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Why is it that the face of World War II has appeared in print or film so often, but very seldom the back, the larger part? Could Hitler’s rise and fall be seen in India? The reader will find controversial answers in this backside story of WWII from a remote, spectacular Himalayan region. Chander, a U.S.-educated journalist, writes his memoirs at the request of his American wife, Kristi. The memoirs, which remained unpublished for decades due to the young couple’s accidental death, reveal that Chander as a young boy lived with his mother in a Himalayan village, while his father was fighting in WWII. Chander recounts dramatic experiences of local WWII soldiers and civilians from 1941 to 1948. The experiences are juxtaposed with his hometown’s Rama Lila, a famous folk play of the Ramayana epic, where Prince Rama fights the terrorist-chief Ravana. Jagriti, a girl in Chander’s village, introduces and, though forbidden, enacts parts of the play with him. Inspired by her, he watches the ten-night Rama Lila every year, while experiencing war’s reactions and other emotionally charged actions, from humorous to terroristic, in his Hindu village, Christian school, and Hindu-Christian-Muslim town.
Dehradun City, Himalayas, India 1977: Two bright, beautiful, lesbian research assistants accompany their Indian professor to this city near the tense borders of China and Nepal to observe the "holy-war" dance of the Mahabharata and its link to polygamy and local heroes (or villains?). The girls begin to question the holiness of the Bhagavad Gita's two polygamist avatars while watching the dance, even as they fall in love with India and their friendly hosts. While gathering data on women's rights violations, caste discrimination, and animal cruelty, they discover more about their own culture, their relationship and themselves. When their hosts uncover the women's secret love-life, they turn against them and the research team's existence is threatened. Will the Indian "holy-war" become a personal one between locals and outsiders, men against women, polygamists against lesbians, Indians against Americans? The answer lies in the Himalayan nights...
This is the author’s second book. His first book, ‘Adventures in three worlds’ is a recollection of the events that happened in the author’s life and the lessons he learned. This book is like a treatise on the world’s reaction to the coronavirus, people are still going through. Life is just like a sea, we are moving constantly. Nothing stays with us, what remains are just the memories of some people who touched us like waves. We are loved when we are born; we may be loved or hated based on how we have managed ourselves in between. War and peace are part of life. The world produces war-mongers as well as great souls like Mahatma Gandhi, Albert Einstein, Abraham Lincoln, and Nelson Mandela. The virus brouhaha is an awakening to change. Now everyone know Wuhan! The book briefly covers aspects of globalization, history of pandemics, biological warfare, Hindu scriptures, Covid-19 and India's lessons to the world. By applying cognizance, sobriety, intelligence and wisdom we have been creating superb technology and management systems; yet we have missed Brahminical way of living. ‘A Path to Discover’ may open a debate with views and counter-views. In one sentence, what lessons have we learned from the virus? The great Hindu Saint Tulsidas gave the answer in 16th century: In ‘dependence’ there is no happiness, even in a dream.
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-10-1939 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 70 VOLUME NUMBER: Vol. IV, No. 20. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 1413-1476 Document ID: INL-1939 (J-D) Vol- II (08)
Constrained by traditions restricting their movements and speech, the Maithil women of Nepal and India have long explored individual and collective life experiences by sharing stories with one another. Sometimes fantastical, sometimes including a kind of magical realism, these tales allow women to build community through a deeply personal and always evolving storytelling form. In Maithil Women’s Tales, Coralynn V. Davis examines how these storytellers weave together their own life experiences--the hardships and the pleasures--with age-old themes. In so doing, Davis demonstrates, they harness folk traditions to grapple personally as well as collectively with social values, behavioral mores, relationships, and cosmological questions. Each chapter includes stories and excerpts that reveal Maithil women’s gift for rich language, layered plots, and stunning allegory. In addition, Davis provides ethnographic and personal information that reveal the complexity of women’s own lives, and includes works painted by Maithil storytellers to illustrate their tales. The result is a fascinating study of being and becoming that will resonate for readers in women’s and Hindu studies, folklore, and anthropology.