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List of names of early emigrants to the American and West Indian colonies extracted from a series of manuscript volumes known as the Lord Mayor's Waiting Books. Entries are arranged alphabetically and may include name, age, place of residence, length of indenture, destination, name of witness, date, etc.
By: Gerald Fothergill, Pub. 1913, Reprinted 2020, 206 pages, Index, ISBN #0-89308-455-7. This book on English passenger arrivals to ports along the eastern seaboard during the years immediately preceding Independence presents a list of about 6,000 names copied from Treasury Records in the Public Record Office in London. For each passenger the following information is given: age, occupation, place of origin, name of ship, destination, and reason for emigration. These new immigrants were Georgia; North & South Carolina, Virginia; Maryland; Pennstlvania; New York, Massechuttes, Barbados, St. Kitts, St. Vincients, Jamacia, Antigua, Montreal, Quebec, Dominica, Fort Chamberland, St. Christophers, Tobago, Nevis, Greneda, and Bermuda.
Cited in BCL3, Sheehy. The new edition includes all the bibliographic citations from the first edition (1981) and its supplement (1984) and adds more than 750 new lists. It is arranged alphabetically by author, with lists included alphabetically by title when no author is known. Full publication inf
These passenger lists, which cover the period of the Irish Famine and its aftermath, identify the emigrants' "actual places of residence", as well as their port of departure and nationality. Essentially business records, the lists were developed from the order books of two main passenger lines operating out of Londonderry--J.& J. Cooke (1847-67) and William McCorkell & Co. (1863-71). Both sets of records provide the emigrant's name, age, and address, and the name of the ship. The Cooke lists provide the ship's destination and year of sailing, while the McCorkell lists provide the date engaged and the scheduled sailing date. Altogether 27,495 passengers are identified.
Rescued from the dumpster of a boarded-up house, the yellowing scraps of a young migrant’s schoolwork provided Benjamin Moore with the jumping-off point for this study of migration, memory, and identity. Centering on the compelling story of its eponymous subject, The Names of John Gergen examines the converging governmental and institutional forces that affected the lives of migrants in the industrial neighborhoods of South St. Louis in the early twentieth century. These migrants were Banat Swabians from Torontál County in southern Hungary—they were Catholic, agrarian, and ethnically German. Between 1900 and 1920, the St. Louis neighborhoods occupied by migrants were sites of efforts by civic authorities and social reformers to counter the perceived threat of foreignness by attempting to Americanize foreign-born residents. At the same time, these neighborhoods saw the strengthening of Banat Swabians’ ethnic identities. Historically, scholars and laypeople have understood migrants in terms of their aspirations and transformations, especially their transformations into Americans. The experiences of John Gergen and his kin, however, suggest that identity at the level of the individual was both more fragmented and more fluid than twentieth-century historians have recognized, subject to a variety of forces that often pulled migrants in multiple directions.
A masterwork of W. G. Sebald, now with a gorgeous new cover by the famed designer Peter Mendelsund The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem. Along with memories, documents, and diaries of the Holocaust, he collects photographs—the enigmatic snapshots which stud The Emigrants and bring to mind family photo albums. Sebald combines precise documentary with fictional motifs, and as he puts the question to realism, the four stories merge into one unfathomable requiem.
A consolidation of the many articles regarding ship passenger lists previously published.