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FREE ME! What pleasure seekers thrill to no end but the end of a smoking gun in your hand or what worse, the curse, life's egg either omelet or birth to a new undertow to shake the hand of your killer is to invite a cow to dinner. When Satirn, a young naive girl, stumbles on a ring of QueenBurger joints that hold very morale and very GRAVE consequences on her soul, all HELL breaks loose. If you imagine, is it real? Can you imagine the pain of finding no reality, only lost dreams and lost slippers which the dog does not fetch? Find your SELF inside! your SELF is growing; don’t deny your love; don’t hide your knowledge seeking explorations; we are meant for so much; we can do anything; say I will and I can, for in your most hour of need in your most agonized moment when you think nothing can get worse you may just be able to read the next line and there, my friend, my fiend, that is how you will finish this great challenge to YOU to your SELF; say I can I will finish this BOOK! NOW ARE YOU PUMPED?!!! GET PUMPED!! go read go read go read go read go read go read go read go read go read go read, stop reading this and get to your reading!
Many centuries ago, the great Oracle foretold of a Prophesy. To save the worlds of man and magic, twin girls of Fire and Earth must marry twin boys of Water and Air. It came to be in the early 1400s that the sets of twins were born. The Fairy Princess Alanna is from a magical land filled with mythical beings. She has known since birth that in order to save her lands and those of mankind she must marry Alec Kincaid, the Warlord of the Legion of the Ice Warriors … and the man of her dreams. Alec has been trained all his life to fight and lead his men into battles that he has never lost. He has been with hundreds of women, and not for conversational purposes. Marrying a Fairy Princess was not in his plans, prophesy be damned. Alanna believes with her whole heart and soul that Fire unites with Water. Can the Fairy Princess melt the Ice Warrior’s frozen heart? Let the battle begin!
On April 28, 2004, 60 Minutes II broadcast the now-infamous photos of prisoner abuse by American soldiers at Abu Ghraib. The news quickly spread worldwide, undermining the U.S. presence in Iraq. Despite several Department of Defense investigations and eleven courts-martial convictions, important questions remain about the events at Abu Ghraib. Who are these soldiers? How involved were top administration officials and army generals in the abuses? Were the soldiers simply following orders? Do these photographs depict a new American interrogation policy? Christopher Graveline and Michael Clemens provide the answers. No one has investigated the true story behind the events at Abu Ghraib as thoroughly as the authors. Only six people had complete knowledge of the Abu Ghraib investigation and prosecutions; Graveline and Clemens are two of them. They give readers unprecedented access to the inner workings of the investigation leading to the trials of PFC Lynndie England, Cpl. Charles Graner, and others. Complete with actual arguments of counsel, testimony, and evidence, this groundbreaking book puts the reader in the middle of the investigation and the subsequent trials, revealing one of the darker episodes in American military history.
In this volume the myths and legends of ancient Egypt are embraced in a historical narrative which begins with the rise of the great Nilotic civilization and ends with the Græco−Roman Age. The principal deities are dealt with chiefly at the various periods in which they came into prominence, while the legends are so arranged as to throw light on the beliefs and manners and customs of the ancient people. Metrical renderings are given of such of the representative folk songs and poems as can be appreciated at the present day.
At the dawn of history, an epic war is about to begin in the deadly quest for honour. The city of Sumer, ruled by a brutal murderer and his vicious, power hungry sister, is poised to give birth to the mightiest empire in history. No one stands a chance as it brings a bloody war to all those who stand in its way, determined to crush and enslave those on its borders. The little city state of Akkad must prepare its fledgling nation to fight for its very survival. Akkad's warriors are a loyal and courageous brotherhood, but this is not a battle of villages or of roving warrior bands; it is a battle for Empire and a fight to the death...
In this volume the myths and legends of ancient Egypt are embraced in a historical narrative which begins with the rise of the great Nilotic civilization and ends with the Graeco-Roman Age. The principal deities are dealt with chiefly at the various periods in which they came into prominence, while the legends are so arranged as to throw light on the beliefs and manners and customs of the ancient people. Metrical renderings are given of such of the representative folk songs and poems as can be appreciated at the present day. Egyptian mythology is of highly complex character, and cannot be considered apart from its racial and historical aspects. The Egyptians were, as a Hebrew prophet has declared, a "mingled people", and this view has been confirmed by recent ethnological research: "the process; of racial fusion begun in the Delta at the dawn of history", says Professor Elliot Smith, "spread through the whole land of Egypt". In localities the early Nilotic inhabitants accepted the religious beliefs of settlers, and fused these with their own. They also clung tenaciously to the crude and primitive tribal beliefs of their remote ancestors, and never abandoned an archaic conception even when they acquired new and more enlightened ideas; they accepted myths literally, and regarded with great sanctity ancient ceremonies and usages. They even showed a tendency to multiply rather than to reduce the number of their gods and goddesses, by symbolizing their attributes. As a result, we find it necessary to deal with a bewildering number of deities and a confused mass of beliefs, many of which are obscure and contradictory. But the average Egyptian was never dismayed by inconsistencies in religious matters: he seemed rather to be fascinated by them. There was, strictly speaking, no orthodox creed in Egypt; each provincial centre had its own distinctive theological system, and the religion of an individual appears to have depended mainly on his habits of life. "The Egyptian", as Professor Wiedemann has said, "never attempted to systematize his conceptions of the different divinities into a homogeneous religion. It is open to us to speak of the religious ideas of the Egyptians, but not of an Egyptian religion."Ê
The final chapter. Ariadne, refugee princess, has completed the quests to gain knowledge, power and protection. She can now face Grimlindus, the general, necromancer and suave lord of evil, who wields the all-powerful Sword of Death. But Grimlindus has raised his armies and is preparing to invade the west. Their first mission is to conquer the Esengater, the Iron City, held by the female knights of the Order of the Dragon Slayer. Ariadnes companions travel to the corners of the Westland to raise the forces to stop him. They are in a race against Grimlinduss demons, sorcerers and assassins, who are trying to stop the west from mobilising. Meanwhile, Ariadne travels to the Mystic Isles to forge the weapon that she will use in the final battle: Sword of Life. Because, in the end, it will be a duel between the Sword of Life and the Sword of Death.
This book examines Théodore Géricault’s images of black men, women and children who suffered slavery’s trans-Atlantic passage in the late eighteenth and early nineteenth centuries, including his 1819 painting The Raft of the Medusa. The book focuses on Géricault’s depiction of black people, his approach towards slavery, and the voices that advanced or denigrated them. By turning to documents, essays and critiques, both before and after Waterloo (1815), and, most importantly, Géricault’s own oeuvre, this study explores the fetters of slavery that Gericault challenged—alongside a growing number of abolitionists—overtly or covertly. This book will be of interest to scholars in art history, race and ethnic studies and students of modernism.
Bruno Schulz has foreseen catastrophe and is almost paralysed by fear. His last chance of survival is to leave the home town to which, despite being in his late forties, he clings as if to a comforting blanket. So he retreats into his cellar (and sometimes hides under his desk) to write a letter to Thomas Mann: appealing to the literary giant to help him find a foreign publisher, in order that the reasons to leave Drohobych will finally outweigh the reasons to stay. Evoking Bulgakov and Singer, Biller takes us on an astounding, burlesque journey into Schulz's world, which vacillates between shining dreams and unbearable nightmares - a world which, like Schulz's own stories, prophesies the apocalyptic events to come. Includes two stories by Bruno Schulz: 'Birds' and 'The Cinnamon Shops', from The Street of Crocodiles.