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Drawing on underutilized military records in Austrian, French, and Italian archives, Cuccia delves into these important conflicts to integrate political and social issues with a campaign study. Unlike other military histories of the era, Napoleon in Italy brings to light the words of soldiers, leaders, and citizens who experienced the sieges firsthand.
Carl von Clausewitz (1780–1831) is best known for his masterpiece of military theory On War, yet that work formed only the first three of ten volumes of his published writings. The others, historical analyses of the wars that roiled Europe from 1789 through 1815, informed and shaped Clausewitz’s military thought, so they offer invaluable insight into his dialectical, often difficult theoretical masterwork. Among these historical works, perhaps the most important is Napoleon’s 1796 Italian Campaign, which covers a crucial period in the French Revolutionary Wars. During this campaign the young, largely unknown Corsican, in his first command, led the French Army to triumph over the superior forces of the Austrian and Sardinian Armies. Moving from strategy to battle scene to analysis, this first English translation nimbly conveys the character of Clausewitz’s writing in all its registers: the brisk, often powerful description of events as they unfolded; the critical reflections on strategic theory and its implications; and, most bracing, the dissection and sharp judgment of the actions of the French and Austrian commanders. From the thrill of the Battle of Montenotte—the youthful Bonaparte’s first offensive—to the remorseless logic of Clausewitz’s assessments, Napoleon’s 1796 Italian Campaign will expand readers’ experience and understanding of not only this critical moment in European history but also the thought and writings of the modern master of military philosophy.
"Historiographically, this book rests on the fact that European transitions to modern economic growth were obstructed and promoted by the Revolution in France and 15 years of geopolitical conflict sustained by Napoleon in order to establish French Hegemony over the states and economies of Britain, France, Germany, the Netherlands, Italy, Spain, Portugal, and overseas commerce. The chapters reveal that the nature and significance of connections between geopolitical and economic forces lend coherence to a collaborative endeavour utilising comparative methods to address a mega question: What might be plausibly concluded about the economic costs and the benefits of this protracted conjuncture of Revolutionary and Napoleonic Warfare?"--
In Napoleon and the Operational Art of War, the leading scholars of Napoleonic military history provide the most authoritative analysis of Napoleon’s battlefield success and ultimate failure in a work that features the very best of campaign military history.
In the spring of 1796 the 26-year old Napoleon took command of the Army of Italy - a collection of some 45,000 ill-fed, poorly clothed and disillusioned men. He had only ever participated in one campaign and had never been involved in a major battle. And yet within just two months he and his scarecrow army had knocked the Piedmontese out of the war, driven the Austrians half way across Italy, and laid siege to the fortress of Mantua, the capture of which was essential for the control of northern Italy. Over the course of the next ten months Napoleon led his men to victory after victory, making them virtual masters of Northern Italy, and marching them to within 95 miles of Vienna.In this brilliant new account, Martin Boycott-Brown follows the campaign from the first Austrian attack on Napoleon's troops right through to their final defeat and the signing of the treaty at Campo Formio.
One of The Christian Science Monitor's Ten Best Books of May "A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” —Roger Lowenstein, The Wall Street Journal A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Veronese had filled the scene with some 130 figures, lavishing color on the canvas to build the illusion that the viewers’ space opened onto a biblical banquet taking place on a terrace in sixteenth-century Venice. Once pulled from the wall, the Venetian canvas crossed the Mediterranean rolled on a cylinder; soon after, artworks commandeered from Venice and Rome were triumphantly brought into Paris. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution in the former palace of the French kings. As Saltzman tells the larger story of Napoleon’s looting of Italian art and its role in the creation of the Louvre, she reveals the contradictions of his character: his thirst for greatness—to carry forward the finest aspects of civilization—and his ruthlessness in getting whatever he sought. After Napoleon’s 1815 defeat at Waterloo, the Duke of Wellington and the Allies forced the French to return many of the Louvre’s plundered paintings and sculptures. Nevertheless, The Wedding Feast at Cana remains in Paris to this day, hanging directly across from the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of one of the great museums of the world.
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In addition to Rocco's outstanding paintings and images, this book features the account of historian RW Phipps, and is supplemented by other classic works on this immortal campaign. This fifth volume in the Age of Napoleon Limited edition series features over 50 Keith Rocco paintings and dozens of his sketches, all covering the 1796-97 period. Rocco's uniform studies and narrative paintings reflect meticulous uniform and historical research. Numerous supporting maps help follow the campaign. Battles fought in exciting settings such as Monte Notte, Lodi, Arcola, Castiglione, and Rivoli helped establish the Napoleonic legend. The colorful uniforms of the Austrian Empire and Revolutionary France, including images of artillerists, hussars, grenadiers, and grenzers, are wonderfully rendered by master military artist Keith Rocco.