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At the end of the Royalist regime, the artillery arm of the French Army was, as Napoleon was later to declare, "the finest and best composed corps in Europe." Designed by the great master of artillery, Jean Baptiste de Gribeauval, the equipment consisted of some of the best pieces in Europe. This book examines the equipment and performance of Napoleon's artillery in the Revolutionary Wars (1792-1802), Napoleonic Wars (1799-1815) and Waterloo campaign (1815). The organization of the Imperial Army is also covered, including the key French failure to develop "Shrapnel" or "spherical case shot" - a weapon used against them to great effect by the British.
In this detailed study Kevin Kiley looks at artillery in use throughout the Napoleonic period. He examines Napoleon’s own artillery as well as that employed by his enemies, and he evaluates the gunners’ contribution to warfare in the period. By looking at particular battles in detail, Kevin Kiley shows just how the effective employment of artillery could tip the scales of victory.
The Napoleonic Wars gripped Europe, and beyond, for over ten years at the beginning of the Nineteenth century. Hundreds of battles were fought between the armies of France (and its allies) and all those powers that wished to see Napoleon Bonaparte stopped in his tracks and an end to the French Empire. The battles and sieges of the Napoleonic Wars, which cost the lives of between 3 and 6 million men, made unprecedented use of large guns, and every participating army possessed a range of artillery. With the wars covering such a long period of time, and with so many armies involved, the subject of Napoleonic artillery is a complicated one, and no work has attempted to examine all the weapons involved in a single, detailed volume. Until now. The product of years of research, this book presents most of what is known about the artillery pieces of the Napoleonic Wars. Including numerous drawings, contemporary illustrations and modern photographs of surviving guns, it will be an invaluable addition to the library of historians, modellers, wargamers and re-enactors.
As a young gunner, Napoleon Bonaparte was trained in one of Europe's finest artillery arms. Both the technological sophistication of their weaponry and the skill of their gunners was largely the result of the adoption of the system devised by one man, Jean-Baptiste Vaquette de Gribeauval. Gribeauval's standardised system of parts and calibres allowed a degree of uniformity and sophistication in the French artillery that was unmatched throughout Europe, and allowed Napoleon to inherit and develop an arm that could dominate the battlefield. This volume covers the field artillery pieces of the system: the 4-, 8- and 12-pdr guns; light 1-pdr guns and mountain guns; and later innovations such as the 6-pdr gun.
Though less celebrated than the infantry and cavalry, Napoleon's 'specialist' troops – artillery, engineers and supporting services – were indispensable elements without which no army could have operated, and frequently assumed greater significance than the line regiments. Indeed, having suffered least from the emigration of Royalist officers, the artillery was the best element of the early Republican armies, the nucleus of the old Royal artillery serving with distinction in the early campaigns such as Valmy. The organisation and uniform of Napoleon's specialist troops are here examined by Philip Haythornwaite in a engaging volume complemented by a wealth of illustrations including eight full page colour plates by Bryan Fosten.
The best single-volume reference book on the regiments of Napoleon's army, with details of unit organization and history plus biographies of 200 regimental officers.
The author of Waterloo: The Truth at Last “sheds new light on the campaign of 1815 and surely will satisfy all with an interest in the Napoleonic Era” (The Napoleonic Historical Society Newsletter). When Napoleon returned to Paris after exile on the Island of Elba, he appealed to the European heads of state to be allowed to rule France in peace. His appeal was rejected and the Emperor of the French knew he would have to fight to keep his throne. In just eight weeks, Napoleon assembled 128,000 soldiers in the French Army of the North and on 15 June moved into Belgium (then a part of the kingdom of the Netherlands). Before the large Russian and Austrian armies could invade France, Napoleon hoped to defeat two coalition armies, an Anglo-Dutch-Belgian-German force under the Duke of Wellington, and a Prussian army led by Prince von Blücher. He nearly succeeded. Paul Dawson’s examination of the troops who fought at Ligny, Quatre-Bras and Waterloo, is based on thousands of pages of French archival documents and translations. With hundreds of photographs of original artifacts, supplemented with scores of lavish color illustrations, and dozens of paintings by the renowned military artist Keith Rocco, Napoleon’s Waterloo Army is the most comprehensive, and extensive, study ever made of the French field army of 1815, and its uniforms, arms and equipment. “Contains many rare and previously unpublished images in the form of full color drawings and photographs of surviving relics. As with the earlier volumes, this book will appeal to and be enjoyed by a wide readership with special interest for historians, military history enthusiasts, Napoleonic War enthusiasts and re-enactors.” —Firetrench
Following on from the first volume covering British Napoleonic Artillery, this volume concentrates on the heavy weapons of siege and coastal defences. This book covers the main equipments used; the 24 pounder siege gun and a variety of mortars. Mortars varied from 4- or 5-inch versions up to a13 inch calibre and were considered to be extremely effective because they used an exploding shell to destroy fortifications or personnel. Also covered in detail is the specialist bomb vessel, which was used to attack fortifications in a similar fashion; siege techniques; and the tactical use of siege and coastal artillery.
Haythornthwaite brings his reputation as a leading Napoleonic historian to bear on the examination of all parts of the French army: the cavalry, infantry, artillery, Imperial Guard, staff and supporting services. Napoleon's innovations and tactics are described, from Austerlitz to Waterloo, demonstrating the reasons for his success and decline.
Napoleonic armies went into battle dressed in resplendent, brilliant uniforms. None were grander than those worn by Napoleon's own soldiers and the troops of imperial France dazzled Europe with their elegant and colorful turnout. In 1812 Napoleon was at the height of his powers and the uniform regulations issued in that year reflect the empire's power and prestige. Carle Vernet, a leading French military artist, was commissioned to paint the regulations so they could be published and circulated to military tailors. His paintings both reflect the brilliant elegance of the time and show the uniforms that were to be adopted in detail. Uniforms of Napoleon's Army has selected the best of Vernet's elegant images and covers the full range of French Army units: heavy cavalry, light cavalry, line infantry, light infantry, artillery, engineers and support troops. An Introduction charts the evolution of French military uniforms, examines the 1812 regulations in detail and places the images in context. Published for the first time in an accessible format, these brilliant images offer a unique insight into the art of the military tailor during the Napoleonic period.