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For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Naoya Hatakeyama: Excavating the Future City is the first English-language survey on this renowned Japanese photographer; his work will be introduced by his own writings, as well as in-depth essays by Yasufumi Nakamori, Toyo Ito, and Philippe Forest.
第22回木村伊兵衛写真賞受賞作品集の復刊。
Published in conjunction with an exhibition held at the Museum of Fine Arts, Boston, April 5 - July 12, 2015.
Collects street photographs from noted photographers of cities around the world, from New York and Sao Paolo to Paris and Sydney.
Japanese architect Tadao Ando's designed Chichu Art Museum on the island of Naoshima.
Khmer Concrete' investigates what remains of Cambodia?s post-independence architectural heritage and how it still retains its poetic power in contemporary Cambodia. The development of an independent intellectual and cultural elite was seen as crucial to maintaining Cambodia?s international status and independence in the years after 1953. In addition to architecture, a vibrant art and culture scene developed which sought to express itself on the international stage. All this came to an end, however, when the Khmer Rouge seized power and laid waste to the countryside and cities of Cambodia between 1975 and 1980. Khmer Concrete explores the forgotten legacy of these buildings and their place in modern Cambodia.
Published in conjunction with an exhibition organized for the International Center of Photography, New York, and held there May 15-Sept. 7, 2008.
Miles one to twelve -- Miles thirteen to twenty-four -- Miles twenty-five to thirty-six -- Miles thirty-seven to fourty-eight -- Miles fourty-nine to sixty -- Miles sixty-one to seventy-two and one half -- A walk across Los Angeles / Nigel Raab -- Afterword.
In this startling and illuminating book, Leo Rubinfien's "map" is neither precise nor defined by boundaries. It is, rather, a celebration, a book of photographs composed poetically through subjective eyes, a sequence of couplets (here seen as paired photographs) carefully arranged by the hand of an artist.