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Nalley, A Southern Family Story is filled with stories that make the Nalley family come alive. This book is not a genealogical record, although genealogy is included. The opening chapter portrays the illustrious life of the enigmatic patriarch, George Burdine Nalley. An active minister in the Wesleyan church for eleven years, he fell from grace because of his involvement with another woman, and he had the audacity to bring the other woman to live in the house with his wife, Emma Burns, and their children. The next twelve chapters depict the lives of the twelve children—nine boys and three girls. Since all of them are deceased, their stories were written by their children as they remember their parents and their own childhoods. These stories give a picture of life in a less sophisticated time in the rural south when people lived off the land and had none of the modern conveniences that we enjoy today. Nalley, A Southern Family Story chronicles 170 years in the life of a family. In one chapter, the dates of births, marriages and deaths of this line of the family are interwoven into national and world events. Another chapter gives statistical information on the numerous family members, including a chronological list of the births, marriages and deaths of the twelve children and ninety-four grandchildren. Newspaper clippings are included of the obituaries of the twelve children and their spouses as well as accounts of the tragic deaths which have occurred. Information on places and events pertinent to the family is recorded. The family reunion which began the year after George Burdine’s untimely death in 1914 and continues to this day. Camp meeting, where families lived for two weeks under conditions even more primitive than at home, while they worshipped their God, got caught up on family news, and renewed acquaintance with old friends. Fairview Methodist Church where many baptisms, weddings and funerals of the Nalley clan took place and where many of them are buried. Central Wesleyan College, which the Rev. G. B. Nalley was instrumental in founding. This is a book that you can sit down and read, but it is more than that. It is a reference book that you can refer to over and over again when you are discussing family, trying to remember who was older, who married first, when someone died, and the endless number of other facts and fallacies that we Nalleys talk and argue about when we get together. In addition, this book is a social history of the way life was lived “in those days” as Daddy used to say. When I think of how much change has occurred in the last one hundred years, I am grateful that we have this written record of how our forefathers and foremothers actually lived. Here it is, as complete as I can make it—the history of the George Burdine and Emma Burns Nalley family. I hope you enjoy reading it and referring to it as much as I have enjoyed putting it together. If you have a drop of Nalley blood flowing through your veins, you will want to own a copy of this book for your library.
This book is the fi rst of a collection of four books of columns titled Just Between You and Me, Volume I, II, III, and IV. Since I wrote these columns in the eighties, many of them concern the joys and problems of raising a family. For instance, Marion could never keep a fl ashlight, and both he and the children kept destroying my spatulas. Just beginning my writing career, I had to search desperately for a corner for myself. Also, I share my thoughts on a wide variety of subjects, including inspirational thoughts, some of my favorite recipes, and my experience of going to college as a non-traditional student.
Growing up on Main Street is my memoir beginning with my earliest memories when I was five years old. In addition, in two other sections I tried to capture the emotional and tragic time when my grandfather and aunt died two months apart. The third section is the illustrious story of my maternal grandmother and her siblings who remain on property where they were born and grew up for the rest of their lives
At times when I was so sick I wondered if God had forsaken me, and that the prayers were not getting through. That was when I felt like Job, but like Job, I was determined to continue to trust. "Though he slay me, yet will I trust in him." If I renounced my faith, turned my back on God, where else could I go? I also remembered the passage in John's Gospel: "After this many of his disciples drew back and no longer went about with him. Jesus said to the twelve, 'Will you also go away?' Simon Peter answered him, 'Where shall we go? You have the words of eternal life; so we have believed and have come to know you, that you are the Holy One of God.'" So my faith has remained intact throughout this ordeal.
The “riveting” #1 New York Times bestseller: A true story of three wealthy families and the unbreakable ties of blood (Kirkus Reviews). The first bodies found were those of a feisty millionaire widow and her daughter in their posh Louisville, Kentucky, home. Months later, another wealthy widow and her prominent son and daughter-in-law were found savagely slain in Winston-Salem, North Carolina. Mystified police first suspected a professional in the bizarre gangland-style killings that shattered the quiet tranquility of two well-to-do southern communities. But soon a suspicion grew that turned their focus to family. The Sharps. The Newsoms. The Lynches. The only link between the three families was a beautiful, aristocratic young mother named Susie Sharp Newsom Lynch. Could this former child “princess” and fraternity sweetheart have committed such barbarous crimes? And what about her gun-loving first cousin and lover, Fritz Klenner, son of a nationally renowned doctor? In this tale of three families connected by marriage and murder, of obsessive love and bitter custody battles, Jerry Bledsoe recounts the shocking events that ultimately took nine lives, building to a truly horrifying climax that will leave you stunned. “Recreates . . . one of the most shocking crimes of recent years.” —Publishers Weekly “Absorbing suspense.” —Chicago Tribune “Astonishing . . . Brilliantly chronicled.” —Detroit Free Press “An engrossing southern gothic sure to delight fans of the true-crime genre. Bledsoe maintains the suspense with a sure hand.” —The Charlotte Observer
This work reaches across the colour line to examine how race, gender, class and individual subjectivity shaped the lives of black and white women in the 19th- and 20th-century American South.
African American Theater is a vibrant and unique entity enriched by ancient Egyptian rituals, West African folklore, and European theatrical practices. A continuum of African folk traditions, it combines storytelling, mythology, rituals, music, song, and dance with ancestor worship from ancient times to the present. It afforded black artists a cultural gold mine to celebrate what it was like to be an African American in The New World. The Historical Dictionary of African American Theater celebrates nearly 200 years of black theater in the United States, identifying representative African American theater-producing organizations and chronicling their contributions to the field from its birth in 1816 to the present. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on actors, directors, playwrights, plays, theater producing organizations, themes, locations, and theater movements and awards.
Provides articles covering children's literature from around the world as well as biographical and critical reviews of authors including Avi, C.S. Lewis, J.K. Rowling, and Anno Mitsumasa.