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The first book-length study of the origin of queer soldiers in modern France
The Military Enlightenment brings to light a radically new narrative both on the Enlightenment and the French armed forces from Louis XIV to Napoleon. Christy Pichichero makes a striking discovery: the Geneva Conventions, post-traumatic stress disorder, the military "band of brothers," and soldierly heroism all found their antecedents in the eighteenth-century French armed forces. Readers of The Military Enlightenment will be startled to learn of the many ways in which French military officers, administrators, and medical personnel advanced ideas of human and political rights, military psychology, and social justice.
"This book traces the formation of the discipline of harmony at the Paris Conservatory, focusing on the seminal work of Charles-Simon Catel, and outlines the processes that would determine the content and scope of the discipline for much of the nineteenth century"--
In Friendship and Politics in Post-Revolutionary France, Sarah Horowitz brings together the political and cultural history of post-revolutionary France to illuminate how French society responded to and recovered from the upheaval of the French Revolution. The Revolution led to a heightened sense of distrust and divided the nation along ideological lines. In the wake of the Terror, many began to express concerns about the atomization of French society. Friendship, though, was regarded as one bond that could restore trust and cohesion. Friends relied on each other to serve as confidants; men and women described friendship as a site of both pleasure and connection. Because trust and cohesion were necessary to the functioning of post-revolutionary parliamentary life, politicians turned to friends and ideas about friendship to create this solidarity. Relying on detailed analyses of politicians’ social networks, new tools arising from the digital humanities, and examinations of behind-the-scenes political transactions, Horowitz makes clear the connection between politics and emotions in the early nineteenth century, and she reevaluates the role of women in political life by showing the ways in which the personal was the political in the post-revolutionary era.
When strangers meet in social clubs, watch reality television, or interact on Facebook, they contribute to the social glue of mass society—not because they promote civic engagement or democracy, but because they enact the sacred promise of friendship. Where most theories of nationalism focus on issues of collective identity formation, Kaplan’s novel framework turns attention to compatriots’ experience of solidarity and how it builds on interpersonal ties and performances of public intimacy. Combining critical analyses of contemporary theories of nationalism, civil society, and politics of friendship with in-depth empirical case studies of social club sociability, Kaplan ultimately shows that strangers-turned-friends acquire symbolic, male-centered meaning and generate feelings of national solidarity.
Volume III of the Cambridge History of the Napoleonic Wars moves away from the battlefield to explore broader questions of society and culture. Leading scholars from around the globe show how the conflict left its mark on virtually every aspect of society. They reflect on the experience of the soldiers who fought in them, examining such matters as military morale, ideas of honour and masculinity, the treatment of wounds and the fate of prisoners-of-war; and they explore social issues such as the role of civilians, women's experience, trans-border encounters and the roots of armed resistance. They also demonstrates how the experience of war was inextricably linked to empire and the wider world. Individual chapters discuss the depiction of the Wars in literature and the arts and their lasting impact on European culture. The volume concludes by examining the memory of the Wars and their legacy for the nineteenth-century world.
The book reveals the complex financial, professional and fraternal networks which were essential to naval lives and includes material on both the families of leading commanders and also 'lower deck' families.
True, first-hand accounts of combat and soldiering from the men who fought for Napoleon Bonparte and the First French Empire: “Fascinating stuff” (Stuart Asquith, author of Military Modelling). The French side of the Napoleonic Wars is often presented from a strategic point of view, or in terms of military organization and battlefield tactics, or through officers’ memoirs. Fighting for Napoleon:French Soldiers’ Letters, 1799–1815, based on more than sixteen hundred letters written by French soldiers of the Napoleonic armies, shares the perspectives and experiences of the lowest, ordinary ranks of the army who fought on the frontlines. Authors Bernard Wilkin and René Wilkin provide an informative read of common soldiers’ lives for military and cultural historians as well as a fascinating counterpoint to the memoirs of Cpt. Jean-Roch Coignet, Col. Marcellin de Marbot, or Sgt. Adrien Bourgogne. “A superb guide to the experience and motivation of military service that is based on a wide trawl of relevant letters . . . A first-rate work that is of much wider significance.” —Professor Jeremy Black, author of The Battle of Waterloo “Provides the reader with a good insight into the lives of ordinary French of the Napoleonic Wars . . . Direct accounts of campaigns and battle, recruitment and training, barrack life, the experience of captivity and being wounded are all here, based on letters written most by uneducated men to their immediate family . . . This really is fascinating stuff, and surely a ‘must’ for students of Napoleonic warfare.” —Stuart Asquith, author of Military Modelling: Guide to Solo Wargaming
This is the first in-depth study of the sojourn in Sydney made by Nicolas Baudin’s scientific expedition to Australia in 1802. Starbuck focuses on the reconstruction of the voyage during the expedition’s stay in colonial Sydney and how this sheds new light on our understanding of French society, politics and science in the era of Bonaparte.
The book examines military paintings in France in the 1850s and 1860s, when the genre experienced a new lease of life. It recreates the paintings’ art-historical, historical and social context, and considers the explosion of military subjects in their own right rather than as a consequence of war reporting. The paintings’ entertainment value effectively communicated political agendas, catering to the emerging phenomenon of mass spectatorship and giving rise to innovative compositions. The book also looks at the other side of the artistic spectrum, proposing that smaller formats adapted the sentimental techniques of military memoirs to focus on the soldiers’ experiences of warfare and to elicit a critique of war.