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A magisterial history of “Napoleon’s Vietnam”, by the highly acclaimed historian of Spain In this definitive account of the Peninsular War (1808–14), Napoleon’s six-year war against Spain, Ronald Fraser examines what led to the emperor’s devastating defeat against the popular opposition—the guerrillas—and their British and Portuguese allies. As well as relating the histories of the great political and military figures of the war, Fraser brings to life the anonymous masses—the artisans, peasants and women who fought, suffered and died—and restores their role in this barbaric war to its rightful place while overturning the view that this was a straightforward military campaign. This vivid, meticulously researched book offers a distinct and profound vision of “Napoleon’s Vietnam” and shows the reality of the disasters of war: the suffering, discontents and social upheaval that accompanied the fighting. With a new Introduction by Tariq Ali.
The armies of the Napoleonic Wars fought in a series of devastating campaigns that disturbed the peace of Europe for twelve years, yet the composition, organization and fighting efficiency of these forces receive too little attention. Each force tends to be examined in isolation or in the context of an individual battle or campaign or as the instrument of a famous commander. Rarely have these armies been studied together in a single volume as they are in this authoritative and fascinating reassessment edited by Gregory Fremont-Barnes.Leading experts on the Napoleonic Wars have been specially commissioned to produce chapters on each of the armed forces that took part in this momentous era in European history. The result is a vivid comparative portrait of ten of the most significant armies of the period, and of military service and warfare in the early nineteenth century. The book will be essential reading and reference for all students of the Napoleonic era.Covers the armies of Austria, Britain, the Confederation of the Rhine, the Duchy of Warsaw, France, the Kingdom of Italy, Portugal, Prussia, Russia and Spain.
Volume III of the Cambridge History of the Napoleonic Wars moves away from the battlefield to explore broader questions of society and culture. Leading scholars from around the globe show how the conflict left its mark on virtually every aspect of society. They reflect on the experience of the soldiers who fought in them, examining such matters as military morale, ideas of honour and masculinity, the treatment of wounds and the fate of prisoners-of-war; and they explore social issues such as the role of civilians, women's experience, trans-border encounters and the roots of armed resistance. They also demonstrates how the experience of war was inextricably linked to empire and the wider world. Individual chapters discuss the depiction of the Wars in literature and the arts and their lasting impact on European culture. The volume concludes by examining the memory of the Wars and their legacy for the nineteenth-century world.
First published in 1995 to great critical acclaim, The Wars of Napoleon provides students with a comprehensive survey of the Napoleonic Wars around the central theme of the scale of French military power and its impact on other European states, from Portugal to Russia and from Scandinavia to Sicily. The book introduces the reader to the rise of Napoleon and the wider diplomatic and political context before analysing such subjects as how France came to dominate Europe; the impact of French conquest and the spread of French ideas; the response of European powers; the experience of the conflicts of 1799–1815 on such areas of the world as the West Indies, India and South America; the reasons why Napoleon’s triumph proved ephemeral; and the long-term impact of the period. This second edition has been revised throughout to include a completely re-written section on collaboration and resistance, a new chapter on the impact of the Napoleonic Wars in the wider world and material on the various ways in which women became involved in, or were affected by, the conflict. Thoroughly updated and offering students a view of the subject that challenges many preconceived ideas, The Wars of Napoleon remains an essential resource for all students of the French Revolutionary Wars as well as students of European and military history during this period.
The first truly global history of the Napoleonic Wars, arguably the first world war.
The Napoleonic Wars saw almost two decades of brutal fighting. Fighting took place on an unprecedented scale, from the frozen wastelands of Russia to the rugged mountains of the Peninsula; from Egypt's Lower Nile to the bloody battlefield of New Orleans. Volume II of The Cambridge History of the Napoleonic Wars provides a comprehensive guide to the Napoleonic Wars and weaves together the four strands – military, naval, economic, and diplomatic - that intertwined to make up one of the greatest conflicts in history. Written by a team of the leading Napoleonic scholars, this volume provides an authoritative and comprehensive analysis of why the nations went to war, the challenges they faced and how the wars were funded and sustained. It sheds new light not only on the key battles and campaigns but also on questions of leadership, strategy, tactics, guerrilla warfare, recruitment, supply, and weaponry.
The Napoleonic Empire played a crucial role in reshaping global landscapes and in realigning international power structures on a worldwide scale. When Napoleon died, the map of many areas had completely changed, making room for Russia's ascendency and Britain's rise to world power.
This is the first book-length examination of the involvement of British volunteers in the Spanish forces during the Napoleonic Wars.
Throughout the Civil War, irregular warfare—including the use of hit-and-run assaults, ambushes, and raiding tactics—thrived in localized guerrilla fights within the Border States and the Confederate South. The Guerrilla Hunters offers a comprehensive overview of the tactics, motives, and actors in these conflicts, from the Confederate-authorized Partisan Rangers, a military force directed to spy on, harass, and steal from Union forces, to men like John Gatewood, who deserted the Confederate army in favor of targeting Tennessee civilians believed to be in sympathy with the Union. With a foreword by Kenneth W. Noe and an afterword by Daniel E. Sutherland, this collection represents an impressive array of the foremost experts on guerrilla fighting in the Civil War. Providing new interpretations of this long-misconstrued aspect of warfare, these scholars go beyond the conventional battlefield to examine the stories of irregular combatants across all theaters of the Civil War, bringing geographic breadth to what is often treated as local and regional history. The Guerrilla Hunters shows that instances of unorthodox combat, once thought isolated and infrequent, were numerous, and many clashes defy easy categorization. Novel methodological approaches and a staggering diversity of research and topics allow this volume to support multiple areas for debate and discovery within this growing field of Civil War scholarship.
From Napoleon's invasion of Portugal in 1807 to his final defeat at Waterloo, the English theatres played a crucial role in the mediation of the Peninsular campaign. In the first in-depth study of English theatre during the Peninsular War, Susan Valladares contextualizes the theatrical treatment of the war within the larger political and ideological axes of Romantic performance. Exploring the role of spectacle in the mediation of war and the links between theatrical productions and print culture, she argues that the popularity of theatre-going and the improvisation and topicality unique to dramatic performance make the theatre an ideal lens for studying the construction of the Peninsular War in the public domain. Without simplifying the complex issues involved in the study of citizenship, communal identities, and ideological investments, Valladares recovers a wartime theatre that helped celebrate military engagements, reform political sympathies, and register the public’s complex relationship with Britain’s military campaign in the Iberian Peninsula. From its nuanced reading of Richard Brinsley Sheridan's Pizarro (1799), to its accounts of wartime productions of Shakespeare, description of performances at the minor theatres, and detailed case study of dramatic culture in Bristol, Valladares’s book reveals how theatrical entertainments reflected and helped shape public feeling on the Peninsular campaign.