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Nae Mammie's Kisses is a moving story, which will have the reader both laughing and crying while journeying through life with Maggie. Orphaned when she was ten years old, then separated from her brothers. Maggie's is a remarkable journey through life, as she fights against poverty, Scottish hypocrisy and the cruel hardship of Victorian standards, sustained only by her dreams of family love and togetherness. Nae Mammie's Kisses is a well-researched and accurate reflection of the social history of Maggie's time.
Nae Mammies Kisses is a moving story, which will have the reader both laughing and crying while journeying through life with Maggie. Orphaned when she was ten years old, then separated from her brothers. Maggies is a remarkable journey through life, as she fights against poverty, Scottish hypocrisy and the cruel hardship of Victorian standards, sustained only by her dreams of family love and togetherness. Nae Mammies Kisses is a well-researched and accurate reflection of the social history of Maggies time.
Edited and introduced by Cairns Craig and Randall Stevenson. Ever since the major revival of dramatic writing and production in the 1970s, the style and the subject matter of Scottish writing for stage and screen has been a continuing influence on our contemporary culture, exciting, offending and challenging audiences in equal measure. Yet modern Scottish drama has a history of controversy, conflict and entertainment going back to the 1920s, notable at every turn for the vigour of its language and its direct confrontation with telling issues. The plays in this anthology offer a unique chance to grasp the different topics and also the recurrent themes of Scottish drama in the twentieth century. Gathered together in a single omnibus volume, there is the poetic eeriness of Barrie and the political commitment of Joe Corrie and Sue Glover; there is the Brechtian debate of Bridie and the verbal brilliance of John Byrne and Liz Lochhead; there is working-class experience and feminist insight; broad Scots and existential anxiety; street realism and a meeting with the devil; social injustice and raucous humour; historical comedy and tragic loss. Here is both the breadth and the continuity of the modern Scottish tradition in a single volume.
Anne Marie’s Da, a Glaswegian painter and decorator, has always been game for a laugh. So when he first tells his family that he’s taking up meditation at the Buddhist Centre in town, no one takes him seriously. But as Jimmy becomes more involved in his search for the spiritual his beliefs start to come into conflict with the needs of his wife, Liz, and cracks begin to form in their previously happy family. With grace, humour and humility Anne Donovan’s beloved debut tells the story of one man’s search for a higher power. But in his search for meaning, Jimmy might be about to lose the thing that matters most.
The part-observed anatomy of a man who, without question, is a revered local Glasgow Godfather. Well! That’s what they all know this self-made man as. We may judge his justified reasoning and that of his diverse cohorts as we observe their continuing operations from the city streets to behind the wall at 81, the avenue number of Barlinnie Prison. The man himself is known to all by the name of ‘Bulldog.’ In 1968, there were 3,501,564 global births, including Andrew ‘Bulldog’ Drummond and Mr Chang Wie. The fusion of two can bear much fruit. The first birth sound that was made by Andrew Drummond was a yell. Was it a warning? Or just telling us that he had arrived?