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For many years, heartache prevented Nahid Rachlin from turning her sharp novelist's eye inward: to tell the story of how her own life diverged from that of her closest confidante and beloved sister, Pari. Growing up in Iran, both refused to accept traditional Muslim mores, and dreamed of careers in literature and on the stage. Their lives changed abruptly when Pari was coerced by their father into marrying a wealthy and cruel suitor. Nahid narrowly avoided a similar fate, and instead negotiated with him to pursue her studies in America. When Nahid received the unsettling and mysterious news that Pari had died after falling down a flight of stairs, she traveled back to Iran--now under the Islamic regime--to find out what happened to her truest friend, confront her past, and evaluate what the future holds for the heartbroken in a tale of crushing sorrow, sisterhood, and ultimately, hope.
The Late Bronze Age Stories part seven, Nahid, continues the story of this family who are descended from Thutmose, the eighteenth dynasty Egyptian artist. It is unsafe for the kin to remain in northern Mesopotamia for a tribe led by an ambitious man threatens their very existence. Petros the Wise and Kaliq have devised an intricate strategy to move the outnumbered kin to a safer place, but because they have a traitor in their midst, they can tell no one of their plans. Nahid, a young jeweler, sets out along the trade route to locate and bring back lapis. Will his great gifts for jewelry be damaged by the violence he sees? Much is changed during the course of the adventures. Nahid matures as a man and as an artist. The Bedouin and Serena thrown together by his injury become closer, their lives forever intertwined. The kin have to decide whether to honor the traditions of their kin or succumb to the surrounding violence and chaos.
It’s time for bed but Nahid can’t fall asleep. She’s due for a visit from the Tooth Fairy but is reluctant to give up her tooth. Will the Tooth Fairy convince her to let it go? Introduce the concepts of growth and change to early readers with this beautifully illustrated picture book. With pre-reading questions, this fiction book is ideal for guided reading and builds early literacy skills.
Author Md Jakir Hossain Nahid Hasan Munna
Feri, an Iranian woman in her thirties, left Iran to study and work in the United States, where she married an American and settled down. After fourteen years she returns to Iran to visit her family. Unexpectedly, she finds herself strangely pulled by the old culture, and is confronted with the question of where she belongs and how she wants to live.
The ten stories in Veils take place in present-day Iran or in the United States where Iranian immigrants face alien ways. Teheran's ancient Ghanat Abad Avenue, with its labyrinth of narrow streets and alleys, loosely links the stories into a single narrative: some residents leave as soon as they can, others can live nowhere else. The men and women in these spare and sensuous narratives who are caught in the confusing whirl of changing cultures sometimes meet with failure but more often transcend difficult circumstances to gain deeper self-knowledge.
A rebel dreamer of a girl daydreams about her role in making the world a better place—and since dreams bleed into reality, maybe she really does. A Kirkus Reviews Best Beginning Reader of 2022! Shahrzad and the Angry King is a contemporary reimagining of the Scheherazade tale, starring scooter-riding, story-loving Shahrzad. Shahrzad loves stories and looks for them everywhere. When she meets a boy and asks him to tell her his story, he recounts fleeing a country that was peaceful and happy, until its grieving king grew angry and cruel. Shahrzad can't forget the boy and his story, and so, when she sees a toy airplane in a store, she imagines herself zooming off to the boy's home country, where she confronts the king, to make him reflect on the kind of leader he really wants to be. Like Scheherazade, she tells the king story after story, but this time not to save her own life, but those of the king's people and his own. Because Shahrzad knows the power of the creative imagination and that the stories we tell and the words we use shape our very existence. We live and die by the sword? Not exactly, says Shahrzad. We live or die by the stories we tell and how we see, frame, and word the world. Brought to life by Iranian artist Nahid Kazemi, this bold heroine reminds us of how powerfully intertwined reality is with the stories we tell.