafts ideas to the Cape also demonstrated a limit to the valorising of vernacular architecture and its ‘against-globalization’ building materials whereby English architects promoted Cape Dutch settler architecture and denigrated African vernacular architecture. As a final ‘genealogical strand,’ the book demonstrates the coherence of moral instrumentality with the animism and affects potential of handmade buildings. Written for academics, students and researchers interested in architectural history, it is an eye-opening investigation into the role of architecture in society.
Artistic expression is a longstanding aspect of mankind and our society. While art can simply be appreciated for aesthetic artistic value, it can be utilized for other various multidisciplinary purposes. Music as a Platform for Political Communication is a comprehensive reference source for the latest scholarly perspectives on delivering political messages to society through musical platforms and venues. Highlighting innovative research topics on an international scale, such as election campaigns, social justice, and protests, this book is ideally designed for academics, professionals, practitioners, graduate students, and researchers interested in discovering how musical expression is shaping the realm of political communication.
The military coup that toppled Chilean President Salvador Allende in 1973 led to one of the most repressive military dictatorships in Latin American history. Although the coup's full origin remains one of the great mysteries of the Cold War, most assume that powers in Washington were largely to blame, given the long history of U.S. interventionism in Latin America. These assumptions were only strengthened by ongoing suspicions about the Nixon administration's role in a failed campaign to prevent Allende's inauguration in 1970. Providing a comprehensive account of the Nixon administration's efforts to undermine and unseat Allende, the book relies heavily on newly declassified records, addressing several crucial questions regarding U.S. involvement. The author explores several counterfactual scenarios to highlight important turning points and crucial decisions which contributed to the failure of Chilean democracy.
The challenge for historians, as for individuals and nations, has been to make sense of the Cold War past without recourse to the obsolete frameworks of a dichotomous world. The editors of Seeking Meaning, Seeking Justice in the Post-Cold War World, Judith Keene and Elizabeth Rechniewski, have brought together contributions that address the diverse modes by which the Cold War is being assessed, with a major focus on countries on the periphery of the Cold War confrontation. These approaches include developments in historiography as new intellectual and cultural frame are applied to old debates. Authors also consider the ‘universal’ principles and moral discourses, including that of human rights, on which judgements have been based and judicial processes instigated; and the forms of memorialisation that have sought to come to terms, and perhaps achieve reconciliation, with a Cold War past. Contributors are: Ann Curthoys, Philip Deery, Katherine Hite, Michael Humphrey, Su-kyong Hwang, Perry Johansson, Judith Keene, Betty O'Neill, Peter Read, Elizabeth Rechniewski, Estela Valverde, Adrian Vickers and Marivic Wyndham
Across the globe, history has gone public. With the rise of the internet, family historians are now delving into archives continents apart. Activists look into and recreate the past to promote social justice or environmental causes. Dark and difficult pasts are confronted at sites of commemoration. Artists draw on memory and the past to study the human condition and make meaning in the present. As a result of this democratisation of history, public history movements have now risen to prominence. This groundbreaking edited collection takes a comprehensive look at public history throughout the world. Divided into three sections - Background, Definitions and Issues; Approaches and Methods; and Sites of Public History - it contextualises public history in eleven different countries, explores the main research skills and methods of the discipline and illustrates public history research with a variety of global case studies. What is Public History Globally? provides an in-depth examination of the ways in which ordinary people become active participants in historical processes and it will be an invaluable resource for advance undergraduates and postgraduates studying public history, museology and heritage studies.