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Narratives Unsettled argues by way of close readings of three very different German-language writers that only if we conceive of narrativity unburdened by plot can we properly account for radical forms of digression.
First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Children’s books seek to assist children to understand themselves and their world. Unsettling Narratives: Postcolonial Readings of Children’s Literature demonstrates how settler-society texts position child readers as citizens of postcolonial nations, how they represent the colonial past to modern readers, what they propose about race relations, and how they conceptualize systems of power and government. Clare Bradford focuses on texts produced since 1980 in Canada, the United States, Australia, and New Zealand and includes picture books, novels, and films by Indigenous and non-Indigenous publishers and producers. From extensive readings, the author focuses on key works to produce a thorough analysis rather than a survey. Unsettling Narratives opens up an area of scholarship and discussion—the use of postcolonial theories—relatively new to the field of children’s literature and demonstrates that many texts recycle the colonial discourses naturalized within mainstream cultures.
There is a grand piano delivered to the wrong Sea Point address. There is Toby the dog whose casual disappearance leads to the discovery of a world as unlikely as a helpful man. There are Isabelle and Hester, both travelling on the same train, but moving in opposite directions. There are the school girls who smoke through Die Stem during a Republic Day Celebration. There is Adeela longing for OK Bazaars, Boxing Day, and groenboontjie bredie; Lilly who knows too little of her mothers past and Elizabeth who is desperate to shed hers. Who can say why Eleanor married the man she did, or why she took the long sea journey south? Who can say where Sues been, or who the vark lilies are for? Who believes it when told, Its for your own good? Whether drawn from the distance of history or located in contemporary Cape Town, these eight stories create a tender and luminous account of just how extraordinary the everyday life of women can be.
Today, no one really thinks of Britain as a land of camps. Camps seem to happen 'elsewhere', from Greece, to Palestine, to the global South. Yet over the course of the twentieth century, dozens of British refugee camps housed hundreds of thousands of Belgians, Jews, Basques, Poles, Hungarians, Anglo-Egyptians, Ugandan Asians, and Vietnamese. Refugee camps in Britain were never only for refugees. Refugees shared a space with Britons who had been displaced by war and poverty, as well as thousands of civil servants and a fractious mix of volunteers. Unsettled: Refugee Camps and the Making of Multicultural Britain explores how these camps have shaped today's multicultural Britain. They generated unique intimacies and frictions, illuminating the closeness of individuals that have traditionally been kept separate — 'citizens' and 'migrants', but also refugee populations from diverse countries and conflicts. As the world's refugee crisis once again brings to Europe the challenges of mass encampment, Unsettled offers warnings from a liberal democracy's recent past. Through lively anecdotes from interviews with former camp residents and workers, Unsettled conveys the vivid, everyday history of refugee camps, which witnessed births and deaths, love affairs and violent conflicts, strikes and protests, comedy and tragedy. Their story — like that of today's refugee crisis — is one of complicated intentions that played out in unpredictable ways. The aim of this book is not to redeem camps — nor, indeed, to condemn them. It is to refuse to ignore them. Unsettled speaks to all who are interested in the plight of the encamped, and the global uses of encampment in our present world.
A shocking inside account of reckless capitalism and injustice in the Purdue Pharma bankruptcy case. In September 2019, Purdue Pharma—the maker of OxyContin and a company controlled by the infamous billionaire Sackler family—filed for bankruptcy to protect itself from 2,600 lawsuits for its role in fueling the U.S. overdose crisis. Author and activist Ryan Hampton served as co-chair of the official creditors committee that acted as a watchdog during the process, one of only four victims appointed among representatives of big insurance companies, hospitals, and pharmacies. He entered the case believing that exposing the Sacklers and mobilizing against Purdue would be enough to right the scales of justice. But he soon learned that behind closed doors, justice had plenty of other competition—and it came with a hefty price tag. Unsettled is the inside story of Purdue’s excruciating Chapter 11 bankruptcy proceedings, the company’s eventual restructuring, and the Sackler family’s evasion of any true accountability. It’s also the untold story of how a group of determined ordinary people tried to see justice done against the odds—and in the face of brutal opposition from powerful institutions and even government representatives. Although America was envisioned as an equitable place, where the vulnerable are protected from the greed of the powerful, the corporate-bankruptcy process betrays those values. In its heart of hearts, this system is built to shield the ultra-wealthy, exploit loopholes for political power, promote gross wealth inequality, and allow companies such as Purdue Pharma to run amok. The real story of the Purdue bankruptcy wasn’t that the billion-dollar corporation was a villain, a serial federal offender. No matter what the media said, Purdue didn’t do this alone. They were aided and abetted by the very systems and institutions that were supposed to protect Americans. Even on-your-side elected officials worked against Purdue’s victims—maintaining the status quo at all costs. Americans deserve to know exactly who is responsible for failing to protect people over profits—and what a human life is worth to corporations, billionaires, and lawmakers. Unsettled is what happened behind closed doors—the story of a sick, broken system that destroyed millions of lives and let the Sacklers off almost scot-free.
