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Life isn't going so well for 19-year-old Will. His mother is always nagging him about the lucky knit hat that he never takes off; his mother's boyfriend has forbidden Will to play "Wild Thing"--the only song he knows--on the guitar; and he just got fired from his job at Burger King. But Will's luck changes when he moves into a flat with Chrissy, James, and Rocko and gets a new job at the local park. At the park Will meets Zara, a gypsy girl whose family is camping there illegally. Will has never been happier. Until his mother threatens to ruin everything by revealing Will's childhood secret. Is Will and Zara's love for each other strong enough to survive? "From the Hardcover edition."
Ruby McCracken's life is OVER. Her parents have forced her to move to the Ordinary World and that means -- new home, new school and worst of all, no magic! Seriously?! A witch without magic? That's LITERALLY tragic. Ruby has to leave behind her broomstick (and walk everywhere -- YUCK!) and her friends (no more watching Hex Factor together on a Saturday night). She's absolutely STARVING with no snack spell, and there's no way to get revenge on the mean girls at her boring new school without a good curse. Despite her best witching efforts, the Ordinary World remains tragically magic-deprived, until Ruby receives a mysterious hext that seems to offer an answer. That is, if she can figure out what it means and, more importantly, who sent it. Packed with great humour, loveable characters and witty banter, Ruby McCracken: Tragic Without Magic is perfect for fans of Witchworld and The Worst Witch.
America's independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood's "specialty" divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art's identity, which is always understood in relation to the Hollywood mainstream. By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture.
The complete Montana Born Brides series Available for the first time! All nine stories of The Montana Born Brides series, The Great Wedding Giveaway, brought to you by NY Times, USA Today and national bestselling authors! When a few of Marietta's long standing bachelors start walking down the aisle they vowed to avoid, the town's residents are speculating there must be something magical in the water. Be our wedding guest during The Great Wedding Giveaway as these chiseled, brooding cowboys, sexy business owners, and local bad boys return to town to prove a point and say "I do" to the women of their dreams. Titles included: What a Bride Wants by Kelly Hunter Second Chance Bride by Trish Morey Almost a Bride by Sarah Mayberry The Cowboy's Reluctant Bride by Katherine Garbera The Unexpected Bride by Joanne Walsh A Game of Brides by Megan Crane The Substitute Bride by Kathleen O'Brien Last Year's Bride by Anne McAllister Make-Believe Wedding by Sarah Mayberry
Coastal Encounters opens a window onto the fascinating world of the eighteenth-century Gulf South. Stretching from Florida to Texas, the region witnessed the complex collision of European, African, and Native American peoples. The Gulf South offered an extraordinary stage for European rivalries to play out, allowed a Native-based frontier exchange system to develop alongside an emerging slave-based plantation economy, and enabled the construction of an urban network of unusual opportunity for free people of color. After being long-neglected in favor of the English colonies of the Atlantic coast, the colonial Gulf South has now become the focus of new and exciting scholarship. ø Coastal Encounters brings together leading experts and emerging scholars to provide a portrait of the Gulf South in the eighteenth century. The contributors depict the remarkable transformations that took place?demographic, cultural, social, political, and economic?and examine the changes from multiple perspectives, including those of Native Americans, Europeans, and Africans; colonizers and colonized; men and women. The outstanding essays in this book argue for the central place of this dynamic region in colonial history.
With Robinson Crusoe, Defoe presented one of the most important novels in world literature. He plays with literary genres in a virtuoso way that only a great author can do. For today's readers, this novel is not only exciting, but also a moral portrait of the colonial empire of the time. Such a successful combination of entertainment and erudition rarely occurs in this form in classical literature - not to mention modern literature. Gröls Classics - English Edition
Reprint of the original, first published in 1872.