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Travel and tourism 'stories' have been told and recorded within every culture, in every period of oral and written history, and across the breadth of the fact/fiction continuum. Taking two broad themes as its starting point - travellers and their narratives, and place narratives in travel and tourism - the book has a deliberately wide scope, with different chapters addressing the subject through various relevant 'lenses' and in relation to a number of different contexts. The narratives discussed include both historical and contemporary, as well as 'real-life' and fictional, narratives contained within travel writing, travel and tourism stories and different types of media. In relation to the principal themes of the book, some chapters also explore the importance of collecting memorabilia and image making in the recording, remembering, writing, telling or disseminating of stories about travel and tourism experiences and some examine the ways in which travel and tourism narratives may construct and reinforce personal, collective and place identities. The whole book is marked by an over-arching concern for narrative interpretation as a means of understanding, and providing a new perspective on, travel and tourism.
Alexander von Humboldt's account of his monumental scientific expedition to South America and Cuba. Originally published in French between 1814 and 1825, this is the first edition in English ... This classic of scientific exploration was based on the researches of Humboldt and his companion, Aimé Bonpland, during their five-year excursion in South and Central America from 1799 to 1804. The volumes describe the voyage from Spain and the stop in the Canaries; Tobago and the first steps in South America; explorations along the Orinoco; Colombia and the area around Caracas; explorations in the northern Andes; and a visit to Cuba. "Humboldt and Bonpland traveled widely through South and Central America, studying meteorological phenomena and exploring wild and uninhabited country. At Callao, Humboldt measured the temperatures of the ocean current which came to bear his name ..."--Hill.
Henry Rowe Schoolcraft (1793-1864) was an explorer, Indian agent, and early ethnologist of Native American culture who joined an expedition organized by Governor Cass of Michigan in 1819. Its purpose was to locate the Mississippi River's sources, to explore the Great Lakes region, and to describe its significant topographical features, natural history, and mineral wealth. Schoolcraft joined the expedition as a mineralogist, and this is the journal of his participation. He describes his preliminary journey from New York to Detroit, where the expedition embarks for Michilimackinac and presses on to Sault de Ste. Marie and Fond du Lac. Eventually the explorers locate Lake Itasca in Minnesota, where the Mississippi originates. Schoolcraft also highlights St. Peter's, Prairie du Chien, the lead mines at Dubuque, and Green Bay, and devotes a whole chapter to the Ontagenon River and its nearby copper mines. His journal blends narrative with historical, ethnographic and statistical information.
First published in 1961, Early Midwestern Travel Narratives records and describes first-person records of journeys in the frontier and early settlement periods which survive in both manuscript and print. Geographically, it deals with the states once part of the Old Northwest Territory-Ohio, Indiana, Michigan, Illinois, Wisconsin, and Minnesota-and with Missouri, Iowa, Kansas, and Nebraska. Robert Hubach arranged the narratives in chronological order and makes the distinction among diaries (private records, with contemporaneously dated entries), journals (non-private records with contemporaneously dated entries), and "accounts," which are of more literary, descriptive nature. Early Midwestern Travel Narratives remains to this day a unique comprehensive work that fills a long existing need for a bibliography, summary, and interpretation of these early Midwestern travel narratives.
A graphic novel lamenting the loss of train travel, the grip of family, mortality, art, and the human condition, with many other digressions thrown in for good measure. The book opens in media res as Collier finds out about his grandmother s death. While trying to publish his next book another close death shocks him to act on his dream to travel with his wife and son across the country by rail, before it is too late. Through the passing landscape he introduces his family (and the reader) to his old way of life and tries to track down the many characters he has lost touch with.