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This volume focuses on indigenous knowledge in analyzing the traditions and communication processes within various communities of Northeast India. It deals with the historical and theoretical trajectory of communication for social change as a discipline, bringing together a series of interesting case studies from the sphere of meaningful learning where individuals and communities engage in a cooperative and dialogic environment to promote change at multiple levels. The case studies cover a range of media - radio, video, ‘forum theatre’ - and considers both practitioners and audiences. The authors’ focus on narration, diversity, participation, and interaction is timely, and expands knowledge relating to these areas by linking them in new ways. It is of interest to an academic audience as well as practitioners researching and working in areas of education, communication, community development, and social work.
This book presents the narratives and voices of young, mostly male practitioners of hip hop culture in Delhi, India. The author suggests that practitioners understand hip hop as both a thing that can be appropriated and authenticated, made real, in the local and global context and as a way that enables them to transform their lives and futures in the rapidly globalising urban environments of Delhi. The dancers, artists, musicians and cultural theorists that feature in this book construct a multitude of voices in their narratives to formulate their ‘own’ transcultural voices within global hip hop. Through a combination of linguistic ethnography, sociolinguistics and discourse studies, the book addresses issues including gender and sexuality, identity construction and global culture.
The volume brings together readings describing a range of less-traversed aspects and transferences of women’s rights and struggles in India and develops a comprehensive understanding of the interface between women’s activism and politics. The book documents and discusses diverse ways in which Indian women have struggled for empowerment, political voice and representation, and rallied against injustice and discrimination. Against the backdrop of women’s assertion of rights and negotiations for empowerment, the chapters in this volume explore diverse facets of collective agency, and emanations of women’s politico-legal struggles against stereotypes of gender and class in post-independence India. While the donor-driven international community has been eager to celebrate the successes of its global normative agenda-setting and ‘best practices’ approach, this book - based primarily on field research by the contributors - showcases authentic local ownership and women’s own agency, taking seriously the need to understand the cultural context and pay attention to intersectionality. It presents various examples of women’s activism for change, reflecting on the quotidian struggles and dynamic assertions of voice and political power, within and outside of formal political institutions. The book is a contribution to the debate about agency and ownership as key aspects of empowerment, highlighting women who defy dominant narratives. It will be an essential read for students and academics of political science, gender studies, sociology and social sciences, and cultural studies. It will also be of interest to readers interested in the history of women’s movements and their participation in national and local politics in India.
The Routledge Companion to Northeast India is a trans-disciplinary and comprehensive compendium of a vital yet under-researched region in South Asia. It provides a unique guide to prevailing themes, theories, arguments, and history of Northeast India by discussing its life-forms – human and not – languages, landscapes, and lifeways in all its diversity and difference. The companion contains authoritative entries from leading specialists from and on the region and offers clear, concise, and illuminating explanations of key themes and ideas. A hands-on, practical, and comprehensive guide to Northeast India, this companion fills a significant gap in the literature and will be an invaluable teaching, learning, and research resource for scholars and students of Northeast India Studies, South Asian and Southeast Asian societies, culture, politics, humanities, and the social sciences in general.
The essays in this volume discuss narrative strategies employed by international writers when dealing with rape and sexual violence, whether in fiction, poetry, memoir, or drama. In developing these new feminist readings of rape narratives, the contributors aim to incorporate arguments about trauma and resistance in order to establish new dimensions of healing. This book makes a vital contribution to the fields of literary studies and feminism, since while other volumes have focused on retroactive portrayals of rape in literature, to date none has focused entirely on the subversive work that is being done to retheorize sexual violence. Split into four sections, the volume considers sexual violence from a number of different angles. 'Subverting the Story' considers how the characters of the victim and rapist might be subverted in narratives of sexual violence. In 'Metaphors for Resistance,' the essays explore how writers approach the subject of rape obliquely using metaphors to represent their suffering and pain. The controversy of not speaking about sexual violence is the focus of 'The Protest of Silence,' while 'The Question of the Visual' considers the problems of making sexual violence visible in the poetic image, in film and on stage. These four sections cover an impressive range of world writing which includes curriculum staples like Toni Morrison, Sarah Kane, Sandra Cisneros, Yvonne Vera, and Sharon Olds.
This book explores graphic narratives and comics in India and demonstrates how these forms serve as sites on which myths are enacted and recast. It uses the case studies of a comics version of the Mahabharata War, a folk artist’s rendition of a comic book story, and a commercial project to re-imagine two of India’s most famous epics – the Ramayana and the Mahabharata – as science fiction and superhero tales. It discusses comic books and self-published graphic novels; bardic performance aided with painted scrolls and commercial superhero comics; myths, folklore, and science fiction; and different pictorial styles and genres of graphic narration and storytelling. It also examines the actual process of the creation of comics besides discussions with artists on the tools and location of the comics medium as well as the method and impact of translation and crossover genres in such narratives. With its clear, lucid style and rich illustrations, the book will be useful to scholars and researchers of sociology, anthropology, visual culture and media, and South Asian studies, as well as those working on art history, religion, popular culture, graphic novels, art and design, folk culture, literature, and performing arts.
A picture book biography about M.S. Subbulakshmi, a powerful Indian singer who advocated for justice and peace through song. Before M.S. Subbulakshmi was a famous Carnatic singer and the first Indian woman to perform at the United Nations, she was a young girl with a prodigious voice. But Subbulakshmi was not free to sing everywhere. In early 1900s India, girls were not allowed to perform for the public. So Subbulakshmi busted barriers to sing at small festivals. Eventually, she broke tradition to record her first album. She did not stop here. At Gandhi's request, Subbulakshmi sang for India’s freedom. Her fascinating odyssey stretched across borders, and soon she was no longer just a young prodigy. She was a woman who changed the world.
Traditionally, history has been telling us the stories of kings. In the long tradition of history writing, his-story has always dominated over her-story. Though queens evoke a sense of romance and their stories are told like fairy tales, it is common enough to find that these stories end in tragedy. In India's history, not all queens are remembered today. Some are celebrated; while others have been almost ignored by historians. In Ranis and the Raj, Queeny Pradhan has selected six queens. All the six queens are fromthe nineteenth century and have faced the British Raj, the East India Company and the Crown. From the Rani of Sirmur, who was the earliest to deal with theBritish authorities, to Rani Chennamma, Rani Jindan, Begum Zeenat Mahal, Rani Lakshmi Bai, to the Sikkim Queen from the 1860s to 1890s, Pradhan has attempted to carve an engrossing historical narrative for each of these important figures in Indian history. Unlike the biographical convention in traditional history writing, theresearch in this book can be placed in the realm of 'microhistory'. The life stories of these queens are fragmented due to the 'silences' and 'invisibilization' in political history of the time, and this book aims to fill these gaps.
Following the abolition of slavery in the Caribbean, a concerted effort was made to replace enslaved labour with indentured Indian labour. This is the story of one Indian woman's tragic experience in trying to immigrate to the Caribbean in the 19th century.
This book focuses on the aftermath of the 1947 Partition of India. It considers the long aftermath and afterlives of Partition afresh, from a wide and inclusive range of perspectives and studies the specificities of the history of violence and migration and their memories in the Bengal region. The chapters in the volume range from the administrative consequences of partition to public policies on refugee settlement, life stories of refugees in camps and colonies, and literary and celluloid representations of Partition. It also probes questions of memory, identity, and the memorialization of events. Eclectic in its theoretical orientation and methodology, this book will be of interest to scholars and researchers of partition history, colonialism, refugee studies, Indian history, South Asian history, migration studies, and modern history in general.