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Do I want to go to Hunter's sleepover birthday party? With an older sister has gorgeous as Danielle sleeping in the same house, likely barely dressed in a nearby bedroom - heck yeah I do! But the night gets interesting when Hunter's younger brother, his friend, and then Danielle decide to do a little body painting. It's a dream come true when I get to help Danielle apply the paint. But like all dreams, will it last forever? Or is this just wishful thinking? Book five in Russell James' "Naked" series, this story shares a most memorable night for impressionable, eleven-year-old Lake whose puppy love for a teenage girl is on a crash course for potential broken heart.
Stunning works of art using the human body as the canvas. If ever there was a defining moment in a career, for renowned body-painting artist Joanne Gair it was painting "that suit" on Demi Moore for the cover of Vanity Fair. From swimsuits for Sports Illustrated or music videos with Madonna, Gair's career allows us to see the human body transformed, creating unforgettable images. During a career spanning over 20 years, she has worked with Elle McPherson, Heidi Klum, Pamela Anderson, Rachel Hunter, and Molly Sims to name a few. Among the star photographers also included are Michel Comte, David LaChapelle, Annie Leibovitz, Herb Ritts, Howard Schatz, and Mark Seliger. Gair’s collaborations have resulted in thousands of extraordinary photographs which have made an impact on pop culture.
The seminal volume on body painting and adornment by the world’s preeminent photographers of African culture. Following the international masterpiece Africa Adorned, Carol Beckwith and Angela Fisher have focused on the traditions of body painting spanning the vastly unique cultures of the African continent. In a contemporary world so fascinated with tattoos and piercings, Beckwith and Fisher document the origins of these fashionable adornments as passed down through African tribal culture. Featured are portraits of the richly colored, detailed, and exquisite body paintings of the Surma, Karo, Maasai, Himba, and Hamar peoples, among others. Drawing from expeditions in the field and firsthand experiences with African peoples and cultures over the past thirty years and with more than 250 spectacular photographs, this is the definitive work on the expressiveness and imagination of African cultural painting of the human body.
Dive into the world of an Award Winning Body Painter in this unique hardcover photographic art book featuring over 300 photographs, behind the scenes imagery, anecdotes, and 5 full step-by-step tutorials all jam-packed in 290 gorgeous pages.
Sofia Bue is an internationally award-winning artist. Originally from Denmark, she now lives in New Zealand, working as a sculptor and SFX Make-Up artist for the world renowned Weta Workshop, best known for their work on Lord of the Rings, King Kong, and Avatar. Bodies of Art is a fine art book using the human body as a medium of storytelling. It is a unique collection of works, using the human body as the canvas. Unlike traditional fine art, body art has forever changing and undefined boundaries. A piece of paper has finite space. A painting is finished when the borders are reached. But using the human body, in all its unique beauty, has no limits; The canvas is always changing as the body moves. Each work combines a range of emotions; It celebrates life, and shows the wonder of the human body.It connects contemporary fine art practice with an ancient one, and it asks us to look at the familiar in a new way. Atmospheric behind-the-scenes images and thoughts from the artist bring the creation of each image to life, and give insight into the process. Written by World Champion Body Artist Sofia Bue, in collaboration with writer and poet, Ben Egerton.
A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
Welcome to the Paint A'Licious Salon where dreams and fantasies come true with the simplicity of a brushstroke. Nothing is as it seems when renowned artist and photographer Joanne Gair embellishes, conceals, and camouflages her human subjects with paint. We're all familiar with trompe l'oeil painting, art that fools the eye. Renowned body painter and artist Joanne Gair takes the art of trompe l'oeil to an entirely new level with Paint A 'Licious. But instead of disguising walls or canvas, Gair completely redecorates her human subjects. In the fictional Paint A'Licious Salon, Gair invites us to experience our wildest dreams through paint. Washboard abs are achieved without sit-ups, and an hourglass figure requires no liposuction at this specialty salon. By painstakingly painting her subjects--a process that takes many hours--Gair blends them (nearly imperceptibly) into the background scene. You'll be scratching your head in amazement at the fantastic optical illusions Gair creates. A painted child disappears under the Christmas tree, barely discernible from the wrapped gifts. A naughty nurse in a uniform made only of paint arrives to cheer up a patient. And are those plaid biker shorts or just a tartan paint job under that Scotsman's kilt? Paint A 'Licious is the book everyone will want on their coffee tables.
