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Nair ? Told & Untold is a collection of short stories that elevate the mundane happenings in everyday life. The protagonist, Mr. Nair, a typical Malayalee, takes on many avatars, some applaudable and others cringe-worthy. But in all these stories, he gains the reader’s sympathy as he tries to navi-gate the nooks and crannies of life’s journey. The author has a keen understanding of human na-ture. In simple prose, he captures snapshots of life which include an observant Mr. Nair who witnesses catastrophe unfold at the village tea shop, a frustrated Mr. Nair who gives driving les-sons to an impossible student, a possessive Mr. Nair who tries to protect his wife from the vulgar attentions of uncivilised men using public transport, an arrogant Mr. Nair who underestimates the shrewdness of his co-passenger and a submissive Mr. Nair who does his best to please his dog-fearing wife by promising to get rid of the stray dog menace in their colony. A perfect blend between satire and farce, this collection will endear you to its likeable characters. Above all, the stories will leave you chuckling no matter how serious you are.
Call of a mermaid - Stories of love, ego, deceit, surprise, ecstasy and disappointment, Stories of jealousy, trickery and faith, Stories of childhood, adolescence, youth, familyhood , old age and death and Stories of good times and bad times - Mohan Nair says it all with winding climax and exploding anti climax in an air of humour.
This book presents novel insights into the work and practice of the actor Krishnan Nair, who was unique in the field of Kathakali, the dance drama of South India. It shows how, because of his superb ability to connect with his audiences and the sheer charisma of his personality, Nair was able to achieve his burning ambitions. It highlights how Nair was able to ensure that Kathakali performers were invested with status and were paid a decent wage, allowing them to live in reasonable comfort.
A number of books have been written on the 1946 Royal Indian Navy Mutiny but the true story of this historic event remains untold with few facts deliberately suppressed. The Inquiry Commission report gave graphic details of mutinous acts at all the naval stations but it awarded no punishment to the guilty. It glossed over the bad conditions of service leading to the mutiny. It recommended no action against naval administration although bad service conditions were stated to be the root cause of mutiny in the Navy. It was an irony of British Naval Justice that the men voicing these bad service conditions were punished under the Naval Discipline Act. This book attempts to bring out a concise version of the composition and administration of the Navy including its sudden expansion during the World War II. The author's long association with naval counter intelligence has helped him to discern some unknown facts of this mutiny which are reflected in this book. It gives the build up and administrative background of Royal Indian Navy and details of mutinous acts in all stations because of which India did not have to fight any more for its freedom. The book, therefore, appropriately bears the title of 'Untold Story-1946 Naval Mutiny, the last war of Independence.'
FEATURES EXCLUSIVE INTERVIEW with SUBRATA ROY EVERYTHING YOU WANTED TO KNOW ABOUT SUBRATA ROY AND SAHARA INDIA PARIWAR, BUT WERE AFRAID TO ASK… Sahara: The Untold Story is based on painstaking research to demystify India’s most secretive and largely unlisted conglomerate, the Sahara India Pariwar. It also delves into the group’s ongoing legal battle with the market regulator. Entrepreneur Subrata Roy, the guardian angel of the group, whose feet are touched by everybody in the Pariwar, wants to reach out to a million lives and feels impeded and shuttered in by regulations. So the clash with the regulators was inevitable. But when a regulator slams one door, maverick Roy opens another. This play has been on since 1978, when Sahara was set up. Roy is well known for glamour and his association with film stars, cricketers and politicians. He exudes patriotism, with a statue of Bharat Mata (the presiding deity of the group) on a chariot driven by four fierce-looking lions adorning his headquarters in Lucknow. He is the Robin Hood of a country where only 35% of the adult population has access to formal banking services. This India and its millions of illiterate poor depositors stand in awe and admiration of him. But does he also exploit them? Do these poor people actually keep money with him or are they fronting for others? EXCERPT FROM THE SAHARA INDIA PARIWAR DISCLAIMER ‘The book at best can be treated as a perspective of the author with all its defamatory content, insinuation and other objections, which prompted us to exercise our right to approach the court of law in order to save the interest of the organization and its crores of depositors and 12 lakh workers.’ TamalBandyopadhyay, a deputy managing editor of Mint, is one of the most respected business journalists in India. Tamal has kept a close watch of the financial sector for over a decade and a half and has had a ringside view of the enormous changes in Indian finance and banking over this period. His first book, A Bank for the Buck, released by P Chidambaram in November 2012, has been a non-fiction bestseller.
This book examines the notions of ethics and equity in relation to language and communication in intercultural relations. Although these notions are often discussed, they are not always addressed with regard to specifi c subjects. Much intercultural discourse and dialogue in recent times has been coloured by the clash of civilizations (as described by Samuel Huntington), terrorist attacks such as 9/11, and the indelible effects which these events have had on dealings between different peoples, cultures and religions. This book discusses ethics and equity with regard to marginalized and privileged minorities, victims of abuse and of confl ict, researchers and practitioners, and language learners and speaker/users. It opens up spaces for a critical discourse of ethics and equity in language and intercultural communication as ‘new’ knowledge. This book was originally published as a special issue of Language and Intercultural Communication.
In Until the Lions, Karthika Nair retells the Mahabharata through multiple voices. Her poems capture the epic through the lenses of nameless soldiers, outcast warriors and handmaidens but also abducted princesses, tribal queens and a gender-shifting god. As peripheral figures and silent catalysts take centre stage, we get a glimpse of lives and stories buried beneath the edifices of god and nation, heroes and victory; a glimpse of the price paid for myth and history--all too often interchangeable.
"In a small town by the river Nila, a thirty-five-year-old writer kills herself. No one knows why. Fifty-two years later, an antique cupboard in a private resort opens to reveal a frightened child. And the mystery begins to unravel. From the ... author of Ladies Coupe comes an unusual new novel about the intensity - and consequences - of desire."--Provided by publisher.
On the mountains and beneath the waves, beside railway tracks and aboard buses, in prisons and in the tents of nomads, here are the world’s most extraordinary classrooms. Selected from nearly 1,000 submissions sent in from more than 130 countries, The Other Hundred Educators’ 100 photo-stories travel the globe in search of our greatest unsung teachers. With an introduction by the novelist Gish Jen, an afterword by anthropologist Jason Hickel and personal reflections from anti-schooling activists Bayo Akomolafe and Manish Jain, Portuguese writer Susana Moreira Marques, Academy Award-winning film-maker Sharmeen Obaid-Chinoy, Brazilian novelist Luiz Ruffato, Lebanese thinker Hani Soubra, and linguist and teacher Yalmay Yunupingu, The Other Hundred Educators is an invitation to think anew about learning in the 21st century.