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Barefoot & Naked on the Banks of the Altamaha River rises and falls with joy and sorrow, pleasure and pain, hope and despair. At times, it is governed by a smidgen of faith, other times, mustard seed faith. The stage is set in the deep-south in the era of black and white TVs, rotary phones, party lines, unlocked doors and windows. Small bottle cokes cost five cents, large ones six cents. There were Dime Stores instead of Dollar Stores. The scene is set in motion with a young girl living in an unspoiled world of love, laughter and friendships. The scene-scape moves and changes rapidly. As years pass, this perfect world is blemished by bitterness, anger, and hate as death, adultery, and sickness erode the spirit and cripple the soul. Amid the years were trials and tribulations, flights and fights, and storms that brewed, and, there were some deep shit bipolar times. This was the era of growing up, of love and laughter--the era of innocence. It was life at the highest and life at the lowest ebbs. From southern girl who is nurtured to southern matriarch who nurtures, it is a tale spawning from first light to midnight. It is the eve of a new dawn.
We know shame can be a morally valuable emotion that helps us to realize when we fail to be the kinds of people we aspire to be. We feel shame when we fail to live up to the norms, standards, and ideals that we value as part of a virtuous life. But the lived reality of shame is far more complex and far darker than this -- the gut-level experience of shame that has little to do with failing to reach our ideals. We feel shame viscerally about nudity, sex, our bodies, and weaknesses or flaws that we can't control. Shame can cause self-destructive and violent behavior, and chronic shame can cause painful psychological damage. Is shame a valuable moral emotion, or would we be better off without it? In Naked, Krista K. Thomason takes a hard look at the reality of shame. The experience of it, she argues, involves a tension between identity and self-conception: namely, what causes me shame both overshadows me (my self-conception) and yet is me (my identity). We are liable to feelings of shame because we are not always who we take ourselves to be. Thomason extends her thought-provoking analysis to our current social and political landscape: shaming has increased dramatically because of the proliferation of social media platforms. And although these online shaming practices can be used in harmful ways, they can also root out those who express racist and sexist views, and enable marginalized groups to confront oppression. Is more and continued shaming therefore better, and is there moral promise in using shame in this way? Thomason grapples with these and numerous other questions. Her account of shame makes sense of its good and bad features, its numerous gradations and complexity, and ultimately of its essential place in our moral lives.
The author shares her painful, poverty-stricken childhood in an attempt to help those who have been abandoned transform the pain of their past into something beautiful by turning to God, who is always there.
On hot summer days, the only pool in stick-in-the-mud Centerville is the one in Amy's back yard. You know, the one the nudist built with a poor filtration system. The one her dad says that boys will have to swim naked in and girls have a suit option, but... Amy invites a whole lot of her graduated high school friends over for a weekend pool party. Of course that means going into town to get food. Will Amy finally get dressed? Will Matt or Viv get dressed? Can they keep a naked Matt from getting a hard on in the center of town? Will they all get arrested? After the weekend party, how many of Amy's friends will hang out, lounging by the pool, just as naked as Amy? What happens when the entire lot of them amble off for town just as naked as Amy?
Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.
A serial killer's desire to protect children fuels a parallel drive to murder other sadistic men in this immersive and literary psychological thriller. BULLIED AS CHILD FOR BEING OVERWEIGHT and an orphan, the serial killer in I Disappeared Them hides in plain sight. By day, he is an affable family man with a disarming smile, surrounded by his children and loving wife. At night he punches the clock as a hard-working pizza man. After work, he roams Miami's nighttime streets as the Periwinkle Killer, the sociopath passing judgment on the wicked according to a twisted moral code. He believes himself to be a defender of women and children. The Everglades is filling up with the corpses of his victims. He must be stopped, but there are no clues except the periwinkles he leaves at every crime scene. I Disappeared Them is a brutal, boy meets girl love story that delves into the Periwinkle Killer’s childhood to confront the age-old question, is a serial killer designed or destined? Like Bret Easton Ellis's American Psycho and Joyce Carol Oates's Zombie, Preston L. Allen's immersive narrative hauntingly occupies the peculiar psychological landscape of a murderer.
An amazing sequel to Lemonade, Twisted tells of the unraveling chain of events surrounding bloodlines. Adam Pierce, the supposedly bastard son of a forbidden illicit love affair. Handsome egotistical and cunning. Hed stop at nothing to destroy others. That is until he met Eden. Thats when his life underwent tremendous changes. It no longer existed as he once knew it. Like Humpty Dumpty his world came tumbling down. Forbidden pleasures are always sweetest, but with them comes a price that few are willing to pay. No one is exempt from pay day.
Audriana Escobar, aka Audi, is the 18-year-old leader of the Gucci Girlz−a crew made up of her closest friends. Growing up in poverty, their only current goal is to find a way out of the poor town of Aetna and achieve a life of happiness, love, and luxury. When they cross paths with another crew named the Tru Aetna Boyz, all of their wants and desires seem to be coming true. DeAndre, aka Dre, leads the team that includes his friends Raheem, Devonte and Lyrical and, together, they make up one of the most dangerous gangs in their hometown. With their intentions set on gaining money, status, women and fame, meeting a group of women with the same goals in mind seems like the best kind of luck. Sparks fly almost immediately and, together, they quickly become a force that totally dominates the street game without competition or resistance... until they catch the eye of police sergeant, Naomi Mills. Pursuing money and love always comes with its own set of troubles, which the Gucci Girlz and Tru Aetna Boyz eventually realize on their own. As they begin to step into the lives that they always envisioned for themselves, everything is turned upside down when they become the trophy for a sergeant with a chip on her shoulder. Will they be able to step into their dream of luxury and true love?
Polishing the Turd By: Dana Jolie Dana Jolie gives us a glimpse into his life with hilarious, but endearing stories from his youth and current day. Reading Jolie’s stories will remind his readers of hearing their own family’s stories passed down from generation to generation. Jolie’s puns and sarcastic, yet slapstick, humor will keep readers eager to turn the page and read another one of Jolie’s tales.