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Nagananda By King Harsha Is One Of The Best Sanskrit Dramas In Five Acts Dealing With The Popular Story Of Jimutavahana S Self-Sacrifice To Save The Nagas. The Unique Characteristic Of This Drama Is The Invocation To Lord Buddha In The Nandi Verse, Which Is Considered As One Of The Best Examples Of The Dramatic Compositions Wherein The Norms Of Dramaturgy Are Followed Up To A Considerable Extent.
From The Katha-Sarit-Sagara (The Ocean River Of Story) Dramatized In The Naganda (The Joy Of The World Serpents). A Buddhist Drama By Sri Harsha Deva.
This book is about a woman who had come to America from Kashmir India. She had no knowledge about American culture or American Justice System. She was married in India and her husband brought her to America. In America her husband started abusing her. Being culturally abound, she kept taking abuse on daily basis and kept lying about her bruises and cuts to those who were asking her questions about her injuries. Abuse got worst to the extent that one day her husband tried to kill her. She gained her consciousness after couple of hours when her husband decided to dump her body in the park. Somehow in the morning she managed to escape with her two children. She went to a woman's shelter where she lived for six months. In the shelter they insisted that she had to go to the court to get restraining order for her safety. In that process, her children were taken by the court and were given to that abusive man from whom they had a narrow escape. She was forced to pay child support when she had not taken even a one cent from her home or from her husband after she left. Her two children were given to their father because she was going to school. Judge punished her and her two children for trying to establish their life. Her Children suffered the most because of the Justice System. I wrote this book for two reasons One reason is to tell my children especially my son that I am very sorry for taking my case to American Justice System because his father has kept him in fear. Even my son is adult now but his father is still treating my son like he was treating me and my son is kept in a lot of fear, stress and extreme tension. His father didn't let him complete his education. If he had encouraged my son to complete his education, then he wouldn't be able to control my son's life. That is tearing my heart every day. And second reason is that I want to help a Battered Woman and their children by telling them my story. I was a very private person but that didn't help me. Every battered woman of this country should know that when a man hit his wife is not love. It is a danger sign figure out on time about safety zones for self and for children. My story will guide them to be strong enough to help their children.
A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.