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Prince Louis Napoleon was born with a compelling sense of destiny. The eldest nephew of Bonaparte, he came from exile and ignominy to rule France, first as President then as Emperor for 22 years, from 1848 to 1870. Under his benevolent dictatorship, the nation grew in artistic fulfilment, industrial wealth and international influence - until catastrophic defeat at the hands of Bismarck in the Franco-Prussian War of 1870-71 cast her back into the shadows.
Two women vie to change their destinies after Emperor Napoleon Bonaparte orders marriage to a princess he hopes will bear him a royal heir in this compelling novel from the internationally bestselling author of Nefertiti and Cleopatra’s Daughter. “A fascinating tale that won’t soon be forgotten.”—Times Record News After the bloody French Revolution, Emperor Napoleon’s power is absolute. When eighteen-year-old Marie-Louise is told that the emperor has demanded her hand in marriage, her father presents her with a terrible choice: marry the cruel, capricious Napoleon, or refuse and plunge her country into war. To save her father’s throne, Marie-Louise is determined to be a good wife. But at the extravagant French court, she finds many rivals for her new husband’s affection, including Napoleon’s sister Pauline, who is fiercely jealous, utterly uncontrollable, and the only woman as ambitious as the emperor himself. When war once again sweeps the Continent and bloodshed threatens Marie-Louise’s family, the second empress is forced to make choices that will determine her place in history—and change the course of her life.
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website.
The National Book Award–winning historian’s “vivid and moving” eyewitness account of the fall of France to Hitler’s Third Reich at the outset of WWII (The New York Times). As an international war correspondent and radio commentator during World War II, William L. Shirer didn’t just research the fall of France. He was there. In just six weeks, he watched the Third Reich topple one of the world’s oldest military powers—and institute a rule of terror and paranoia. Based on in-person conversations with the leaders, diplomats, generals, and ordinary citizens who both shaped the events and lived through them, Shirer constructs a compelling account of historical events without losing sight of the human experience. From the heroic efforts of the Freedom Fighters to the tactical military misjudgments that caused the fall and the daily realities of life for French citizens under Nazi rule, this fascinating and exhaustively documented account brings this significant episode of history to life. “This is a companion effort to Shirer’s The Rise and Fall of the Third Reich, also voluminous but very readable, reflecting once again both Shirer’s own experience and an enormous mass of historical material well digested and assimilated.” —Kirkus Reviews (starred review)
Popular and scholarly history presents a one-dimensional image of Napoleon as an inveterate instigator of war who repeatedly sought large-scale military conquests. General Franceschi and Ben Weider dismantle this false conclusion in The Wars Against Napoleon, a brilliantly written and researched study that turns our understanding of the French emperor on its head. Avoiding the simplistic clichés and rudimentary caricatures many historians use when discussing Napoleon, Franceschi and Weider argue persuasively that the caricature of the megalomaniac conqueror who bled Europe white to satisfy his delirious ambitions and insatiable love for war is groundless. By carefully scrutinizing the facts of the period and scrupulously avoiding the sometimes confusing cause and effect of major historical events, they paint a compelling portrait of a fundamentally pacifist Napoleon, one completely at odds with modern scholarly thought. This rigorous intellectual presentation is based upon three principal themes. The first explains how an unavoidable belligerent situation existed after the French Revolution of 1789. The new France inherited by Napoleon was faced with the implacable hatred of reactionary European monarchies determined to restore the ancient regime. All-out war was therefore inevitable unless France renounced the modern world to which it had just painfully given birth. The second theme emphasizes Napoleon’s determined efforts (“bordering on an obsession,” argue the authors) to avoid this inevitable conflict. The political strategy of the Consulate and the Empire was based on the intangible principle of preventing or avoiding these wars, not on conquering territory. Finally, the authors examine, conflict by conflict, the evidence that Napoleon never declared war. As he later explained at Saint Helena, it was he who was always attacked—not the other way around. His adversaries pressured and even forced the Emperor to employ his unequalled military genius. After each of his memorable victories Napoleon offered concessions, often extravagant ones, to the defeated enemy for the sole purpose of avoiding another war. Lavishly illustrated, persuasively argued, and carefully illustrated with original maps and battle diagrams, The Wars Against Napoleon presents a courageous and uniquely accurate historical idea that will surely arouse vigorous debate within the international historical community.