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This book describes an approach to lexis and grammar based on the concept of phraseology and of language patterning arising from work on large corpora. The notion of 'pattern' as a systematic way of dealing with the interface between lexis and grammar was used in Collins Cobuild English Dictionary (1995) and in the two books in the Collins Cobuild Grammar Patterns series (1996; 1998). This volume describes the research that led to these publications, and explores the theoretical and practical implications of the research. The first chapter sets the work in the context of work on phraseology. The next two chapters give several examples of patterns and how they are identified. Chapters 4 and 5 discuss and exemplify the association of pattern and meaning. Chapters 6, 7 and 8 relate the concept of pattern to traditional approaches to grammar and to discourse. Chapter 9 summarizes the book and adds to the theoretical discussion, as well as indicating the applications of this approach to language teaching. The volume is intended to contribute to the current debate concerning how corpora challenge existing linguistic theories, and as such will be of interest to researchers in the fields of grammar, lexis, discourse and corpus linguistics. It is written in an accessible style, however, and will be equally suitable for students taking courses in those areas.
The eagerly-awaited sequel to Carry The Wind, this is the second volume of Terry Johnston's award-winning saga of mountain men Josiah Paddock and Titus Bass, who here meet new challenges and new loves in the western wilderness of the 1830's.
John Sinclair is one of the major figures in applied linguistics and his work is essential study for students. This accessible book collects in one volume Sinclair's key papers on written discourse structure, lexis patterns, phraseology, corpus analysis, lexicography and linguistic theory from the 1990s. All the papers have been edited and updated for this book. The clear and accessible introduction helps students to navigate his key themes and arguments, making the volume an ideal companion for those coming to Sinclair's more recent writings for the first time.
Seumas McKinnon has just retired from an advertising job in Melbourne, Australia. He would be free to travel overseas, as a widower with no attachments--except for his son, Alasdair, a successful lawyer. Although they're grown men, Seumas and Alasdair share a strong dependency. And even though Seumas loves his son he decides it's time for some time apart. He heads to Scotland's legendary and bilingual Isle of Skye, where he hopes to embrace his familial roots and learn some Gaelic along the way. Initially, the separation is hard on both of them, but soon, Seumas meets Morag, a lovely, charming woman whom he immediately finds attractive. They strike up a relationship, even though both know he plans to return to Australia. Back home, Alasdair meets someone too--Annie O'Hare, a physiotherapist recently returned from Hong Kong. Initially, she refuses to take him seriously. Apart father and son seem to thrive. Eventually, Seumas returns home, happy to feel some distance from his clingy son. Then a tragic and nearly fatal accident occurs, which bonds the McKinnon boys more than ever before. Perhaps Seumas's trip to Scotland was in vain? Or perhaps his absence gave him a chance to appreciate the true importance of love and family?
GIANT ACTION! GIANT ADVENTURE! THE GUNSMITH GIANT SHOWDOWN AT LITTLE MISERY Special Giant Edition Clint Adams doesn't ditch his friends in times of trouble. But when the friend is an up-and-coming politician named Teddy Roosevelt, the "trouble" could cost the Gunsmith his life. After foiling a murder plot against the Roosevelt family, Clint couldn't wait to get out of New York. When he finally made it to Little Missouri, he felt right at home—glad to be away from the big city—and glad to be rid of his big city friends. But his troubles are far from over. A New York dandy has turned up in the West, riding roughshod all over the Dakota territory. He claims to be a friend of the Gunsmith—and goes by the name of Roosevelt...
They say it’s the quiet ones you have to worry about, and she was quiet, very quiet—when she wasn’t busy despising me with a burning passion. Ringo ‘Ringer’ James has a no-strings-attached policy. Love them, leave them, and remain the eternal bachelor. After a summer in which every one of his mates has succumbed to settling down, or so it seemed, Ringer is on the lookout for a quick exit. Having had enough of the stomach-turning love fest witnessed over the past three months, Ringer jumps at the opportunity to help out his mate, Max, by heading to Max’s dad’s property for a working holiday. It’s just what he’s looking for. A remote, dusty homestead in Ballan, with only hard work, a cold beer and a comfy bed to worry about – no women. Until Miranda Henry. The privately educated daughter of his boss has returned home from overseas and things are about to get very complicated, very fast. As summer draws to its end, Ringer is about to learn that sometimes attraction defies all logic, and that there really is such a thing as ‘enemies with benefits.’ The Summer Series: Book 1: The Boys of Summer Book 1.5: Stan (Novella) Book 2: An Endless Summer Book 2.5: Max (Novella) Book 3: That One Summer Book 3.5: Ringer (Novella) Book 4: Forever Summer Authors Note: While each title can be read as a stand-alone story, you will likely enjoy taking the journey with these characters from the beginning.
Amber Oakley is back! Determined as ever to avoid getting her bottom smacked but her own deep needs and the awkward circumstances she finds herself in trying to solve her financial difficulties mean otherwise. Offering riding tuition to girls from wealthy families seems like a good idea, but Portia and Ophelia Crowthorne-Jones prove to have a few ideas of their own, and are soon indulging both their lesbian desires and their cruel sense of humour at Amber's expense. Will she end up as their plaything, or can she turn the tables and teach the little brats the lesson they so clearly deserve?
In 1956 Roman Jakobson put metaphor and metonymy on equal footing, theoretically, when he coupled them. He noted, however, that metonymy was not attended as it should have been, and called this a "contiguity disorder". This study attempts to understand what this disorder might be, and does so by shifting focus away from the couple, metaphor and metonymy, to that of metonymy and synecdoche. It is here, between these two "lesser" tropes, that one can see how the metonymy, the trope of contiguity, or the trope of a certain arbitrariness,