From New York Times Bestseller, Pepper Winters, comes The Master of Trickery Duet. An angsty, secretive romance where the heroine is selfless with her kindness and a hero who does his best to push her away. Set in a world of body paint, lies, and history. "Must be slim, able to stand for long periods of time, and be impervious to the cold.” The headline caught my attention. “Hours are negotiable, pay is minimal, clothing absolutely forbidden.” The second line piqued my curiosity. “Able to hold your bladder and tongue, refrain from opinions or suggestions, and be the perfect living canvas.” The third made me scowl. “Other attributes required: non-ticklish, contortionist, and obedient. Must also enjoy being studied while naked in a crowd.” The fourth made me shudder. “Call or email ‘YOUR SKIN, HIS CANVAS’ if interested in applying.” The final made my heart race. I should’ve kept scrolling past the advertisement. I should’ve applied for the boring receptionist job at minimum wage. I should’ve clicked on any other job where I got to keep my clothes on. But I didn’t. I applied. My interview is tomorrow… Finish this duet with The Living Canvas
How we dress our bodies—through clothing, footwear, headgear, jewelry, haircuts, and more—is key to the expression of status and identity. This idea was as true for ancient Maya civilization as it is today, yet few studies have centered on what ancient Maya peoples wore and why. In The Adorned Body, Nicholas Carter, Stephen Houston, and Franco Rossi bring together contributions from a wide range of scholars, leading to the first in-depth study of Maya dress in pre-Columbian times. Incorporating artistic, hieroglyphic, and archaeological sources, this book explores the clothing and ornaments of ancient Maya peoples, systematically examining who wore what, deducing the varied purposes and meanings of dress items and larger ensembles, and determining the methods and materials with which such items were created. Each essay investigates a category of dress—including headgear, pendants and necklaces, body painting, footwear, and facial ornaments—and considers the variations within each of these categories, as well as popular styles and trends through time. The final chapters reveal broader views and comparisons about costume ensembles and their social roles. Shedding new light on the art and archaeology of the ancient Americas, The Adorned Body offers a thorough map of Maya dress that will be of interest to scholars and fashion enthusiasts alike.
Mesoamerican communities past and present are characterized by their strong inclination toward color and their expert use of the natural environment to create dyes and paints. In pre-Hispanic times, skin was among the preferred surfaces on which to apply coloring materials. Archaeological research and historical and iconographic evidence show that, in Mesoamerica, the human body—alive or dead—received various treatments and procedures for coloring it. Painting the Skin brings together exciting research on painted skins in Mesoamerica. Chapters explore the materiality, uses, and cultural meanings of the colors applied to a multitude of skins, including bodies, codices made of hide and vegetal paper, and even building “skins.” Contributors offer physicochemical analysis and compare compositions, manufactures, and attached meanings of pigments and colorants across various social and symbolic contexts and registers. They also compare these Mesoamerican colors with those used in other ancient cultures from both the Old and New Worlds. This cross-cultural perspective reveals crucial similarities and differences in the way cultures have painted on skins of all types. Examining color in Mesoamerica broadens understandings of Native religious systems and world views. Tracing the path of color use and meaning from pre-Columbian times to the present allows for the study of the preparation, meanings, social uses, and thousand-year origins of the coloring materials used by today’s Indigenous peoples. Contributors: María Isabel Álvarez Icaza Longoria Christine Andraud Bruno Giovanni Brunetti David Buti Davide Domenici Élodie Dupey García Tatiana Falcón Álvarez Anne Genachte-Le Bail Fabrice Goubard Aymeric Histace Patricia Horcajada Campos Stephen Houston Olivia Kindl Bertrand Lavédrine Linda R. Manzanilla Naim Anne Michelin Costanza Miliani Virgina E. Miller Sélim Natahi Fabien Pottier Patricia Quintana Owen Franco D. Rossi Antonio Sgamellotti Vera Tiesler Aurélie Tournié María Luisa Vázquez de Ágredos Pascual Cristina Vidal Lorenzo