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Inspired by a meeting with William S. Burroughs in a London tea shop, this short collection by Philip Willey blends fact and fiction to tell the bizarre story of Burroughs' life. The chapters take on different parts of the Burroughs legacy, and are illustrated by Lyle Schultz. Included is an intimate portrait of Burroughs' final days by George Laughead, one of his friends in Lawrence, Kansas.
Everything that makes Will Self's fiction so arresting and original is in evidence here in this collection of his best articles, book reviews and interviews from the Observer, the Guardian, the Independent, the Evening Standard and many more. Whether describing penis operations, narcotics or merely pondering the nature of slacking, these pieces are as witty and acerbic as one would expect from one of our foremost contemporary satirists.
A practitioner's guide to the basic principles of creating sound effects using easily accessed free software. Designing Sound teaches students and professional sound designers to understand and create sound effects starting from nothing. Its thesis is that any sound can be generated from first principles, guided by analysis and synthesis. The text takes a practitioner's perspective, exploring the basic principles of making ordinary, everyday sounds using an easily accessed free software. Readers use the Pure Data (Pd) language to construct sound objects, which are more flexible and useful than recordings. Sound is considered as a process, rather than as data—an approach sometimes known as “procedural audio.” Procedural sound is a living sound effect that can run as computer code and be changed in real time according to unpredictable events. Applications include video games, film, animation, and media in which sound is part of an interactive process. The book takes a practical, systematic approach to the subject, teaching by example and providing background information that offers a firm theoretical context for its pragmatic stance. [Many of the examples follow a pattern, beginning with a discussion of the nature and physics of a sound, proceeding through the development of models and the implementation of examples, to the final step of producing a Pure Data program for the desired sound. Different synthesis methods are discussed, analyzed, and refined throughout.] After mastering the techniques presented in Designing Sound, students will be able to build their own sound objects for use in interactive applications and other projects
Laid out as diary entries of the last nine months of Burroughs's life, "Last Words" spans the realms of cultural criticism, personal memoir, and fiction. Classic Burroughs concerns--literature, U.S. drug policy, the state of humanity, his love for his cats--permeate this poignant portrait of the man, his life, and the creative process.
A personal account by the late founder of Arcade Publishing documents his experiences in the literary world of the mid-20th century, describing his efforts to overcome U.S. censorship laws and introduce readers to important written works.
Along with Jack Kerouac and Allen Ginsberg, William S. Burroughs (1914––97) is an iconic figure of the Beat generation. In William S. Burroughs, Phil Baker investigates this cult writer’s life and work—from small-town Kansas to New York in the ’40s, Mexico and the South American jungle, to Tangier and the writing of Naked Lunch, to Paris and the Beat Hotel, and ’60s London—alongside Burrough’s self-portrayal as an explorer of inner space, reporting back from the frontiers of experience. After accidentally shooting his wife in 1951, Burroughs felt his destiny as a writer was bound up with a struggle to come to terms with the “Ugly Spirit” that had possessed him. In this fascinating biography, Baker explores how Burroughs’s early absorption in psychoanalysis shifted through Scientology, demonology, and Native American mysticism, eventually leading Burroughs to believe that he lived in an increasingly magical universe, where he sent curses and operated a “wishing machine.” His lifelong preoccupation with freedom and its opposites—forms of control or addiction—coupled with the globally paranoid vision of his work can be seen to evolve into a larger ecological concern, exemplified in his idea of a divide between decent people or “Johnsons” and those who impose themselves upon others, wrecking the planet in the process. Drawing on newly available material, and rooted in Burroughs’s vulnerable emotional life and seminal friendships, this insightful and revealing study provides a powerful and lucid account of his career and significance.
My Education is Burroughs's last novel, first published two years before his death in 1997. It is a book of dreams, collected over several decades and as close to a memoir as we will see. The dreams cover themes from the mundane and ordinary - conversations with his friends Allen Ginsberg or Ian Sommerville, feeding his cats, procuring drugs or sex - to the erotic, bizarre and visionary. Always a rich source of imagery in Burroughs's own fiction, in this book dreams become a direct and powerful force in themselves.
Fifty years ago, Norman Mailer asserted, "William Burroughs is the only American novelist living today who may conceivably be possessed by genius." Few since have taken such literary risks, developed such individual political or spiritual ideas, or spanned such a wide range of media. Burroughs wrote novels, memoirs, technical manuals, and poetry. He painted, made collages, took thousands of photographs, produced hundreds of hours of experimental recordings, acted in movies, and recorded more CDs than most rock bands. Burroughs was the original cult figure of the Beat Movement, and with the publication of his novel Naked Lunch, which was originally banned for obscenity, he became a guru to the 60s youth counterculture. In Call Me Burroughs, biographer and Beat historian Barry Miles presents the first full-length biography of Burroughs to be published in a quarter century-and the first one to chronicle the last decade of Burroughs's life and examine his long-term cultural legacy. Written with the full support of the Burroughs estate and drawing from countless interviews with figures like Allen Ginsberg, Lucien Carr, and Burroughs himself, Call Me Burroughs is a rigorously researched biography that finally gets to the heart of its notoriously mercurial subject.
* Selected as ONE of the BEST BOOKS of the 21st CENTURY by The New York Times * NATIONAL BOOK AWARD FINALIST * New York magazine’s #1 Book of the Year * Best Book of the Year by: The Wall Street Journal; Vogue; O, The Oprah Magazine; Los Angeles Times; The San Francisco Chronicle; The New Yorker; Time; Flavorwire; Salon; Slate; The Daily Beast “Superb…Scintillatingly alive…A pure explosion of now.”—The New Yorker Reno, so-called because of the place of her birth, comes to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity—artists colonize a deserted and industrial SoHo, stage actions in the East Village, blur the line between life and art. Reno is submitted to a sentimental education of sorts—by dreamers, poseurs, and raconteurs in New York and by radicals in Italy, where she goes with her lover to meet his estranged and formidable family. Ardent, vulnerable, and bold, Reno is a fiercely memorable observer, superbly realized by Rachel Kushner.
"Wake-Robin", John Burroughs' first book, is a detailed work on birds, being an alluring "invitation to the study of Ornithology". It's aim is to stimulate an interest in the natural history of birds, which Burroughs arguably achieves through a masterful marriage of interesting facts and beautiful writing. John Burroughs (1837 - 1921) was an American naturalist, essayist, and active member of the U.S. conservation movement. Burroughs' work was incredibly popular during his lifetime, and his legacy has lived on in the form of twelve U.S. Schools named after him, Burroughs Mountain, and the John Burroughs Association-which publicly recognizes well-written and illustrated natural history publications. Other notable works by this author include: "Winter Sunshine" (1875), "Birds and Poets" (1877), and "Locusts and Wild Honey" (1879). Contents include: "The Return of the Birds", "In the Hemlocks", "The Adirondacks", "Birds'-Nests", "Spring at the Capital", "Birch Browsings", "The Bluebird", "The Invitation", etc. . Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.