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This collection of essays considers the Book of Esther from a literary and sociological perspective. In part one, Else Holt outlines the main questions of historical-critical research in the Book of Esther. She also discusses the theological meaning of a biblical book without God, and examines how the book was transmitted through the last centuries BCE. She also explores how the Hebrew and Greek variants of the Book of Esther picture its main character, Esther, the Jewish queen of Persia. In part two, Holt offers deconstructive reading of themes hidden under the surface-levels of the book. Chapters include discussions of Esther's initiation into her role as Persian queen; the inter-textual conversation with two much later texts, The Arabian Nights and The Story of O; and the relationship between Mordecai, the Jew, and his opponent Haman, the Agagite, as a matter of mimetic doublings. The last part of the book introduces the sociological concept of ethnicity-construction as the backdrop for perceiving the instigation of the Jewish festival Purim and the violence connected to it, and looks at the Book of Esther as an example of trauma literature. The concluding chapter analyses the moral quality of the book of Esther, asking the question: Is it a bedtime story?
Seymour Epstein's The Esther Scroll: The Author’s Tale is a bold thesis and a radically new interpretation of The Book of Esther that contends it was written neither as light comedy, nor as sacred history, nor as a romance, nor as a handbook for Jewish survival in the Diaspora. Rather, it is a satire on Jewish life in the Diaspora. "Epstein’s argument stands all previous readings of Esther on their head” (Hillel Halkin, from the Preface).
You've read it as a biblical tale of courage. Experience it anew as a heart-stirring love story. She was a simple girl faced with an impossible choice. He was a magnificent king with a lonely heart. Their love was the divine surprise that changed the course of history. The beloved story of Esther springs to fresh life in this inspired novel that vibrates with mystery, intrigue, and romance. "Joan Wolf never fails to deliver the best!" —Nora Roberts
This book situates the book of Esther in the intellectual history of Ancient Judaism and provides a new understanding of its purpose.
The national directory addresses the dimensions and perspectives in the formation of deacons and the model standards for the formation, ministry, and life of deacons in the United States. It is intended as a guideline for formation, ministry, and life of permanent deacons and a directive to be utilized when preparing or updating a diaconate program in formulating policies for the ministry and life of deacons. This volume also includes Basic Standards for Readiness for the formation of permanent deacons in the United States, from the bishops' Committee on the Diaconate, and the committee document Visit of Consultation Teams to Diocesan Permanent Diaconate Formation Programs.
For centuries her name has been a byword for feminine beauty, guile, and wisdom. This sweeping, meticulously researched novel restores Esther to her full, complex humanity while reanimating the glittering Persian empire in which her story unfolded. Esther comes to that land as a terrified Jewish orphan betrothed to her cousin, a well-connected courtier. She finds a world racked by intrigue and unfathomable hatreds and realizes that the only way to survive is to win the heart of its king. Passionate, suspenseful, and historically authentic, The Gilded Chamber illuminates the dilemma of a woman torn between her heart and her sense of duty, resulting in pure narrative enchantment.
Comprised of contributions from scholars across the globe, The Oxford Handbook of Biblical Narrative is a state-of-the-art anthology, offering critical treatments of both the Bible's narratives and topics related to the Bible's narrative constructions. The Handbook covers the Bible's narrative literature, from Genesis to Revelation, providing concise overviews of literary-critical scholarship as well as innovative readings of individual narratives informed by a variety of methodological approaches and theoretical frameworks. The volume as a whole combines literary sensitivities with the traditional historical and sociological questions of biblical criticism and puts biblical studies into intentional conversation with other disciplines in the humanities. It reframes biblical literature in a way that highlights its aesthetic characteristics, its ethical and religious appeal, its organic qualities as communal literature, its witness to various forms of social and political negotiation, and its uncanny power to affect readers and hearers across disparate time-frames and global communities.
"An emerging field of study that explores the Hispanic minority in the United States, Latino Studies is enriched by an interdisciplinary perspective. Historians, sociologists, anthropologists, political scientists, demographers, linguists, as well as religion, ethnicity, and culture scholars, among others, bring a varied, multifaceted approach to the understanding of a people whose roots are all over the Americas and whose permanent home is north of the Rio Grande. Oxford Bibliographies in Latino Studies offers an authoritative, trustworthy, and up-to-date intellectual map to this ever-changing discipline."--Editorial page.
This monograph treats the biblical figure of Esther and her reception in nineteenth-century American literature. After providing an understanding of the Book of Esther in the Hebrew Bible and its contested acceptance over centuries in various scriptural canons, the work focuses on the reception of the Esther text in America.
This volume sheds fresh light upon the phenomenon of narrative doubling in the Hebrew Bible. Through an innovative interdisciplinary model the author defines the notion of narrative analogy in relation to other literatures where it has been studied such as English Renaissance drama and makes extensive critical use of contemporary literary theory, particularly that of the Russian formalist Vladimir Propp. His exploitation of narrative doubling, with a focus upon the metaphorical, reorients our reading by uncovering a major dynamic in biblical literature. The author examines several battle reports and demonstrates how each could be interpreted as an oblique commentary and metaphor for the non-battle account that immediately precedes it. Battle scenes are revealed to stand in metaphoric analogy with, among others, accounts of a trial, a rape, a drinking feast, and a court-deliberation. Joshua Berman offers new insights to the ever-growing concern with the relationship between historiography and literary strategies, and succeeds in articulating a new aspect of biblical ideology concerning human and divine relationship.