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Befitting her name, this book offers seven unique perspectives on the visit of the Queen of Sheba to Solomon in 1 Kings 10. Although each theory stands alone and can be taken as a starting point for further investigation, the overall implication is that the Queen’s visit was not intended as a chronicle of some illustrious Arabian ruler seeking the king’s wisdom but rather, it was a reminder of the most castigated woman in the Hebrew Bible, Nitocris, wife of Nabonidus, King of Babylon (556-539 BCE). Two previous investigations, She Brought the Art of Women, and Arabian Sinai, set a new paradigm for the interpretation of the Song of Solomon and the exodus narratives, placing the stories of Abraham, Moses, and Solomon firmly in the 6th Century BCE. Nabonidus and Nitocris’ relationship was based on arcane rituals, secret initiations, and the drinking of a psychedelic, addictive potion; the “Queen of Sheba” epithet preserves this influence on the king as a caveat. Subsequent additions to the simple legend played with other associations to serve changing needs but the link to Nabonidus and Nitocris could never be lost, even if their original histories had been long forgotten.
The last King of Babylon, Nabonidus, led a handful of Israelites to Jerusalem after the fall of his kingdom and devised a 'new religion' at a nondescript mesa in the Arabian Desert, later called "Sinai."
Piecing together an account of the life of Queen of Sheba from varied sources gives one a fascinating glimpse into the ancient world, and from the turmoil of this chaos of information rises one constant figure: the queen herself.
Bilqis, the Queen of Sheba, is a woman as modern as her story is ancient. Constantly in conflict with priests and high lords of her kingdom, she longs for love but fears that she may lose her throne if she chooses the wrong man. In Solomon, she finds both love and a new faith, the covenant between man and woman and the convenant between humankind and God.
A biography of the Queen of Sheba who is celebrated by at least three of the world's great religions, Judaism, Christianity, and Islam.
Part I of this book begins with a scriptural study of all Sheba references, particularly the origins and genealogy of the name and its connections with Hebrew patriarchs such as Abraham and kings Saul and David; it later explores the literature and legends surrounding king Solomon and his trade negotiations with Sheba. The text analyzes theories and links between the Queen of Sheba and Pharaoh Hatshepsut, and concludes that Sheba may well be the Pharaoh based upon linguistic associations and the related stories from a multitude of regions and countries. Part II travels into ancient Arabian, Yemeni, Ethiopian, and Eritrean tales of the Queen of Sheba, and examines the mention of Sheba in an array of Jewish, Christian, and Muslim texts. It scrutinizes associations between ancient gods and pharaohs, particularly the similarity of their iconographic representations, the meaning of their symbols and signs that connect with Sheba legends and Hatshepsut's history, the real extent and location of her vast empire.
The Queen of Sheba comes to Jerusalem to test King Solomon's wisdom. The king answers all her questions and reveals the splendor of his realm in this epic love story for children. Based on Biblical, Rabbinic and Ethiopian sources.
The Holiest Lie Ever is made up of controversial material pertaining to religion and all the facts. It reveals the truth behind many religious aspects that have become distorted over time and predominantly focuses on Christianity. The material is both informative and insightful. This book is intended for anyone who belongs to a religious entity or is interested in learning about the truth of where religion comes from and why it has transformed into the form that it has taken today.
What would happen if the interpretation of Song of Solomon were to move beyond the layered traditions of rabbinic Judaism, the theological concerns of Christian communities, or even the Enlightenment ideals of a rigorously objective secular hermeneutic? This new reading by Janet Tyson provides a fascinating answer to that question. –Timothy Paul Erdel, Bethel University The Song of Solomon is an intimate, eyewitness account of the stormy marriage between the last King of Babylon, Nabonidus, and the Egyptian princess Nitocris II. It details the couple’s seven-year stay in Tayma, Arabia, during which time the king formulated his plan to reinstate a long-defunct female priesthood at Ur, in honour of the lunar deity, Sîn. The Song was written by a female scribe, during the exodus from Babylon in c.538 BCE; she is potentially recorded elsewhere in the Hebrew Bible. Her ‘song of praise’ tells of magic, blood rites, jealousy and rivalry, contraception, miscarriage, lies and curses. It bears all the signs of an act of vengeance, for it preserves the bitter resentment of a woman who lived in the shadow of the king’s most exotic wife. Topics of interest include: * A consistent pattern of applied Ishtar/Hathor mythology * Potential insight into the function of the God’s Hand * The use of Jewish gematria * Clear allusions to the esoteric rite known today as the Elixir Rubeus * Internal chronology that mirrors the reign of Nabonidus, including a lunar eclipse * Profound parallels between Nabonidus and King Solomon * Strong connections between Herodotus and the Song’s narrative * Potential identification of the Song’s author and date of composition * Other ancient legends revealing this same interpretation