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In Napoleon and the Operational Art of War, the leading scholars of Napoleonic military history provide the most authoritative analysis of Napoleon’s battlefield success and ultimate failure in a work that features the very best of campaign military history.
In Napoleon and the Operational Art of War, the leading scholars of Napoleonic military history provide the most authoritative analysis of Napoleon’s battlefield success and ultimate failure. Napoleon’s development and mastery of the operational art of warfare is revealed as each chapter analyzes one Napoleonic war or major campaign of a war. To achieve this, the essays conform to the common themes of Napoleon’s planning, his command and control, his execution of plans, and the response of his adversaries. Napoleon's sea power and the British response to the French challenge at sea is also investigated. Overall, this volume reflects the finest scholarship and cutting-edge research to be found in Napoleonic Military History. Contributors include Jonathan Abel, Robert M. Citino, Huw Davies, Mark T. Gerges; John H. Gill; Jordan Hayworth, Kenneth G. Johnson, Michael V. Leggiere, Kevin D. McCranie, Alexander Mikaberidze, Frederick C. Schneid, John Severn, Dennis Showalter, Geoffrey Wawro, and John F. Weinzierl.
Broadly defined as the grey area between strategy and tactics, operational art spans the theory and practice of planning and conducting campaigns and major operations aimed at accomplishing strategic and operational objectives in a given theatre of operations. An intermediate link between strategy and tactics has always existed, but a distinct concept that encompasses a systematic and deliberate plan of campaign for major operations is a mere two hundred years old. Based on country specific case-studies, this book describes how the concepts that underpin operational art originated, how they received practical expression in various campaigns, and how they developed over time. The point of departure is the campaigns of 'the God of War', Napoleon Bonaparte. The book then proceeds with chapters on the evolution of operational art in Prussia / Germany, the Soviet Union / Russia, the United Kingdom, United States, Israel, and China. The final chapter deals with the future of operational art in irregular warfare. Theory is critical to refining and improving existing methods of applying operational warfare, and its importance cannot be overstated; however, to be useful, theory and its accompanying vocabulary must be combined with a proper examination of historical trends and practical experience. The present volume attempts to achieve that combination. This book is a project of the Oxford Leverhulme Programme on the Changing Character of War.
On Operations: Operational Art and Military Disciplines traces the history of the development of military staffs and ideas on the operational level of war and operational art from the Napoleonic Wars to today, viewing them through the lens of Prussia/Germany, the Soviet Union, and the United States. B. A. Friedman concludes that the operational level of war should be rejected as fundamentally flawed, but that operational art is an accurate description of the activities of the military staff, an organization developed to provide the brainpower necessary to manage the complexity of modern military operations. Rather than simply serve as an intercession between levels, the military staff exists as an enabler and supporting organization to tacticians and strategists alike. On Operations examines the organization of military staffs, which has changed little since Napoleon’s time. Historical examinations of the functions staffs provided to commanders, and the disciplines of the staff officers themselves, leads to conclusions about how best to organize staffs in the future. Friedman demonstrates these ideas through case studies of historical campaigns based on the military discipline system developed.
This book is a new look at the evolution of operational art and its complex roots in history.
This carefully researched book provides an operational level analysis of European warfare from 1792 to 1815 that includes the tactics, operations, and strategy of major conflicts of the time. 2015 marks the 200th anniversary of the famous Waterloo campaign, sparking a renewed interest in Napoleon's prowess as a military leader and acumen as a strategist. This in-depth analysis scrutinizes the complex campaigns and strategies of the French Revolutionary and Napoleonic Wars, looking at how military genius—referred to in the book as "operational art"—shaded the panorama of 18th-century warfare. Drawing upon familiar battles as well as lesser-known campaigns, this sweeping reference uses 20th-century military theory to explain 19th-century events. Author John T. Kuehn discusses joint warfare and strategy found in the military movements of Marshal Suvorov in Italy and Switzerland in 1799; the early and later campaigns of Napoleon and Nelson; and the Duke of Wellington's campaigns in Spain, Portugal, and Belgium. The work also includes an entire chapter on theory and history of operational art spanning a variety of perspectives—from theorist Carl von Clausewitz to American air force pilot John Boyd. This book is a must-have for any military history collection.