In Unsettled States, Dana Luciano and Ivy G. Wilson present some of the most exciting emergent scholarship in American literary and cultural studies of the “long” nineteenth century. Featuring eleven essays from senior scholars across the discipline, the book responds to recent critical challenges to the boundaries, both spatial and temporal, that have traditionally organized scholarship within the field. The volume considers these recent challenges to be aftershocks of earlier revolutions in content and method, and it seeks ways of inhabiting and amplifying the ongoing unsettledness of the field. Written by scholars primarily working in the “minor” fields of critical race and ethnic studies, feminist and gender studies, labor studies, and queer/sexuality studies, the essays share a minoritarian critical orientation. Minoritarian criticism, as an aesthetic, political, and ethical project, is dedicated to finding new connections and possibilities within extant frameworks. Unsettled States seeks to demonstrate how the goals of minoritarian critique may be actualized without automatic recourse to a predetermined “minor” location, subject, or critical approach. Its contributors work to develop practices of reading an “American literature” in motion, identifying nodes of inquiry attuned to the rhythms of a field that is always on the move.
This book invites readers into a growing, dynamic conversation among scholars and critics around a vibrant community of artists from an African American South. This constellation of creative makers includes familiar figures, such as Thornton Dial Sr., Lonnie Holley, and quiltmakers Nettie Young and Mary Lee Bendolph, whose work is collected in major museum and private collections. The artists represented extend to lesser-known but equally compelling creators working across a wide range of artistic forms, themes, and geographies. The essays gathered here, accompanied by a generous selection of full-color plates, survey subjects such as the artists' engagement with enslavement and liberation, the spiritual and religious dimensions of their work, the technical aspects of their work (such as the common use of "assemblage" as an artistic medium), the links between art and biography, and the evolving status of their reception in narratives of contemporary, modern, southern, and American art. Contributors are Celeste-Marie Bernier, Laura Bickford, Michael J. Bramwell, Elijah Heyward III, Sharon P. Holland, and Pamela J. Sachant.
This book provides a critical investigation into Sikh and Muslim conflict in the postcolonial setting. Being Sikh in a diasporic context creates challenges that require complex negotiations between other ethnic minorities as well as the national majority. Unsettling Sikh and Muslim Conflict: Mistaken Identities, Forced Conversions, and Postcolonial Formations maps in theoretically informed and empirically rich detail the trope of Sikh-Muslim antagonism as it circulates throughout the diaspora. While focusing on contemporary manifestations of Sikh-Muslim hostility, the book also draws upon historical examples of such conflict to explore the way in which the past has been mobilized to tell a story about the future of Sikhs. This book uses critical race theory to understand the performance of postcolonial subjectivity in the heart of the metropolis.
After Richard Shaw published his acclaimed memoir The Forgotten Coast in 2021, he made contact with Pakeha with long settler histories who were coming to grips with the truth of their respective families' &‘ pioneer stories' . They were questioning the foundation of aggressive acts of colonisation and land confiscation on which those stories had been constructed.The Unsettled weaves those stories with Shaw' s own and features New Zealanders who are trying to figure out how to live well with their own pasts, their presents and their possible futures. They may be unsettled, but they are doing something about it.It is an indispensable companion for the journey towards understanding the complex and difficult history of the New Zealand Wars and their ongoing aftermath.