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This eBook features the unabridged text of ‘Nada the Lily by H. Rider Haggard - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of H. Rider Haggard’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Haggard includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Nada the Lily by H. Rider Haggard - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Haggard’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Another of Henry Rider Haggard's renowned action-adventure tales, Nada the Lily tells the story of revered warrior Umslopogaas, an illegitimate son of the Zulu monarch Chaka, who is forced into exile and must fight to defend his honor -- as well as to win the love of the sought-after and seemingly unattainable beauty Nada. With plenty of battlefield action and stirring romance, this rollicking tale has something to offer every reader.
Sir Henry Rider Haggard was an English writer of adventure novels set mostly in Africa, and a founder of the Lost World literary genre. Nada the Lily is the thrilling story of the brave Zulu warrior Umslopogaas and his love for the most beautiful of Zulu women, Nada the Lily. Young Umslopogaas, son of the bloodthirsty Zulu king Chaka, is forced to flee when Chaka orders his death. In the adventures that ensue, Umslopogaas is carried away by a lion and then rescued by Galazi, king of an army of ghost-wolves.
One of the greatest adventure story writers of all time, H. Rider Haggard was a prolific novelist, whose exciting tales have entertained readers for over a hundred years. This comprehensive eBook offers readers the collected works, with the usual Delphi bonus texts. (Version 3) Allan Quatermain Series Ayesha Series The Umslopogaas Series The Rise and Fall of the Zulu Nation Series The Novels Dawn (1884) The Witch’s Head (1884) King Solomon’s Mines (1885) She (1886) Jess (1887) Allan Quatermain (1887) Mr Meeson’s Will (1888) Maiwa’s Revenge (1888) Colonel Quaritch, V.C. (1889) Cleopatra (1889) Allan’s Wife (1889) Beatrice (1890) The World’s Desire (1890) Eric Brighteyes (1890) Nada the Lily (1892) Montezuma’s Daughter (1893) The People of the Mist (1893) Joan Haste (1895) Heart of the World (1895) The Wizard (1896) Dr Therne (1898) Swallow (1899) Elissa (1900) Black Heart and White Heart (1900) Lysbeth (1901) Pearl-Maiden (1903) Stella Fregelius (1904) The Brethren (1904) Ayesha: The Return of She (1905) The Way of the Spirit (1906) Benita (1906) Fair Margaret (1907) The Ghost Kings (1908) The Yellow God (1908) The Lady of Blossholme (1909) Morning Star (1910) Queen Sheba’s Ring (1910) Red Eve (1911) Marie (1912) Child of Storm (1913) The Wanderer’s Necklace (1914) The Holy Flower (1915) The Ivory Child (1916) Finished (1917) Love Eternal (1918) Moon of Israel (1918) When the World Shook (1919) The Ancient Allan (1920) She and Allan (1921) The Virgin of the Sun (1922) Wisdom’s Daughter (1923) Heu-Heu (1924) Queen of the Dawn (1925) The Treasure of the Lake (1926) Allan and the Ice Gods (1927) Mary of Marion Isle (1929) Belshazzar (1930) The Shorter Fiction Allan the Hunter (1890) Allan’s Wife and Other Tales (1899) The Mahatma and the Hare (1911) Smith and the Pharaohs and Other Tales (1913) The Non-Fiction Cetywayo and His White Neighbors (1882) The Last Boer War (1899) A Winter Pilgrimage (1901) The Autobiography The Days of My Life (1926)
This surprising study draws together the disparate fields of postcolonial theory and book history in a challenging and illuminating way. Robert Fraser proposes that we now look beyond the traditional methods of the Anglo-European bibliographic paradigm, and learn to appreciate instead the diversity of shapes that verbal expression has assumed across different societies. This change of attitude will encourage students and researchers to question developmentally conceived models of communication, and move instead to a re-formulation of just what is meant by a book, an author, a text. Fraser illustrates his combined approach with comparative case studies of print, script and speech cultures in South Asia and Africa, before panning out to examine conflicts and paradoxes arising in parallel contexts. The re-orientation of approach and the freshness of view offered by this volume will foster understanding and creative collaboration between scholars of different outlooks, while offering a radical critique to those identified in its concluding section as purveyors of global literary power.