In the capstone work of his career, distinguished military historian Jay Luvaas brings together in one volume the military genius of Napoleon. Unlike Sun Tzu or Carl von Clausewitz, Napoleon never wrote a unified essay on his military philosophy. Yet, as one of the world's great strategists and tacticians, he sprinkled wisdom throughout his many and varied writings. Jay Luvaas spent over three decades poring through the thirty-two volumes of Napoleon's correspondence, carefully translating and editing all of his writings on the art of war, and arranging them into seamless essays. The resulting book captures the brilliant commander's thoughts on everything from the preparation of his forces to the organization, planning, and execution of his battles -- all buttressing Napoleon's view that "in war there is but one favorable moment; the great art is to seize it." Napoleon on the Art of War will be essential reading for military buffs, students of history, and any business leader looking for timeless insights on strategy.
Renowned for its accuracy, brevity, and readability, this book has long been the gold standard of concise histories of the Napoleonic Wars. Now in an updated and revised edition, it is unique in its portrayal of one of the world's great generals as a scrambler who never had a plan, strategic or tactical, that did not break down or change of necessity in the field. Distinguished historian Owen Connelly argues that Napoleon was the master of the broken play, so confident of his ability to improvise, cover his own mistakes, and capitalize on those of the enemy that he repeatedly plunged his armies into uncertain, seemingly desperate situations, only to emerge victorious as he "blundered" to glory. Beginning with a sketch of Napoleon's early life, the book progresses to his command of artillery at Toulon and the "whiff of grapeshot" in Paris that netted him control of the Army of Italy, where his incredible performance catapulted him to fame. The author vividly traces Napoleon's campaigns as a general of the French Revolution and emperor of the French, knowledgeably analyzing each battle's successes and failures. The author depicts Napoleon's "art of war" as a system of engaging the enemy, waiting for him to make a mistake, improvising a plan on the spot-and winning. Far from detracting from Bonaparte's reputation, his blunders rather made him a great general, a "natural" who depended on his intuition and ability to read battlefields and his enemy to win. Exploring this neglected aspect of Napoleon's battlefield genius, Connelly at the same time offers stirring and complete accounts of all the Napoleonic campaigns.
This is the book on war that Napoleon never had the time or the will to complete. In exile on the island of Saint-Helena, the deposed Emperor of the French mused about a great treatise on the art of war, but in the end changed his mind and ordered the destruction of the materials he had collected for the volume. Thus was lost what would have been one of the most interesting and important books on the art of war ever written, by one of the most famous and successful military leaders of all time. In the two centuries since, several attempts have been made to gather together some of Napoleon's 'military maxims', with varying degrees of success. But not until now has there been a systematic attempt to put Napoleon's thinking on war and strategy into a single authoritative volume, reflecting both the full spectrum of his thinking on these matters as well as the almost unparalleled range of his military experience, from heavy cavalry charges in the plains of Russia or Saxony to counter-insurgency operations in Egypt or Spain. To gather the material for this book, military historian Bruno Colson spent years researching Napoleon's correspondence and other writings, including a painstaking examination of perhaps the single most interesting source for his thinking about war: the copy-book of General Bertrand, the Emperor's most trusted companion on Saint-Helena, in which he unearthed a Napoleonic definition of strategy which is published here for the first time. The huge amount of material brought together for this ground-breaking volume has been carefully organized to follow the framework of Carl von Clausewitz's classic On War, allowing a fascinating comparison between Napoleon's ideas and those of his great Prussian interpreter and adversary, and highlighting the intriguing similarities between these two founders of modern strategic thinking.